Marcel carné director (15 risultati)

.in original plastic case.

Pas de couverture. Condizione: Bon. Rare - Card signed in 1980. + Photo 20x15 cm (recent print). Size : 9x14 cm. Condition : please see scans. Provenance : Georges Somville collection. Certificate of Authenticity and lifetime guarantee. Signé par l'auteur.

Vintage black-and-white glossy photographic French lobby card from the 1945 film. The French classic, centered around the theatrical life of a beautiful courtesan (Arletty) and four men who love her. Nominated for an Academy Award for Best Screenplay. Set in shot on location in France. 11.75 x 9.5 inches. Very Good, with three closed tears (one 3 inches), two repaired on verso with cello tape, pinholes to corners and edgewear. Rosenbaum 1000. Ebert II. Criterion Collection 141.…

Vintage borderless photograph from the 1938 film, showing an exterior street set, with a bridge in the foreground. Mimeo snipe and provenance label on the verso. Based on Eugène Dabit's 1929 novel. Director Marcel Carné's prewar, mood-drenched masterpiece, following his thematically similar 1938 film "Port of Shadows," and preceding the much greater fame that would come to his work in 1945 with "Children of Paradise." Set and shot on location in Paris. 6.5 x 4.5 inches. Very Good plus.…

Vintage borderless reference photograph from the 1945 film, showing actor Jean-Louis Barrault. Mimeo snipe and French Ministère de L'Information stamp on the verso. An influential classic of French cinema, following a courtesan in nineteenth century Paris who finds her attentions torn between four possible suitors-a mime, an actor, a thief, and an aristocrat. Set and shot on location in France. 7 x 8.5 inches. Very Good plus, with light wear on the left and right edges. Criterion Collection 141. Ebert II. Rosenbaum 1000.…

Collection of 30 vintage press photographs and contact sheets from promotional events for the 1960 French-Italian film, here under the original French title, "Terrain vague." All photographs housed in a large brown folder with the French title in manuscript ink on the flap. Based on Hal Ellson's groundbreaking 1950 cult novel "Tomboy." Dan (Gaubert) is a tough gang leader who dresses and fights like a man. She and two others, including Babar (Bras) are ostracized due to their behavior, and she falls in love with Lucky (Cafarelli) while Babar commits suicide. A late entry for film noir regular and poetic realist Carné, whose notable credits include "Port of Shadows" (1938), "The Devil's Envoys" (1942), and "Children of Paradise" (1945). Set in Paris. Photos range in size from 4.75 x 6.75 inches to 9 x 11.25 inches. Very Good plus overall, foxing to versos, light curling and rubbing.…

Six vintage press photographs for the 1960 film. Housed in a brown paper envelope, presumably as issued. Envelope with manuscript ink annotation. Loosely based on the 1950 novel, "Tomboy" by Hal Ellson. A teenage girl tomboy is the leader of a gang of other young people. The crimes they commit become more serious, leading her and two other members to be ostracized and on the run. Set in the Paris suburbs. 7.25 x 5 inches. Good with foxing at the right and left side of the photographs and some wear to the finish.…

Two vintage black-and-white photographs from the US premiere of the 1964 film. Mimeo snipe affixed to the versos, as issued, noting that the film is making its debut at the Esquire Theatre in Los Angeles. Also on the verso is a stamp for the US distributor, THEATRICAL PLAYS. Carne's pre-war, mood-drenched masterpiece that followed the thematically similar "Port of Shadows," and preceding the much greater fame that would come to his work in 1945 with "Children of Paradise." 8 x 10 inches. Fine. …

Vintage borderless double weight reference photograph of Jean Gabin and Jacqueline Laurent from the 1939 film. "C. Comercial Radiolux Amanece" stamp and annotations in manuscriptic red and blue pencil on verso. Francois (Gabin), pursued by the police, has barricaded himself in a room at the top of a building after shooting and killing the Machiavellian Valentin (Jules Berry) over their mutual love interest Francoise (Laurent). Remade in 1947 as "The Long Night," directed by Anatole Litvak, and starring Henry Fonda and Barbara Bel Geddes. 7.75 x 9.75 inches. Very Good plus, with some light creasing. Grant France.…

