marceau henri (35 risultati)

1. Paperback. Foreword by Henri Marceau. Introductory note by Frances Lichten. With many fotos in black and white. No year indicated, published ca. 1960. First edition.; Jahr: 1960; Format: Großoktav; Anzahl der Seiten: 34; Auflage: 1.; Zustand: 2 (Cover slightly browned. Otherwise flawless copy.)Shipping costs displayed on some platforms (mainly AbeBooks/ZVAB) may differ from the actual costs for items over 500 grams or in larger formats. If you are affected by this, we will ask you for your consent. PLEASE NOTE US CUSTOMERS: Due to the US government's customs regulations, goods can currently only be shipped to the US as parcels, which costs at least 30,00 USD. 20 gr. 34 pages. Cover slightly browned. Otherwise flawless copy.

Paperback. Condizione: Vg -. Assumed First Edition. Book.

Softcover. Condizione: Very Good. Volume 57, Number 271. Approx. 6 3/4" wide by 9 3/8". ; 36 pages.

Softcover. No Dust Jacket. Yellowed; Pencilled writing on back wrapper. Slight spotting and soiling to text.

Hardcover. Condizione: Very Good. No Jacket. First Edition. Art. Maroon cloth covers very nice, light bumps on the spine ends. Light foxing on the front endpapers, otherwise the interior is clean and tight.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

PB. Condizione: good, wraps (softcover). B&W illustrations (illustratore). 58pp.

Condizione: Good. Good condition. (Asian Art) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Softcover. Condizione: Very Good. Very good paperback. Staple binding. No date. Pages 19-42. Pages and cover clean.

Soft cover. Condizione: Good. Softcover, 9 by 7 inches, 85 pages plus illustrations. Covers have slight wear and the pages are clean.

Soft cover. Condizione: Good Plus. Good plus with light cove wear, light cover soiling. Content is clean, binding strong and tight. 85 pages with additional 28 unnumbered pages of black & white photos of Rush's works.

Soft Cover. Condizione: Very Good. First Edition. Over 288 full page reproductions of the paintings from the John G. Johnson Collection; 272pp, size of book: 8x10-1/2in; printed on smooth paper; book is tight; paper wrappers have rubbing and few nicks; otherwise interior in VERY GOOD COND.

Hardcover. Condizione: Fair. Book is in fair condition. 200pp with b/w photographs and illustrations.

no date. Asia, art. Philadelphia Museum of Art. Stapled binding/pamphlet 19-42p. Good paperback with slight handling to back cover's white fields. Black and white photos.

broschiert/Taschenbuch. 34 S. (23,5 cm) OHeft. 1.Aufl. Außen gebräunt, an einer Ecke durchgehend kleines Eselsohr; sonst guter Zustand. Sprache / Language: Englisch.

Softcover catalog raisonne, 86 pages, good condition, many paint stains on bottom and left edge of cover, small tear at top of spine; no internal marks.

[no date]. (Mass market paperback) Very good. 34pp. Undated [c.1956]. Printed crème card wraps, saddled stapled. Wraps toned, most deeply at extremities; lightly dust dirtied. Internally clean. Replete with B&W photos. Bibliography at rear.

26 x 20 cm. Condizione: Gut. 73 pages. Soft cover, spine defect. Inside clean. MIG-30-01B Sprache: Deutsch Gewicht in Gramm: 280.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Softcover. Off-white illus. stapled wraps; pp. 119-135; 16 bw plates. Published in conjunction with a centennial exhibition held at the Philadelphia Museum of Art. Includes an introduction by Lloyd Goodrich, a note on the exhibition by Henri Marceau, and an 1866 letter from Eakins to his mother. Good+ (Wraps lightly discolored, with a few small chips and tears; Small label and pencil markings at front cover; Pages quite clean).

85, (3)pp., 29 plates, 1 folding chart. 4to. Wraps.

