marcel duchamp andre breton robert (19 risultati)

472 pp.; 24.1 x 19.5 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Anthology of surrealist texts, selected and edited by Marcel Jean. General editor for The Documents of 20th-Century Art series: Robert Rauschenberg. Includes texts by Giorgio de Chirico, Arthur Rimbaud, Guillaume Apollinaire, Alfred Jarry, Jacques Vaché, Pierre Reverdy, Lautréamont, Marcel Duchamp, André Breton, Francis Picabia, Max Ernst, and many others. Includes a selected bibliography by Bernard Karpel and an index. Good / Very Good. Yellow discoloration and dusting of covers with dusting of text block edges. 3.2 cm. staining to recto. Rubbing of dust-jacket edges. Yellowing of pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Softcover. First American edition. Quarto. Softcover. BW illus. wraps, 205 pp., profusely illustrated in BW. Considers well the life and work of French artist and Cubist Marcel Duchamp (1887-1968). With a variety of texts, a catalogue raisonne of more thn 200 pieces, a bibliography, and an overwhelmingly number of illustrations. Uncommon in this year, format, and publisher. VG-: Wear to the edges and corners. Rubbing to the wraps. Interior clean and unmarked.

Softcover. Condizione: Good. Quarto. 11 x 8 1/2". 201pp. plus index. Illustrated in b&w. Pictorial wrappers. Rubbing to edges, small tear to spine bottom. General wear and mild toning.

Soft cover. Condizione: Good. No jacket. First American edition. Covers worn. Back cover creased.

Hardcover. Condizione: Brand New. pck edition. 298 pages. 12.75x9.75x1.75 inches. In Stock.

Hardcover. Condizione: Wie neu. Condizione sovraccoperta: Wie neu. 1. Auflage. W : Two volumes in a slipcase: facsimile and supplement 25 x 33 cm Quote from Jason Farago: 'He first declared a bicycle wheel to be a work of art in 1913, but it took nearly half a century with the 1959 publication of Robert Lebel s catalogue raisonné of his early painting, his ready-mades and his cryptic notes for the New York art world to crown the discreet and debonair Duchamp as King Marcel. Long out of print, it s now been re-editioned and bundled with a supplement that maps the influence of Lebel s book over the decades, all housed in a handsome slipcase.'.

Condizione: New. KlappentextrnrnDieses Buch wurde nach seinem Erscheinen Ende 1959 fuer viele Jahrzehnte zum Standardwerk ueber Marcel Duchamp. Es erschienen gleichzeitig auch als exklusive Grand-Deluxe- und Deluxe-Ausgaben in franzoesischer Sprache sowie in Handel.

Hardcover. Condizione: Brand New. pck edition. 298 pages. 12.75x9.75x1.75 inches. In Stock.

Soft cover. Condizione: Good. 1959, 8.5 x 11 inches approx, 201 pages, illus. b&w; text is in English | tired copy is intact and useable but not very lovely due to rubbed covers and foxing which is present on reverse of covers and of text block edges, but not on main text | carefully packaged and dispatched from UK within two working days.

Soft cover. Condizione: Very Good. No Jacket. Large paperback with black and white photographic covers. Light edge and corner wear. Tight binding.Art stamp on title page and inside back cover. Robert Lebel's name is printed on white spine. Several sections of photographs. 11x8.25 with 201 pp plus ind.

