Marcel pagnol director (3 risultati)

Vintage double weight photograph from the 1938 film. A candid, on-the-set photograph by the film's credited still photographer, Roger Corbeau, capturing a scene in the town square between the town priest (Robert Vattier) and schoolteacher (Robert Bassac), with the camera crew just to the left, director Marcel Pagnol looking on in the center background, and several members of the cast waiting just outside the frame, to the far right. With Roger Corbeau's photo credit ("PHOTO ROGER CORBEAU") at the bottom left of the frame. With a stamp for the Cinemonde Archives on the verso. An extraordinary "fourth wall" shot, demonstrating at once the method and the magic of Pagnol's filmmaking, as well as his relentless interest in provincial life in France. Loosely based on Jean Giono's 1932 novel "Blue Boy," the film follows a small-town baker's wife who runs away with a handsome younger shepherd, leaving the baker heartbroken and unable to work. The villagers, who initially laugh at his cuckoldry, soon take the matter very seriously, and organize a plan to find the wife and to bring her back to her husband. 9.25 x 7 inches. About Fine. …

Vintage oversize double weight reference photograph from the 1932 film, showing the fish stand in the Marseille harbor. With a manuscript pencil annotation on the verso, noting the number 8. A young fishmonger's daughter discovers she's pregnant, with little chance of marriage to the father, who has departed overseas for a sailor's life. The second film in director Marc Allegret's delicate, lyrical Marseillaise trilogy, preceded by "Marius" (1931) and followed by "Cesar" (1936). Set and shot on location in Marseille. 9 x 11.25 inches. Very Good plus, slightly wavy at the bottom edge, with some soil on the bottom half of the recto only. Criterion Collection 883. Godard, Histoire(s) du cinema.…

Vintage double weight photograph from the 1938 film. A candid, on-the-set photograph by the film's credited still photographer, Roger Corbeau, of a cafe scene featuring the film's principal character (actor Raimu), with the camera crew just to the left, in the shadows, the borders of the studio set clearly visible. With Roger Corbeau's photo credit ("PHOTO ROGER CORBEAU") at the bottom left of the frame. On the verso is a rubber stamp for the Cinemonde Archives. An extraordinary "fourth wall" shot, demonstrating at once the method and the magic of Pagnol's filmmaking, as well as his relentless interest in provincial life in France. In this film, a new baker, Aimable (Raimu) settles down in a small French village. His wife Aurelie is beautiful and much younger than he. She departs with a shepherd the night after Aimable produces his first breads. Aimable is so afflicted that he cannot work anymore. The villagers, who initially laugh at his cuckoldry, soon take the matter very seriously (they want the bread), and organize a plan to find Aurelie and to bring her back to the bakery and her husband. In a custom museum-quality frame, archivally mounted, with UV glass. 9.25 by 7 inches. Four tiny single pinholes at the corners, within the white marginal border. Near Fine overall.…