Editore: Gustavsbergs Konsthall [2011], 2011
Da: Rönnells Antikvariat AB, Stockholm, Svezia
EUR 32,20
Quantità: 1 disponibili
Aggiungi al carrello28x20 cm. 88 s. Rikt illustrerad. Förlagsband. Fint skick.
Da: Hatt Rare Books ILAB & CINOA, Hägersten, Svezia
EUR 37,33
Quantità: 1 disponibili
Aggiungi al carrelloFörlagsband med blindpräglad titel. Fint skick. Gustavsberg, Gustavsbergs konsthall i samarbete med Per B Sundberg, 2011. 4:o. 28,5 x 20,5 cm. 88 sid. Rikt illustrerad med fina helsides färgfoton. Parallelltext på svenska och engelska. / Text bilingual in Swedish and English. Utgiven till en utställning på Gustavsbergs konsthall 28 maj-18 september 2011. - - - Per Bertil Sundberg, vanligen Per B. Sundberg, är en svensk keramik- och glaskonstnär, till 2005 verksam vid Orrefors glasbruk och sedan som professor på Konstfack i Stockholm (till 2011), och fristående konstnär. Eftersom Sundberg även behärskar hantverket som glasblåsare har han en unik position bland Sveriges glaskonstnärer. Sommaren 2011 ställdes hans keramik ut på en separatutställning på Gustavsbergs Konsthall.
Da: Hatt Rare Books ILAB & CINOA, Hägersten, Svezia
EUR 60,66
Quantità: 1 disponibili
Aggiungi al carrelloLimp plastic cover, transparent front. New York, Bard College, 2003. Diss. 4to. 29,7 x 21 cms. [ii] + xvi + 142 + [88] pp. Illustrated. Swedish furniture designer Gustaf Axel Berg was the designer who most actively and broadly promoted Swedish modernism in the 1930s and early 1940s, mirroring the social values and reforms of the Social Democratic vision of an egalitarian welfare society as a "people's home" (folkhemmet). In contrast to his contemporaries, who were professional architects, designers or cabinet-makers, Berg began as a civil engineer and public relations man for Electrolux in London. With an engineer's problem-solving approach, he experimented with ergonomics and the optimal design for seating furniture. His talent for public relations informed his articles and advertisements for a modern lifestyle. He targeted a less exclusive clientele than that of his better-known colleagues in Sweden, the Iuxury-oriented Josef Frank and the craft-driven Carl Malmsten.