Couverture souple. Condizione: Neuf. Paris 2015. 1 Volume/1. -- Reliure éditeur cartonnée pleine toile ocre sous jaquette avec calque et étui. Format 32 x 24,5 cm ( 1520 gr ).------ 192 pages. Illustrations. ****************** Présentation éditeur : "" Fac-similé de la première monographie consacrée à Marcel Duchamp, parue en 1959. Une initiation à l' uvre et à la personnalité d'un artiste doublée d'une reconsidération de la situation du peintre dans la société contemporaine et d'une analyse approfondie des mobiles de l'activité créatrice. Mise en page par Duchamp lui-même, avec ses propres textes, des textes d'André Breton et Henri-Pierre Roché et de très nombreuses illustrations, cette édition comprend une bibliographie et un catalogue raisonné de l'ensemble de son uvre. Comment le Nu descendant un Escalier, banni des Indépendants de 1912 devient l'année suivante, à l'Armory Show de New York, le tableau le plus célèbre de l'époque ? Comment Marcel Duchamp, recherché et fêté en Amérique, vit indifférent à tout succès commercial ? Comment ayant travaillé huit ans à son uvre monumentale le Grand Verre, il cessa de peindre sans renoncer pour autant à exercer son influence décisive ? Autant de problèmes brûlants sans l'élucidation desquels l'Art Moderne ne saurait être vraiment compris et qui étaient, jusqu'ici, demeurés sans réponse."" *********************** réf fav-02-06 réf 234 (1/2)srm réf 492.

Paris, Jean-Jacques Pauvert, directeur : André Breton. Un volume 19,2x19,2cm broché sous couverture illustrée, 100 pages illustrées dans et hors texte, en noir et en couleurs. Bon état. Livres.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Fair. First Edition. First Grove Press edition. Reddish-orange cloth boards under pictorial dust jacket priced at $15, 4to, 192 pp. Large pencil ownership inscription to first blank page, some foxing to edges. Front panel of DJ detached, chipping to top of rear cover. Extra postage required for international or expedited shipping.

Soft cover. Condizione: Very Good. 1st Edition. 4° - 201pp - B/w reproductions. Marcel Duchamp by Robert Lebel (1901-1986)French art historian, specializing in modern French art. He was also an essayist, poet, novelist, and art collector, He wrote the first fundamental essay on Marcel Duchamp and remained close to the artists and poets of Surrealism. For example, Lebel was the friend and advisor of André Breton and close to Max Ernst, Jacques Lacan, André Masson and Claude Lévi-Strauss. First American Edition, text in English. Original wrappers. In Very good condition.

427 pp.; 27.8 x 21.3 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and numbered; offset-printed Revised 1965 edition of an anthology of critical essays by André Breton. Artists, philosophers, and other figures mentioned in the text include André Breton, Corneille Agrippa, Guillaume Apollinaire, Apulee, Louis Aragon, Alexander Archipenko, Hans Arp, Gaston Bachelard, Honoré de Balzac, Hans Bellmer, Bleuler, Umberto Boccioni, Jérôme Bosch, Constantin Brancusi, Georges Braque, Victor Brauner, Bettina Brentano, Jean-Paul Brisset, Charles de Brosses, Robert Browning, Giordano Bruno, Alexander Calder, Leonora Carrington, Blaise Cendrars, Paul Cezanne, Marc Chagall, Giorgio de Chirico, Cimabue, Joseph Cornell, Piero di Cosimo, Georges Courteline, Charles Cros, Salvador Dali, Paul Delvaux, André Derain, Denis Diderot, Oscar Dominquez, Enrico Donati, Isidore Ducasse, Marcel Duchamp, Raymond Duchamp-Villon, Eckhardt, Albert Einstein, Paul Eluard, Max Ernst, Serge Essenine, Joachim de Flore, Théodore Flournoy, Jean Fouquet, Charles Fourier, Esteban Frances, James George Frazer, Sigmund Freud, von der Gabelentz, Alberto Giacometti, Giotto, Goethe, Arshile Gorky, Mathias Grunewald, Gutenberg, David Hare, S. William Hayter, Heraclite, Herold, Morris Hirshfield, Victor Hugo, Sidney Janis, Alfred Jarry, Frido Kahlo, Søren Kierkegaard, Paul Klee, Heinrich von Kleist, Kraepelin, Wifredo Lam, Henri Laurens, Eliphas Levi, Georg-Christoph Lichtenberg, Jacques Lipschitz, Raymond Lulle, Mabuse, Maurice Maeterlinck, René Magritte, Majakowsky, Stéphane Mallarmé, André Masson, Pierre de Massot, Henri Matisse, Matta, Meissonnier, Joan Miró, Henry Moore, Nadja, Gérard de Nerval, Friedrich Nietszche, Novalis, Richard Oelze, Gordon Onslow-Ford, Wolfgang Paalen, Blaise Pascal, Benjamin Peret, Francis Picabia, Pablo Picasso, Edgar Poe, Jacques Prévert, Jean Racine, Man Ray, Marcel Raymond, Charles Renouvier, Retz, Arthur Rimbaud, Diego de Rivera, Simon Rosenkreuz, Henri Rousseau, Jean-Jacques Rousseau, Sabato, Marquis de Sade, Kay Sage, Nicolas Saunderson, Caroline Schlegel, Kurt Schwitters, Kurt Seligmann, Georges Seurat, Wirt Sikes, Hélène Smith, Philippe Soupault, HIppolyte Taine, Yves Tanguy, Leo Trotsky, Tristan Tzara, Raoul Ubac, Uccello, Jacques Vache, Paul Valery, Vincent Van Gogh, Jacques Vaucanson, Leonardo da Vinci, and Edward Young. Includes index of names and list of illustrations. Printed in color and black-and-white. Text in French. Fair / Good. 5 cm. tear to the book cloth along spine and 1 cm. of soiling. 2 cm. stain on inside front endpapers and flyleaf which carries through lightly to the title page. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges may be required for international orders.

