margery mann cunningham (23 risultati)

Profusely Illustrated (illustratore). Softcover, good condition: some light brown spotting to first and last page and page edges; some random spots in the margins of a few pages; but they do not interfere with the illustrations or text.

Paperback. Condizione: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Profusely Illustrated (illustratore). Very Good minus paperback with tanning and light soiling to the covers and a light crease to one corner of the front cover; binding solid with no creasing to the spine; interior clean and bright. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. The catalogue for an exhibition of work by Imogen Cunningham, held at the Henry Art Gallery, Seattle, March 23 - April 21, 1974; includes examples of her portraiture (Brassai, Ansel Adams, Weston, et al), nudes, botanical studies, and early work. Photographs by Imogen Cunningham; introduction by Margery Mann. First edition, second printing, 1976. 112 pages; 75 b&w plates; 8 x 11 inches.

Softcover, very good condition except light yellowing to covers; no internal marks. Foreign shipping may be extra.

Wraps. Condizione: Good. Wraps. Second printing of the paperback edition of this work, preceded by several printings of the hard cover edition. Unpaginated, with 94 black and white plates of the photos of Imogen Cunningham. A monograph of the photography of Imogen Cunningham, preceded by an introduction providing a critical look at her art. GOOD+ condition. Minor to moderate browning to the covers, with minor soiling and edgewear. Top edge foxed. Small faint stain on the upper rear cover. Interior clean and solid.

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good+. Illustrated by Imogen Cunningham (illustratore). 2nd Printing. B&W Photographs; This book is in Very Good+ condition and has a Very Good+ dust jacket. The book and its contents are in clean, bright condition. The text pages are clean and bright. The reverse of the front endpaper has a previous owner's inked gift notation. The price clipped dust jacket is in clean, crisp condition. This book includes an introduction by Margery Mann. "Imogen Cunningham took her first photograph in Seattle in 1901, following instructions which she obtained from the International Correspondence School. She learned commercial platinum printing in the studio of Edward Curtis and then studies in Europe on a scholarship. For a time she had her own portrait studio in Seattle, later moving to Oakland." (from Wikipedia) ; Vol. 7.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Second Printing. Seattle: University of Washington Press, 1974. Hardcover. Collection published in honor of Cunningham's 90th birthday. Price clipped; dust jacket lightly soiled with some age toning. Very Good.

Fine and bright tall glossy stiff wraps with strong spine and clean text throughout. Wonderful portraits by the Western photographer crossing a long chronology of her career with landscapes and portraits.

Condizione: Very Good. Softcover. Introduction by Margery Mann. A retrospective look at Cunningham's long career. Includes many of her best images. B&w images throughout. A clean copy in wrappers. Record # 375400.

Hardcover. Fine clothbound hardcover with a touch of rubbing to the bottom edges of the boards in a Near Fine dust jacket with a tiny tear/wear at the crown, a touch of tanning along the top edges, and light shelf wear. A nice copy. All dust jackets are protected by a clear mylar cover. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. The catalogue for an exhibition of work by Imogen Cunningham, held at the Henry Art Gallery, Seattle, March 23 - April 21, 1974; includes examples of her portraiture (Brassai, Ansel Adams, Weston, et al), nudes, botanical studies, and early work. Photographs by Imogen Cunningham; introduction by Margery Mann. First edition, second printing, 1976. 112 pages; 75 b&w plates; 8.25 x 11.25 inches.

First Edition. First edition. Exhibition brochure for a show that ran September 19 through October 19, 1973. Single sheet folded once to create 4 pages. Text by Margery Mann. Includes 1 black and white images and a checklist of 49 works. A very good plus copy with some very minor wear. Scarce ephemera.

Soft cover. Reprint. Illustrated. Important reference work. Very scarce in this condition. Fine copy.

Hardcover with dustjacket, 112 pages; very good condition; dj is lightly rubbed and yellowed; no internal marks. 2nd printing.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. Imogen Cunningham (illustratore). 1st Edition. 1st. Edition , 1970 1st. Printing . Black cloth hardcover with the dust jacket , 94 full page black & white plates by Cunningham from 1901 to 1970 . Condition : Fine , dust jacket is very good with small rips at the spine and front fold now repaired . Size: 4to - over 9¾ - 12" tall. Book.

