marianne windsperger (26 risultati)

Condizione: Brand New. 6.10x1.06x8.86 inches. In Stock.

hardcover. Condizione: New. Hardback. No dust jacket. Cover edges and corners in good shape. Spine is tight. Pages are clean, no markings, notes or stains. Ships from Friends bookstore to benefit Beaverton (Oregon) library.

Buch. Condizione: Neu. Neuware -The World Wide Web (WWW) and digitisation have become important sites and tools for the history of the Holocaust and its commemoration. Today, some memory institutions use the Internet at a high professional level as a venue for self-presentation and as a forum for the discussion of Holocaust-related topics for potentially international, transcultural and interdisciplinary user groups. At the same time, it is not always the established institutions that utilise the technical possibilities and potential of the Internet to the maximum. Creative and sometimes controversial new forms of storytelling of the Holocaust or more traditional ways of remembering the genocide presented in a new way with digital media often come from people or groups who are not in the realm of influence of the large memorial sites, museums and archives. Such 'private' stagings have experienced a particular upswing since the boom of social media. This democratisation of Holocaust memory and history is crucial though it is as yet undecided how much it will ultimately reinforce old structures and cultural, regional or other inequalities or reinvent them. The 'Digital space' as an arbitrary and limitless archive for the mediation of the Holocaust spanning from Russia to Brazil is at the centre of the essays collected in this volume. This space is also considered as a forum for negotiation, a meeting place and a battleground for generations and stories and as such offers the opportunity to reconsider the transgenerational transmission of trauma, family histories and communication. Here it becomes evident: there are new societal intentions and decision-making structures that exceed the capabilities of traditional mass media and thrive on the participation of a broad public. 269 pp. Englisch.

Buch. Condizione: Neu. Neuware -The World Wide Web (WWW) and digitisation have become important sites and tools for the history of the Holocaust and its commemoration. Today, some memory institutions use the Internet at a high professional level as a venue for self-presentation and as a forum for the discussion of Holocaust-related topics for potentially international, transcultural and interdisciplinary user groups. At the same time, it is not always the established institutions that utilise the technical possibilities and potential of the Internet to the maximum. Creative and sometimes controversial new forms of storytelling of the Holocaust or more traditional ways of remembering the genocide presented in a new way with digital media often come from people or groups who are not in the realm of influence of the large memorial sites, museums and archives. Such 'private' stagings have experienced a particular upswing since the boom of social media. This democratisation of Holocaust memory and history is crucial though it is as yet undecided how much it will ultimately reinforce old structures and cultural, regional or other inequalities or reinvent them. The 'Digital space' as an arbitrary and limitless archive for the mediation of the Holocaust spanning from Russia to Brazil is at the centre of the essays collected in this volume. This space is also considered as a forum for negotiation, a meeting place and a battleground for generations and stories and as such offers the opportunity to reconsider the transgenerational transmission of trauma, family histories and communication. Here it becomes evident: there are new societal intentions and decision-making structures that exceed the capabilities of traditional mass media and thrive on the participation of a broad public. 269 pp. Englisch.

Hardback. Condizione: New. The World Wide Web (WWW) and digitisation have become important sites and tools for the history of the Holocaust and its commemoration. Today, some memory institutions use the Internet at a high professional level as a venue for self-presentation and as a forum for the discussion of Holocaust-related topics for potentially international, transcultural and interdisciplinary user groups. At the same time, it is not always the established institutions that utilise the technical possibilities and potential of the Internet to the maximum. Creative and sometimes controversial new forms of storytelling of the Holocaust or more traditional ways of remembering the genocide presented in a new way with digital media often come from people or groups who are not in the realm of influence of the large memorial sites, museums and archives. Such "private" stagings have experienced a particular upswing since the boom of social media. This democratisation of Holocaust memory and history is crucial though it is as yet undecided how much it will ultimately reinforce old structures and cultural, regional or other inequalities or reinvent them. The "Digital space" as an arbitrary and limitless archive for the mediation of the Holocaust spanning from Russia to Brazil is at the centre of the essays collected in this volume. This space is also considered as a forum for negotiation, a meeting place and a battleground for generations and stories and as such offers the opportunity to reconsider the transgenerational transmission of trauma, family histories and communication. Here it becomes evident: there are new societal intentions and decision-making structures that exceed the capabilities of traditional mass media and thrive on the participation of a broad public.

Taschenbuch. Condizione: Neu. Neuware -Transit facilities and railway stations used for deportation have been rediscovered as central sites of the Shoah in recent years. Public memorials and monuments recall the deportation of the Jewish population to ghettos, annihilation camps, and sites of mass murder. What has long remained a desideratum is a comprehensive, comparative, and analytical overview of deportations from territories under control or influence of Nazi Germany. This volume aims to determine differences and commonalities in the organisation and implementation of deportations in Nazi-dominated Europe. It analyses the relationship between central switching points of the 'Final Solution' and local civilian, military and SS-Police authorities and investigates how Jewish organisations were forced to collaborate in the process of their own destruction. The present research examines the limited agency of Jewish Councils, the deportation of protected groups such as members of 'mixed families', the importance of citizenship, and the despotism of individual perpetrators.Contributions are based on the 2019 workshop Deportiert. Vergleichende Perspektiven auf die Organisation des Wegs in die Vernichtung, co-organised by the Vienna Wiesenthal Institute for Holocaust Studies (VWI) and the Austrian Academy of Sciencesnew academic press, Schellhammergasse 11/11, 1160 Wien 380 pp. Englisch.

