Marchesin isabelle (42 risultati)

paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

Paperback. Condizione: Very Good. The Tree and the Column examines the bronze door of Hildesheim Cathedral, which is not only a masterpiece of Ottonian art but is among the most recognizable and studied works of medieval sculpture. Commissioned by Bishop Bernward of Hildesheim and cast around 1015, the door's two leaves feature the oldest-known monumental image cycle in German sculpture, depicting significant events from the Old and New Testaments. Isabelle Marchesin closely reads each of the door's sixteen panels, analyzing the detailed iconography to excavate the elaborate theological and deeply spiritual significance of the biblical scenes cast into metal. Studying the door's technical, material, political, and theological dimensions, Marchesin argues that Bernward intended the cathedral door to be read and reread like scripture so that unifying messages about God's presence in the world could be understood. Featuring nearly two hundred detailed color photographs of the panels that reveal their remarkable artistry and materiality, The Tree and the Column offers an innovative explication of a total work of medieval art. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. …

Condizione: New.

Condizione: New. Brand New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. The Tree and the Column examines the bronze door of Hildesheim Cathedral, which is not only a masterpiece of Ottonian art but is among the most recognizable and studied works of medieval sculpture. Commissioned by Bishop Bernward of Hildesheim and cast around 1015, the door's two leaves feature the oldest-known monumental image cycle in German sculpture, depicting significant events from the Old and New Testaments. Isabelle Marchesin closely reads each of the door's sixteen panels, analyzing the detailed iconography to excavate the elaborate theological and deeply spiritual significance of the biblical scenes cast into metal. Studying the door's technical, material, political, and theological dimensions, Marchesin argues that Bernward intended the cathedral door to be read and reread like scripture so that unifying messages about God's presence in the world could be understood. Featuring nearly two hundred detailed color photographs of the panels that reveal their remarkable artistry and materiality, The Tree and the Column offers an innovative explication of a total work of medieval art.…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: new.

Condizione: New. 2024. paperback. . . . . .

Paperback. Condizione: new. Paperback. The Tree and the Column examines the bronze door of Hildesheim Cathedral, which is not only a masterpiece of Ottonian art but is among the most recognizable and studied works of medieval sculpture. Commissioned by Bishop Bernward of Hildesheim and cast around 1015, the door's two leaves feature the oldest-known monumental image cycle in German sculpture, depicting significant events from the Old and New Testaments. Isabelle Marchesin closely reads each of the door's sixteen panels, analyzing the detailed iconography to excavate the elaborate theological and deeply spiritual significance of the Biblical scenes cast into metal.Studying the door's technical, material, political, and theological dimensions, Marchesin argues that Bernward intended the cathedral door to be read and reread like scripture so that their unifying message about God's presence in the world could be understood. Featuring nearly two hundred detailed color photographs of the panels that reveal their remarkable artistry and materiality, The Tree and the Column offers an innovative explication of a total work of medieval art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New.

Condizione: New. In English.

Condizione: New.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Paperback. Condizione: Brand New. 240 pages. 11.00x8.50x0.79 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Condizione: New. 2024. paperback. . . . . . Books ship from the US and Ireland.

paperback. Condizione: New. Special order direct from the distributor.

Paperback. Condizione: Brand New. 240 pages. 11.00x8.50x0.79 inches. In Stock.

Condizione: fine. très bon état. Optez pour nos livres d'occasion en très bon état, et soutenez l'insertion sociale et l'écologie en leur offrant une seconde vie. 349839-1 - The Tree the Column The Bronze Door of Hildesheim, Marchesin, Isabelle, 2024.

Paris, Éditions de la Cité de la musique, 2004. In-4 carré broché, avec rabats, de 269 pages. Photos et illustrations dans et hors du texte. Très bon état.

Condizione: New. &Uumlber den AutorIsabelle Marchesin. translated by Janice Bertrand Owen and Ester Zago. foreword by Herbert L. Kessler.

Hardcover. Condizione: Brand New. bilingual edition. 247 pages. French language. 10.25x7.25x0.75 inches. In Stock.

Condizione: New.

