marc weiner (106 risultati)

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condizione: Good.

Hardcover. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condizione: Good. No Jacket. The Diversity Hoax: Law Students Report from Berkeley, eds. Wiener and Berley, Mansfield, Ohio, U.S.A.: Foundation for Academic Standards & Traditions, 1999, 184p, trade pb, bumped/scuffed covers, clean/tanning text, solid binding, price sticker back cover--anti PC tract.8.00.

Hardcover. Condizione: Like New. First Edition. Like new hardcover copy. Interior is free of markings. Binding is tight, sturdy, and square. Exterior looks like new. From a private collection. Ships from Dinkytown in Minneapolis, Minnesota.

448pp, (6x9 inches), b&w illustrations, bibliography, index and with a new postscript by the author. Very Good condition in wrappers (soft cover). Corners barely rubbed, otherwise clean, crisp, tight (no spine creasing. No bumps, tears or creases, no markings.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condizione: Gut. 173 S. ; 20 cm, Guter Zustand. Sprache: Englisch Gewicht in Gramm: 310.

Hardcover. Condizione: Very Good. No Jacket. Very good clean tight copy. Text free of marks. Professional book dealer with storefront since 1999. All orders are processed promptly and carefully packaged.

Weiner, Marc A. Undertones of insurrection: music, politics & the social sphere in the modern German narrative. Lincoln: University of Nebraska Press, 1993, xvi, 313pp., very good hardcover with illustrated printed covers, a few very minor light pencil lines in margins or erasures of such. Texts and contexts ; v. 6. - Early in the 1930s Theodor Adorno began to draw attention to the intimate ties between Germanic music and emerging dangers in Germanic culture. In this book, the author shows how music was a battleground in Germanic literature as well. Changes in musical style, the lives of composers, and different musical tastes became means of probing all sorts of cultural issues, including the nationalist confidence in Germanic supremacy. Ranging from 1900 to Doctor Faustus (1947), the author's study sets the stage by examining debates that conflated such issues as national identity, racism, populism, the role of the sexes, and xenophobia with musical texts. In the literary analyses that follow, he discusses both obvious connections between music and sociopolitical issues--Hesse's equation of jazz and insurrection in Steppenwolf--and covert ones--the suppression of music in Death in Venice and the use of politically charged musical subtexts in Werfel's Verdi and Schnitzler's Rhapsody. By uncovering the ideological agendas informing cultural practice in modernist Germany, this book calls for a reevaluation of the function of music in Germanic culture in general and in the modern German narrative in particular. - CONTENTS: Ch. 1. Music in the Modern Imagination: The Polemics of Hans Pfitzner -- Ch. 2. Music and Repression: Death in Venice -- Ch. 3. Mozart, Jazz, and the Dissolution of the Bourgeois Personality: Steppenwolf -- Ch. 4. Democracy versus Music Drama: Verdi, Palestrina, and Reflections of a Nonpolitical Man -- Ch. 5. Music and the Enlightenment Tradition: The Magic Flute, The Woman without a Shadow, and Rhapsody: A Dream Novel -- Ch. 6. "Air from Another Planet": Beyond Polarities in Doctor Faustus. 9780803247581 ISBN 0803247583.

Hardcover. Condizione: New. No Jacket. First Edition. A new copy of the first hard cover edition, lacking the dust-jacket. The text is of course wholly unmarked, pristine, and the cloth binding is bright and fresh in appearance. A brilliant copy.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: No DJ. First Edition. First Printing. Pages are clean, no markings from previous owners. Boards are clean. Binding is square and tight. Faint wear to cloth at spine ends and corners. Text block is clean. No dust jacket. PICTURES PROVIDED UPON REQUEST.

Hardcover. Condizione: New. No Jacket. 1st Edition. Univ. of Nebraska Press, 1998. First edition. First printing. Hardbound. New, issued without dust jacket, in shiny pictorial boards. A pristine unread copy. FERRY, UNIVERSITY PRESS.

Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condizione: Very Good. Very Good condition. Issue 42. (radicalism, politics, history, periodicals) A copy that may have a few cosmetic defects. May also contain a few markings such as an owner's name, short gifter's inscription or light stamp.

Condizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Condizione: As New. Unread book in perfect condition.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780813532981.