8°, Hardcover. Condizione: Gut. first Edition. 342 Seiten good to very good condition Sprache: Englisch Gewicht in Gramm: 1100.

8°, Hardcover. Condizione: Gut. first Edition. 342 Seiten good to very good condition Sprache: Englisch Gewicht in Gramm: 1100.

8°, Hardcover. Condizione: Gut. first Edition. 342 Seiten good to very good condition Sprache: Englisch Gewicht in Gramm: 1100.

Buch. Condizione: Neu. Neuware -The World Wide Web (WWW) and digitisation have become important sites and tools for the history of the Holocaust and its commemoration. Today, some memory institutions use the Internet at a high professional level as a venue for self-presentation and as a forum for the discussion of Holocaust-related topics for potentially international, transcultural and interdisciplinary user groups. At the same time, it is not always the established institutions that utilise the technical possibilities and potential of the Internet to the maximum. Creative and sometimes controversial new forms of storytelling of the Holocaust or more traditional ways of remembering the genocide presented in a new way with digital media often come from people or groups who are not in the realm of influence of the large memorial sites, museums and archives. Such 'private' stagings have experienced a particular upswing since the boom of social media. This democratisation of Holocaust memory and history is crucial though it is as yet undecided how much it will ultimately reinforce old structures and cultural, regional or other inequalities or reinvent them. The Digital space as an arbitrary and limitless archive for the mediation of the Holocaust spanning from Russia to Brazil is at the centre of the essays collected in this volume. This space is also considered as a forum for negotiation, a meeting place and a battleground for generations and stories and as such offers the opportunity to reconsider the transgenerational transmission of trauma, family histories and communication. Here it becomes evident: there are new societal intentions and decision-making structures that exceed the capabilities of traditional mass media and thrive on the participation of a broad public.Walter de Gruyter GmbH, Genthiner Strasse 13, 10785 Berlin Englisch.

Hardback. Condizione: New. The World Wide Web (WWW) and digitisation have become important sites and tools for the history of the Holocaust and its commemoration. Today, some memory institutions use the Internet at a high professional level as a venue for self-presentation and as a forum for the discussion of Holocaust-related topics for potentially international, transcultural and interdisciplinary user groups. At the same time, it is not always the established institutions that utilise the technical possibilities and potential of the Internet to the maximum. Creative and sometimes controversial new forms of storytelling of the Holocaust or more traditional ways of remembering the genocide presented in a new way with digital media often come from people or groups who are not in the realm of influence of the large memorial sites, museums and archives. Such "private" stagings have experienced a particular upswing since the boom of social media. This democratisation of Holocaust memory and history is crucial though it is as yet undecided how much it will ultimately reinforce old structures and cultural, regional or other inequalities or reinvent them. The "Digital space" as an arbitrary and limitless archive for the mediation of the Holocaust spanning from Russia to Brazil is at the centre of the essays collected in this volume. This space is also considered as a forum for negotiation, a meeting place and a battleground for generations and stories and as such offers the opportunity to reconsider the transgenerational transmission of trauma, family histories and communication. Here it becomes evident: there are new societal intentions and decision-making structures that exceed the capabilities of traditional mass media and thrive on the participation of a broad public.

= Zwischenwelt 15. Jahrbuch für Kultur und Literatur des Exils und des Widerstands, hrsg. i.A. der Theodor Kramer Gesellschaft. - Sehr gutes Exemplar ohne Namenszüge oder Stempel. (PG.01c:).

Buch. Condizione: Neu. Neuware - The World Wide Web (WWW) and digitisation have become important sites and tools for the history of the Holocaust and its commemoration. Today, some memory institutions use the Internet at a high professional level as a venue for self-presentation and as a forum for the discussion of Holocaust-related topics for potentially international, transcultural and interdisciplinary user groups. At the same time, it is not always the established institutions that utilise the technical possibilities and potential of the Internet to the maximum. Creative and sometimes controversial new forms of storytelling of the Holocaust or more traditional ways of remembering the genocide presented in a new way with digital media often come from people or groups who are not in the realm of influence of the large memorial sites, museums and archives. Such 'private' stagings have experienced a particular upswing since the boom of social media. This democratisation of Holocaust memory and history is crucial though it is as yet undecided how much it will ultimately reinforce old structures and cultural, regional or other inequalities or reinvent them. The 'Digital space' as an arbitrary and limitless archive for the mediation of the Holocaust spanning from Russia to Brazil is at the centre of the essays collected in this volume. This space is also considered as a forum for negotiation, a meeting place and a battleground for generations and stories and as such offers the opportunity to reconsider the transgenerational transmission of trauma, family histories and communication. Here it becomes evident: there are new societal intentions and decision-making structures that exceed the capabilities of traditional mass media and thrive on the participation of a broad public.