Broschur (Paperback) -. - Mit einer farb. Abbildung - - internlp039-3147 Englisch - (8)+73 Seiten S. 27 x 20 x 1 cm - Quart 300g. mit deutlichen Gebrauchsspuren - deutlich berieben und bestoßen mit Randläsuren, Rücken mit Tesa-Reparatur, mit Namenseintragung eines Vorbesitzers, mit einem Stempel eines Vorbesitzers, mit einigen Anstreichungen und Eintragungen - mit deutlichen Gebrauchsspuren - deutlich berieben und bestoßen mit Randläsuren, Rücken mit Tesa-Reparatur, mit Namenseintragung eines Vorbesitzers, mit einem Stempel eines Vorbesitzers, mit einigen Anstreichungen und Eintragungen -.

Condizione: Fair. Signed Copy . Inscribed by author on front endpage. Spine torn. Dampstained. (Sculpture, Art Catalogs).

Milano, 1953, stralcio con copertina posticcia muta, pp. 465/484 con illustrazioni e tavole. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo di rivista, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perchè ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : ?estratto? or ?stralcio? means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from? ?to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.

Paris, directeur Jacques Laurent. Un volume (14,3x22,6 cm) sous couverture illustrée d'un dessin de Cocteau en médaillon, (120) pages. Couverture légèrement défraichie sinon bon état. Textes de Pierre de Lacretelle, Jacques Laurent, Henri-Pierre Rocher, Félicien Marceau, Alice Poirier, Renée Massip, René de Solier, Laurence Talbot, etc. Créée par Jacques Laurent en 1953, cette revue donnera voix notamment aux Hussards mais aussi à de jeunes écrivains et poètes, et comptera 52 numéros jusqu'en avril 1958. Livres.

Condizione: VG. Philadelphia 1953. In The Proceedings of the American Philosophical Society, Volume 97 No. 6, December 1953 at pp .686-712, illustrated with bw photographs. Whole issue has several articles on other topics. Sm.4to., wraps. VG Plus. Technical and detailed article.

paperback. Condizione: Good. Prima edizione. 2 fascicoli in 8, cm 19,5 x 26,5, pp. (32); (32) interamente illustrate da 64 tavole fotografiche b/n a piena pagina. Raro assieme di queste due pubblicazioni che illustrano parte dei dipinti italiani, compresi tra il 1250 e il 1450 e  conservati presso il Philadelphia Museum of art . Book.

Couverture souple. Condizione: Très bon. Edition originale. Paris 2009. 1 Volume/1. -- Broché collé . Format 23,5 x 15,6 cm ( 494 gr ). ------- . 336 pages. ********************* 4ème de Couverture : "" « Le surréalisme sans la peinture » : ainsi s'intitulait, en 1973, une exposition de Marcel Mariën. Et c'est dans un esprit similaire qu on lira le titre du présent recueil. Car d'architecture surréaliste, il n'en est pas, ou si peu que le sujet serait vite clos. Paradoxalement, c'est peut-être pourtant par cette absence même que le surréalisme trouve sa place en architecture. Fervents promoteurs de l'imagination contre le réel, de la révolte contre l'édification, les surréalistes n'en auront pas moins, par leurs élaborations imaginaires, posé un horizon qui, a posteriori, apparaît comme le négatif parfait du modernisme architectural. Ils auront encore, par leur regard électif, établi une sorte de contre-tradition architecturale, mais remonte aussi bien plus loin dans le passé. Le poids de cette tradition, l'élan vers cette utopie auront ainsi fondé une véritable exigence architecturale, qui devait, accompagner la progressive sortie de l'architecture des canons modernistes. Accueillant architectes, littéraires comme historiens de l art, ce volume aborde aussi bien l approche surréaliste de l architecture proprement dite (par Breton, Tzara, Bataille) que la présence de l architecture dans la littérature ou la peinture (De Chirico, Gracq, Magritte, Malkine, Mandiargues), voire au cinéma, sans oublier les projets architecturaux en tant que tels (Matta, Kiesler, Marcel Jean, Doumayrou). Attentif à l architecture vue par les surréalistes, il s arrête enfin sur l héritage du mouvement au c ur de l architecture, jusqu aux perspectives les plus contemporaines (Internationale Situationniste, Tschumi, Spuybroek). "" *********************** ref 605.