Mario amaya (189 risultati)

Paper. Condizione: Good. Good paper copy 168 pp with text and B/W illus. throughout.

Soft cover. Condizione: Fair. clean text.

Hardcover. Condizione: Fair. No Jacket. Former library book; Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Good. Condizione sovraccoperta: Good.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Good. ***GOOD CONDITION***CLEAN PAGES*** moderate edge wear, light scratches on back cover. We specialize in non-fiction books. Follow us on Facebook and Instagram.

Soft cover. Condizione: Poor. 168 pages : illustrations (some color) ; 19 cm. Book need to be rebound. Cover with creases and scratches. Old inventory number : 1109613. Color Plates (illustratore).

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Wraps. Condizione: G/No Dustjacket. Reprint. London & NY: Studio Vista/Dutton Pictureback. G/No Dustjacket. (1971). Reprint. Wraps. 8vo., 168pp., Rubbed, gently cracked . Photgraphs(Color & B&W) (illustratore).

Soft cover. Condizione: Very Good. 1st. errata sheet laid-in; light soiling to edges of cover. 0.78lb 9.0x8.5x0.4in.

Hardcover. Condizione: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. Light general wear. May have light notes/highlighting. shelf wear. bumped edges. Paperback. Libro usado en buenas condiciones, por su antiguedad podria contener señales normales de uso.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condizione: Good. 1st Edition. Includes all the likely names, but also mentions the (sadly lesser known) Martial Raysse and Allen Jones. Good early survey. No marks in text. No inscriptions etc. Not a library book. Ships today in a cardboard enclosure. Tim's Used Books, open shop in Provincetown, Massachusetts, providing good books at reasonable prices on the same spot since 1991.…

Soft cover. Condizione: As New. 1st. Catalogue of a travelling exhibition held in Canada to celebrate the 50th anniversary of the Exposition des Arts décoratifs de Paris 1925. Brief entries on 262 items with 154 illustrated in black and white. 64pp 0.69lb 11.0x8.5x0.2in.

Broschiert. Condizione: Gut. 55 Seiten; Buch in ENGLISCHER Sprache !!! Das Buch befindet sich in einem ordentlich erhaltenen Zustand; Sprache: Englisch Gewicht in Gramm: 250.

Soft Cover. Condizione: good+. 3rd ptg. 168pp; b/w & f/col photos; glossy paper; tear top of sp; cv discoloration. Paperback.

Soft cover. Condizione: Near Fine.

Reprint. Near fine paperback copy; edges very slightly dust-dulled. Remains particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; 168 pages illustrations (some color) 19 cm. Subjects; Art nouveau; description. Art, Modern 19th century. Art nouveau : history. Artworks. 1 Kg. Color Plates (illustratore).…

hardcover. Condizione: Good. No Jacket. Please note this copy does NOT include a jacket. Published by Studio Vista Posted within 1 working day. 1st class tracked post to the UK, Airmail with tracking worldwide. Robust recyclable packaging. Picture is the actual item.

Condizione: Fair. Acceptable condition. (Art Nouveau, Art Movements, Decorative Arts) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books.…

Hardcover. Condizione: Good. Good condition with wear and markings. Ex-library.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Hardcover in very good condition with very good dust jacket.

Soft cover. Condizione: Near Fine. First Edition. Near fine in original wrappers with light wear.

Paperback. Condizione: Very Good +. Near fine apart from previous owner's name.

Reprint. Near fine paperback copy; edges very slightly dust-dulled. Remains particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; 168 pages illustrations (some color) 19 cm. Subjects; Art nouveau; description. Art, Modern 19th century. Art nouveau : history. Artworks. 1 Kg. Color Plates (illustratore).…

Hard Cover. Condizione: Near Fine. New York: Walker and Company 1967. First Edition. Hardback. Near fine book. Many illustrations, 2 color plates.

Soft cover. Condizione: Good. No Jacket. 1st Edition. Dutton Vista. Good. 1966 First edition soft cover. 8vo 7½" x 5¼" 168 pp. 160+ photos in color (5) and monochrome on glossy paper. Some rubbing and shelf, slight curl at fore-corner affecting first 20 pages. Good dust wrapper with shallow rubs to spine tips and corners, text block free from markings. Chapters include origins and further breakdown by nations: Britain, America, Spain, Belgium, Holland, France, & Germany and Austria. Mario Amaya (19331986) was an American Art Critic museum director and magazine editor, and (19721976) director of the New York Cultural Center and (19761979) the Chrysler Museum of Art in Norfolk, Virginia. He was also (19691972) the chief curator of the Art Gallery of Ontario and the founding editor of London's Art and Artists magazine. He studied Art Nouveau for 35 years, for some of this time under the teaching of the artist Mark Rothko.…