Profusely Illustrated (illustratore). First Edition. First edition. Softcover. 110 pages. Exhibition catalog for a show that ran March 23 through April 21, 1974. Features a foreword by LaMar Harrington and an introduction by Margery Mann. Includes over 70 black and white images, a checklist, a list of previous exhibitions, and a selected bibliography. A clean very near fine copy in photo-illustrated wrappers. Signed and inscribed by Cunningham on the title page to another photographer. Signed.

hardcover. Condizione: near fine. Condizione sovraccoperta: very good. Imogen Cunningham (illustratore). Illustrated with black and white photographs. Unpaginated, about 120 pages. Small 4to, white and black cloth, d.w. (spine worn, lightly dust soiled). Seattle: University of Washington Press, (1970). Photograph of Cunningham by Mann enclosed, wrapped in parchment paper. Near fine in a very good dust wrapper.

Paperback. Condizione: Near Fine. 1st. 110 pages, illustrations; 29 cm. Index of Art in the Pacific Northwest Series, no. 7. Published in connection with an exhibition shown at the Henry Art Gallery, University of Washington, March 23 to April 21, 1974. PRESENTATION COPY. Signed by the photographer Imogen Cunningham in the year of publication, with a personalized inscription. Age toning. *** CONTENTS: I. Early years in Washington, 1910-1915; II. Northern California portraits, 1921-1936; III. Artists, actors, writers, 1923-1940; IV. Plants, 1923-1946; V. Later portraits, 1953-1973; VI. Heads, legs, hands, 1965-1973. Size: 4to. SIGNED. Collectible.

Hardcover with dustjacket, unpaginated; good condition: the dj has moderate degree of rubbing marks, mostly vertical black lines near the edges; internally very good condition; no internal marks. Signed "Imogen Cunningham" on a plain white card which is taped to the first blank page. Laid in is a copy of a typed letter on Cunningham's stationary sent to Lee Witkin in 1975. Also laid in are 4 stapled Xeroxed pages from the Friends of Imogen Cunningham regarding the proposal for a Cunningham commemorative stamp. Many newspaper clippings and exhibition announcement card also laid in. Foreign shipping may be extra.