240 pp.; 23 x 16 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed "We owe our idea of the contemporary exhibition to Harald Szeemann--the first of the jet-setting international curators. From 1961 to 1969, he was Curator of the Kunsthalle Bern, where in 1968 he had the foresight to give Christo and Jeanne-Claude the opportunity to wrap the entire museum building. Szeemann''s groundbreaking 1969 exhibition When Attitudes Become Form, also at the Kunsthalle, introduced European audiences to artists like Joseph Beuys, Eva Hesse, Richard Serra and Lawrence Weiner. It also introduced the now-commonplace practice of curating an exhibition around a theme. Since Szeemann''s death in 2005, there has been research underway at his archive in Tessin, Switzerland. An invaluable resource, this volume provides access to previously unpublished plans, documents and photographs from the archive, along with important essays by Hal Foster and Jean-Marc Poinsot. There is also an informative interview with Tobia Bezzola--curator at the Kunsthauz Zurich and Szeemann''s collaborator for many years. Two of Szeemann''s most ambitious exhibitions are presented as case studies: Documenta 5 (1972) and L''Autre, the 4th Lyon Biennial (1997). A biography, an illustrated chronology of Szeemann''s exhibitions and a selection of his writings complete this exhaustive survey." -- publisher''s statement. Texts by Szeemann, Yves Aupetitallot, Mark Nash, Florence Derieux, Hal Foster, Jean-Marc Poinsot, François Aubart, Fabien Pinaroli, Balthasar Burkhard, Sadie Woods, Karin Prätorius, Urs and Rös Graf, Lucia Pesapane, Irmeline Lebeer and John Anthony Thwaites, Jean-Christophe Ammann, Bazon Brock, François Burkhardt, Johannes Cladders, Lucia Pesapane, Claes Oldenburg, Lawrence Weiner, Haeju Kim, Julija Cistiakova, Yuka Tokuyama, Thierry Prat, Thierry Raspail, Chris Burden. Copiously illustrated with images of Szeemann, exhibitions curated by Szeemann. Illustrated chronology of exhibitions curated / organized by Szeemann, selected bibliography. Very Good. Light handling wear evident. Contents clean and unmarked.

, Weiner, Marc A. Undertones of insurrection : music, politics & the social sphere in the modern German narrative. Lincoln : University of Nebraska Press, 1993, xvi, 313pp., very good illustrated hardcover. Texts and contexts, vol. 6 Pfitzner, Mann, Hesse, others. 9780803247581 ISBN 0803247583.

Condizione: New.

Condizione: new. Location:855 8vp 312 pp. 855.

Hardcover. Condizione: As New. 1st Edition. 8vo. xvi, 313 pp. Illustrated. Original glossy photographic boards without DJ as published. This is a tight, fine book.

xv, 439p., music, b/w illus., dj. (Texts and contexts, 12).

Hardcover. Condizione: Fair. Spuren von Feuchtigkeit / Nässe; Leichte Rillen / Abschürfungen / Risse / Knicke; Gebrochener Buchrücken; Farbtonänderung. This book addresses one of the most hotly contested debates in contemporary cultural the question of how anti-Semitism figures in the operas of Richard Wagner. Until now, scholars have generally acknowledged Wagner's anti-Semitism but have argued that it is irrelevant to the operas themselves. Marc A. Weiner challenges that traditional view by asserting that anti-Semitism is a crucial, pervasive feature in Wagner's operas.Weiner argues that the operas exemplify and contribute to a vast collection of images that are patently anti-Semitic - and that were readily recognized as such by nineteenth-century German audiences. These images were associated particularly with the body.Through a careful examination of Wagner's music, libretti, and stage directions, Weiner reconstructs iconographies of corporeal images - iconographies of the eye, voice, smell, gait, and sexuality - that were essential to the operas and were "associated with anti-Semitism and the longing for an imagined German community.".

Paperback. Condizione: Good. Ex library in original wrappers, library labels/stamps etc. Some pencil notes to margins.

0. 8°. 477 S. Orig.-Ppbd. Orig.-Schutzumschlag. - gutes Expl.! Sprache: Deutsch 0.500 gr. Orig.-Ppbd. Orig.-Schutzumschlag.

Hardcover. Condizione: Near Fine. 1st Edition. Hardcover. Clean, tight, and unmarked. Very neat -- a sound and handsome copy. Illustrated. Size: 8vo - over 7¾ - 9¾" tall. Book.

Paperback. Condizione: Near Fine. Condizione sovraccoperta: No Dust Jacket. Texts and Contexts Series.