Vintage borderless reference photograph of Macel Carne and Jacques Brel on the set of the 1971 film by photographer Raymond Voinquel. Based on the 1956 French novel "Les Assasins de l'Ordre" by Jean Laborde. A judge in a small provincial town investigates the death of a man who died after an interrogation while in police custody. 9.5 x 7 inches. Small single faint crease in bottom left corner, else Near Fine.…

Vintage oversize portrait photograph from the 1938 French film, showing actors Jean Gabin and Michèle Morgan. In his essay for the Criterion Collection release of the film, critic Lucy (formerly Luc) Sante calls the film the "definitive example of the style known as 'poetic realism.' The ragged outlines, the lowdown settings, the romantic fatalism of the protagonists, the movement of the story first upward toward a single moment of happiness and then down to inexorable doom - the hallmarks of the style had germinated in some form or other through the decade, but in Marcel Carne's third feature they came together as archetypes." Winner of the 1939 Prix Louis Delluc. 9 x 11.25 inches. Near Fine. Criterion Collection 245. Grant France. Godard, Histoire(s) du cinema.…

Vintage borderless reference photograph from the 1945 film, showing director Marcel Carné on the set. French annotations in manuscript pencil on the verso, along with a Photofest label and a printed mimeo snipe affixed to the bottom edge. An influential classic of French cinema, following a courtesan in nineteenth century Paris who finds her attentions torn between four possible suitors-a mime, an actor, a thief, and an aristocrat. Set and shot on location in France. 7.25 x 9.5 inches. Very Good plus. Criterion Collection 141. Ebert II. Rosenbaum 1000.…

Two vintage oversize double weight borderless studio still photographs from the 1945 French film, one showing actress Arletty in costume as the courtesan Garance, reclining on a couch, the other showing the interior of the Grand Theatre where actor Pierre Brasseur is performing. An influential classic of French cinema, following a courtesan in nineteenth century Paris who finds her attentions torn between four possible suitors-a mime, an actor, a thief, and an aristocrat. Set and shot on location in France. 11 x 9 inches. Very Good plus, one with pinholes and brief wear to the corners, and one with a small closed tear to the top left corner. Criterion Collection 141. Ebert II. Rosenbaum 1000.…

4 pp. on 3 ff. (2 of which 210 x 270 mm) (1 of which 210 x 295 mm, with Carné's letterhead), a card (130 x 85 mm) and two telegrams (210 x 110 mm). Correspondence from the great French director of "Les Enfants du Paradis" to the author Auguste Le Breton (1913-99), with whom he collaborated on various unrealised film projects, including "Les Hauts Murs", "Les Fauves" and "Les Prisonniers". - Carné discusses his dealings with his producers, including Louis Dolivet ("j'ai fait une "remontée" assez sensationnelle: il y a maintenant 90 chances sur 100 pour que l'on termine le film en septembre"), Raymond Hakim and Robert Dorfmann ("Hakim est toujours d'accord pour reprendre le plan, mais Dorfmann se fait tirer l'oreille"). One of the telegrams discusses Le Breton's film "Du Rififi chez les femmes", directed by Alex Joffé (1959). - The earliest letter is dated 20 September 1955, the latest 6 December 1982. The telegrams are dated 9 October 1957 and 30 June 1959. The undated card mentions an article by Le Breton: "Bravo et tous mes compliments pour votre article gonflé de tendresse du Film Français". - A set of varied correspondence between two important figures in French cinema, particularly in the 1950s. - Creasing from folding, some small marginal tears. Paper clean and legible, fine documents for their era.…

Vintage double weight photograph from the 1939 film. Shot and struck by the film's still photographer Raymond Voinquel, with his name in tiny print at the bottom left corner of the image, and the film title at the bottom right. A striking image, shot from the top of a tall tenement stairwell looking straight down, as all the tenants looking up. A significant image as well, as it is pulled from a location that is at the heart of the story, where Jean Gabin-pursued by the police-has barricaded himself in a room at the top of the building after shooting and killing a fellow foundry working in an argument. 8.5 x 11. 25 inches. In a museum quality frame. Four small discolorations at the corners of the verso from an old non-archival mounting, else about Fine.…