Paperback. Condizione: New. The Tree and the Column examines the bronze door of Hildesheim Cathedral, which is not only a masterpiece of Ottonian art but is among the most recognizable and studied works of medieval sculpture. Commissioned by Bishop Bernward of Hildesheim and cast around 1015, the door's two leaves feature the oldest-known monumental image cycle in German sculpture, depicting significant events from the Old and New Testaments. Isabelle Marchesin closely reads each of the door's sixteen panels, analyzing the detailed iconography to excavate the elaborate theological and deeply spiritual significance of the biblical scenes cast into metal. Studying the door's technical, material, political, and theological dimensions, Marchesin argues that Bernward intended the cathedral door to be read and reread like scripture so that unifying messages about God's presence in the world could be understood. Featuring nearly two hundred detailed color photographs of the panels that reveal their remarkable artistry and materiality, The Tree and the Column offers an innovative explication of a total work of medieval art.…

Taschenbuch. Condizione: Neu. Neuware - 'The bronze doors of Hildesheim are considered a masterpiece of Ottonian art. They feature the oldest known monumental image cycle in German sculpture and also the oldest cycle of images cast in metal in Germany. Cast around 1015 for Hildesheim Cathedral in Germany, they were commissioned by Bishop Bernward of Hildesheim (938-1022) and show relief images from the Old and New Testaments. This book is a close reading of each panel of the doors and takes seriously the doors as texts that were legible to medieval viewers at multiple levels'.…

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: NEW. Turnhout: Brepols Publishers, 2023 9782503599731 809 247 p. : ill. col., indice, biografia ; 25 cm. This publication brings together essays by scholars of both medieval and contemporary art, offering a cross-disciplinary approach of both periods. It investigates how contemporary artists and contemporary art historians perceive medieval art, and, reciprocally, how medieval art historians envisage the echoes of medieval artforms and esthetics in contemporary art. The volume follows on from the symposium organized in conjunction with the exhibition "Make it New: Carte Blanche à Jan Dibbets" that was held at the Bibliothèque Nationale de France (Paris) in 2019, and which presented side by side Hrabanus Maurus's De Laudibus Sanctae Crucis (In Praise of the Holy Cross), a masterpiece of Carolingian art, with works by artists associated with conceptual art, mininimal art, and land art. How and why has medieval art, and particularly early medieval art, inspired contemporary artists since the 1950s? What has medieval art contributed to contemporary art? How has medieval art's treatment of figures, color, space, geometry, and rhythm provided inspiration for contemporary artists' experiments with form? In what way does contemporary artists' engagement with the topics of formatting, writing, semiosis, mimesis, and ornamentation draw inspiration from medieval models? To what extent and in what sense are the notions of authorship and performativity relevant for understanding conceptions of artmaking in both periods? Rather than focusing on medievalism and citational practices, or on. This publication brings together essays by scholars of both medieval and contemporary art, offering a cross-disciplinary approach of both periods. It investigates how contemporary artists and contemporary art historians perceive medieval art, and, reciprocally, how medieval art historians envisage the echoes of medieval artforms and esthetics in contemporary art. The volume follows on from the symposium organized in conjunction with the exhibition "Make it New: Carte Blanche à Jan Dibbets" that was held at the Bibliothèque Nationale de France (Paris) in 2019, and which presented side by side Hrabanus Maurus's De Laudibus Sanctae Crucis (In Praise of the Holy Cross), a masterpiece of Carolingian art, with works by artists associated with conceptual art, mininimal art, and land art. How and why has medieval art, and particularly early medieval art, inspired contemporary artists since the 1950s? What has medieval art contributed to contemporary art? How has medieval art's treatment of figures, color, space, geometry, and rhythm provided inspiration for contemporary artists' experiments with form? In what way does contemporary artists' engagement with the topics of formatting, writing, semiosis, mimesis, and ornamentation draw inspiration from medieval models? To what extent and in what sense are the notions of authorship and performativity relevant for understanding conceptions of artmaking in both periods? Rather than focusing on medievalism and citational practices, or on. Denoel,Charlotte - Dryansky,Larisa - Marchesin,Isabelle.…