Soft cover. Condizione: Very Good. 1st Edition. Sm.4° - 201pp - B/w reproductions. Marcel Duchamp (1887-1967) French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art. He is commonly regarded, along with Pablo Picasso and Henri Matisse, as one of the three artists who helped to define the revolutionary developments in the plastic arts in the opening decades of the 20th century, responsible for significant developments in painting and sculpture. Text by Robert Lebel (1901-1986) art historian, specializing in modern French art. He was also an essayist, poet, novelist, and art collector. He wrote the first fundamental essay on Marcel Duchamp. First edition, text in English. Original boards. In Very good condition.

Paperback. Condizione: Good. Softcover; 201 pages, plus index. Black & white illustrations. No marks or writing to book. Covers are rubbed, with some where to edges and corners. Text pages are only faintly age-toned.

Condizione: Very Good. First Paperback Edition. Publisher: Paragraphic Books/Grossman, New York, 1959. NEAR FINEsoftcover in pictorial wraps, as issued. Book was first published in French in that same year. This edition was translated into English by George Heard Hamilton. Previous owner' signature and artistic embossed stamp on FFEP. First US Softcover Edition, First Printing.

Broché. Condizione: Très bon. New York, David Hare, 1942-1944, 4 numéros en 3 volumes 278x215mm, brochés, ex-librid de Robert Duncan. Collection complète de cette importante revue surréaliste réalisée par les émigrés européens en exil à New York durant la seconde guerre mondiale, avec la collaboration d'artistes et d'écrivains américains; elle était dirigée par le jeune sculpteur David Hare assisté d'un comité éditorial composé d' André Breton, Max Ernst et Marcel Duchamp.Participations d'André Breton, Dali, Man Ray, Matta, Yves Tanguy, Marcel Duchamp, Max Ernst, Claude Lévi-Strauss, William Carlos Williams, André Masson, Isabelle et Patrick Waldberg, Robert Motherwell, entre autres.N°1 (Octobre 1942): couverture de Max Ernst. N°2-3 «Almanach»: couverture de Duchamp avec au deuxième plat une partie ajourée montrant une silhouette féminine en découpe laissant apparaître un morceau de grillage (Chicken wire) destiné à un "Twin-Touch-Test" (détaché).N°4: couverture de Matta, nombreux hors-textes de différents formats par Max Ernst, Matta, Tanguy, Jacqueline Lamba, David Hare, Marcel Duchamp ( "Allégorie de Genre" , "Dessin successif "et "Nous Nous Cajolions").Bel exemplaire.De la bilbiothèque Robert Duncan, ( 1919-1988) écrivain, essayiste, dramaturge et poète américain, lié au courant littéraire du Black Mountain et à celui de la Beat generation, dont les 3 volumes portent l'ex-libris.Schwarz 494-495; Biro et Passeron p.426; Destribats 433. (2807.21) (105533).