Hardcover. Condizione: Very Good +. Condizione sovraccoperta: Very Good. First edition. SIGNED. Unpaginated. Quarto [28cm]. 1/4 white paper with black boards. Title stamped in black ink on spine. Spine just a touch rolled. Head of boards sunned. Dust jacket is a bit toned and soiled. Signed by Imogen Cunningham on the title page. Cunningham was a highly awarded photographer primarily known for her shots of urban landscapes, nudes and nature photography. This book represents the first full-length treatment of her work, presenting 94 of her finest photographs, dating from 1901-1970.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Fine. Imogen Cunningham Roi Partridge (illustratore). First Edition. 4to. Unpaginated. Introduction by Margery Mann. Filled throughout with Cunningham's photographs. Half black cloth binding with black cloth-covered boards, stamped lettering on spine. Slight age-toning to upper edge of leaves. Near Fine in Fine dust jacket, price of $12.50 intact on front flap.Inscribed by the photographer on the title page: "Imogen Cunningham / is still making moves first for Polly" Born in Portland, OR, Cunningham studied at the UW and in Germany, then worked under Edward S. Curtis. While developing her style in Seattle, she married Roi Partridge, a noted printmaker whose renown was eventually eclipsed by Cunningham. Cunningham exhibited locally and came to the attention of Edward Weston, eventually settling in San Francisco. Her images have retained an elegant poetry. Dust jacket now protected in a clear, removable archival sleeve.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Imogen Cunningham Roi Partridge (illustratore). First Edition. 4to. Unpaginated. Introduction by Margery Mann. Filled throughout with Cunningham's photographs. Half black cloth binding with black cloth-covered boards, stamped lettering on spine. Slight age-toning to upper edge of leaves. Near Fine in Fine dust jacket, price of $12.50 intact on front flap. Born in Portland, OR, Cunningham studied at the UW and in Germany, then worked under Edward S. Curtis. While developing her style in Seattle, she married Roi Partridge, a noted printmaker whose renown was eventually eclipsed by Cunningham. Cunningham exhibited locally and came to the attention of Edward Weston, eventually settling in San Francisco. Her images have retained an elegant poetry. Dust jacket now protected in a clear, removable archival sleeve.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. Imogen Cunningham (illustratore). 1st Edition. 1st. Edition 1970 , Black cloth hardcover with the dust jacket, unpaginated . With 94 black & white full page plates by Ms. Cunningham, this copy is inscriber and signed by her on the title page. Condition : Fine , with very light edge foxing . DJ is Very Good with light rubs and a very small tear at the top corner Size: 4to - over 9¾ - 12" tall. Signed By Photographer. Book.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. Imogen Cunningham (illustratore). 1st Edition. First Edition (NAP; University Of Washington Press= NAP). Signed and inscribed by Imogen Cunningham to artist and photographer Ann Parker (her work is included in the collections of the Whitney Museum, The Metropolitan Museum of Art, and the Getty Museum) and her husband the artist and writer, Avon Neal. There's also a separate signed letter to Ms. Parker on Ms. Cunningham's stationary (see photo). The letter of thanks is unusual. Reference video of Ms. Cunningham telling Johnny Carson that she had come on his show to 'thank those who I never answered, this is going to thank them and tell them that I'm not going to answer.' In the letter she writes: 'By now you will understand what kind of a responder I am-- deviled to death and I have not thanked you for the beautiful shot done in Mexico,' You can see the textured black & white covers in the photos. They're exceptionally clean. The black lettering on the spine is nicely bright. The cover edges and corners are in very solid shape, no rubbing. The page edges look very good. The book is square and the spine is straight. The binding is very solid from cover to cover with nicely tight pages throughout and nicely tight covers as well. The interior of the book is in excellent condition. The inside covers and end papers are a textured light gray. They look very good, no soiling. The pages are exceptionally clean. There are two tiny, light tan spots on the half-title page. There is one tiny gray spot off the middle edge of one page, far from her photograph. I didn't find any other soiling (if you would even call either of those soiling) on any of the other pages. The pages are also free of any conspicuous wear. I didn't find any turned-down corners or placeholder creases. There is a tiny (1/4 inch), light crinkle off the top edge of the first seven pages. There are no tears on any of the book's pages. There are no markings in the book. There are no attachments of any kind. And Imogen Cunningham's signed inscription represents the only writing be found anywhere. The photographs are all in excellent condition. Her talent is on display throughout. Here are some of her subjects: Cary Grant, Joseph Sheridan, the Bruton Sisters, Marian Simpson, Upton Sinclair, Rebecca Hume, Amedee Ozenfant, Helena Mayer, Herbert Hoover, Gertrude Stein, Shen Yao, Lyonell Feininger, Morris Graves, David Park, Merce Cunningham, Ruth Asawa, Theodore Roethke, Anna Freud, Man Ray, August Sander, John Roeder, and Wynn Bullock. The Introduction by the photographer and critic Margery Mann runs twenty pages. The dust jacket presents nicely. I've had it in a fitted protective cover for all the years that I have owned the book. There is some toning at some of the edges, particularly on the rear cover adjacent to the top edge and the spine. The spine itself does not appear to be toned. There are also a few darkish spots. two off the top edge of the rear cover. There is a small (3/8th") tear off the top edge of the spine and one other small, thin tear (1/4") off the rear top edge. The large flaps look pretty much perfect, no soiling, no wear of any kind. The jacket is NOT price-clipped, not clipped at all. From the dust jacket: 'This book, the first full-length treatment of Imogen Cunningham's work, presents ninety-four of her finest photographs, dating from 1901 to 1970. Although she has photographed a variety of subjects, she is best known for her studies of individual plants and for her portraits. A portrait photographer, as she says, must be 'hung up on people,' and Margery Mann's warm and uninhibited Introduction shows this gifted artist as a woman of tremendous charm and unquenchable spirits. With Edward Weston, Ansell Adams, Paul Strand, and other photographers living in the San Francisco area she helped to change the direction of West Coast photography. The famous f/64 Group, which they founded, was dedicated to the honest, sharply defined image, rejecting the furry, soft-focus 'pictorialism' then in vogue.'. Inscribed by Author(s).