Buch. Condizione: Neu. Connected Histories | Memories and Narratives of the Holocaust in Digital Space | Eva Pfanzelter (u. a.) | Buch | VI | Englisch | 2024 | Oldenbourg | EAN 9783111328812 | Verantwortliche Person für die EU: Walter de Gruyter GmbH, De Gruyter GmbH, Genthiner Str. 13, 10785 Berlin, productsafety[at]degruyterbrill[dot]com | Anbieter: preigu.

Condizione: Sehr gut. Zustand: Sehr gut | Seiten: 275 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Gebunden. Condizione: New. &Uumlber den AutorOlaf Terpitz is Associate Professor for Jewish Literatures. He has published widely on European-Jewish literatures, including the German edition of Sh. Ansky s Yiddish diary Der Khurbn in Polen, Galizien und der Buk.

Buch. Condizione: Neu. Neuware - In the past years, reflections on Jewish literatures and theoretical and methodological approaches discussed in Comparative Literature have converged. Places and Forms of Encounter in Jewish Literatures. Transfer, Mediality and Situativity brings together close readings and contextualizations of Jewish literatures with theories discussed in Comparative and World Literature Studies. The contributions are arranged in five chapters capturing central processes, actors and dynamics in the making of literatures, namely Literary Agents, Literary Figures, Writing Voids, Making of Literatures and Perceiving and Creating Languages. The volume seeks to illuminate the interrelations between literary systems, and to highlight Jewish literatures as a prism for encounters on the levels of text, discourse and culture, and their transformative force.

Kartoniert / Broschiert. Condizione: New. Fuer die Erforschung des oesterreichischen Exils, von Widerstand, Verfolgung und Lagererfahrung sowie fuer das Verstaendnis der Lage und des (Ueber-)Lebens von Verfolgten aus Oesterreich ist die in vielfaeltiger Form ueberlieferte autobiografische Erinnerungslitera.

Paperback Jul 09, 2009. Condizione: gebraucht; wie neu. ungebraucht.

Taschenbuch. Condizione: Neu. Neuware -Aharon Appelfeld stammt aus der jüdischen Landschaft der Bukowina, aus einer Landschaft, die es heute nicht mehr gibt. In seinen Werken, die er in seinem Exil in Israel verfasst, reist er in diese untergegangene Welt zurück. Diese Arbeit begibt sich mit den Appelfeldschen ProtagonistInnen auf die Reise und untersucht, wie die Erinnerungslandschaft Bukowina vor den Augen der Leser entsteht, an welchen Orten Erinnerung festgemacht wird und wie das Gedächtnis an die jüdische Bevölkerung in der Nachkriegs-Bukowina verschwindet. Es soll die Entwicklung der ProtagonistInnen beleuchtet werden: diese finden auf ihrer Wanderung durch die Landschaft zur Sprache, erschließen sich Zugang zur Erinnerung und suchen schließlich neue Wege für das Überleben. 170 pp. Deutsch.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Aharon Appelfeld stammt aus der jüdischen Landschaft der Bukowina, aus einer Landschaft, die es heute nicht mehr gibt. In seinen Werken, die er in seinem Exil in Israel verfasst, reist er in diese untergegangene Welt zurück. Diese Arbeit begibt sich mit den Appelfeldschen ProtagonistInnen auf die Reise und untersucht, wie die Erinnerungslandschaft Bukowina vor den Augen der Leser entsteht, an welchen Orten Erinnerung festgemacht wird und wie das Gedächtnis an die jüdische Bevölkerung in der Nachkriegs-Bukowina verschwindet. Es soll die Entwicklung der ProtagonistInnen beleuchtet werden: diese finden auf ihrer Wanderung durch die Landschaft zur Sprache, erschließen sich Zugang zur Erinnerung und suchen schließlich neue Wege für das Überleben.

Hardcover. Condizione: Brand New. 281 pages. 9.25x6.00x0.75 inches. In Stock. This item is printed on demand.

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Aharon Appelfeld stammt aus der jüdischen Landschaft der Bukowina, aus einer Landschaft, die es heute nicht mehr gibt. In seinen Werken, die er in seinem Exil in Israel verfasst, reist er in diese untergegangene Welt zurück. Diese Arbeit begibt sich mit den Appelfeldschen ProtagonistInnen auf die Reise und untersucht, wie die Erinnerungslandschaft Bukowina vor den Augen der Leser entsteht, an welchen Orten Erinnerung festgemacht wird und wie das Gedächtnis an die jüdische Bevölkerung in der Nachkriegs-Bukowina verschwindet. Es soll die Entwicklung der ProtagonistInnen beleuchtet werden: diese finden auf ihrer Wanderung durch die Landschaft zur Sprache, erschließen sich Zugang zur Erinnerung und suchen schließlich neue Wege für das Überleben. 170 pp. Deutsch.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Aharon Appelfeld stammt aus der juedischen Landschaft der Bukowina, aus einer Landschaft, die es heute nicht mehr gibt. In seinen Werken, die er in seinem Exil in Israel verfasst, reist er in diese untergegangene Welt zurueck. Diese Arbeit begibt sich mit den.