Mario mainetti (106 risultati)

Condizione: acceptable. The item is very worn but is perfectly usable. Signs of wear can include aesthetic issues such as scratches, dents, worn and creased covers, folded page corners and minor liquid stains. All pages and the cover are intact, but the dust cover may be missing. Pages may include moderate to heavy amount of notes and highlighting, but the text is not obscured or unreadable. Page edges may have foxing age related spots and browning . May NOT include discs, access code or other supplemental materials.…

paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback. Condizione: Very Good. Lightly edge worn. Clean and solid. ; Color Photographs; 12mo; 541 pages.

Hardcover. Condizione: Used - Like New. Very nice clean, tight copy free of any marks.

Hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Soft cover. Condizione: New. 260pp. Colour illustration. Italian/English text.

Hardcover with plastic dustjacket 742 + pages, in English with Italian at rear; very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. A fine fresh copy in like jacket. This volume accompanies the latest exhibition from Berlin-based artist duo Elmgreen & Dragset, which explores how bodies lose their centrality to everyday experience in our postindustrial age.

paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

paperback. Condizione: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

Condizione: NEW.

Brossura. Condizione: new. Milano, Fondazione Prada, February 21 - July 27, 2020.Edited by Kittelmann U.English Text.Milano, 2020; paperback in a case, pp. 448, b/w and col. ill., cm 13x17. "K" presenta la celebre opera di Martin Kippenberger "The happy end of Franz Kafka's "Amerika"" in dialogo con l'iconico film di Orson Welles "The trial" e l'album di musica elettronica "The castle" dei Tangerine Dream. Concepita da Udo Kittelmann come una trilogia, la pubblicazione rimanda ai tre romanzi incompiuti di Franz Kafka (1883-1924) "Amerika" (America), "Der Prozess" (Il processo) e "Das Schloss" (Il castello), pubblicati postumi tra il 1925 e il 1927. La natura incompleta di questi libri consente letture multiple e aperte e il loro adattamento in un progetto espositivo, che esplora i soggetti e le atmosfere dei romanzi attraverso allusioni e interpretazioni soggettive. Libro.…

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Soft cover. Condizione: Fine. 556 pages. English text. Unread unmarked copy in excellent condition.

Condizione: NEW.

Brossura. Condizione: new. A cura di Mainetti M. Milano, Fondazione Prada, 15 September - 8 January 2017. English Edition with Italian translations of the essays. Testo Italiano e Inglese. Milano, 2016; br., pp. 320, ill., cm 17x22,5. Fondazione Prada presents the exhibition "Uneasy Dancer", a comprehensive survey of work by Betye Saar (Los Angeles, 1926). This exhibition, hosted at the Nord Gallery, opens to the public from 15 September 2016 through 8 January 2017. Curated by Elvira Dyangani Ose, "Betye Saar: Uneasy Dancer" is the first exhibition of the American artist in Italy, and brings together over 80 works including installations, assemblages, collages and sculptures produced between 1966 and 2016. "Uneasy Dancer" is an expression Betye Saar has used to define both herself and her artistic practice. In her own words, "my work moves in a creative spiral with the concepts of passage, crossroads, death and rebirth, along with the underlying elements of race and gender." This process implies "a stream of consciousness" that explores the ritualized mysticism present in recovering personal stories and iconographies from everyday objects and images. Several key elements lie at the center of her artistic practice: an interest in the metaphysical, the representation of feminine memory, and African-American identity which, in her work, takes on takes on evocative and unusual forms. As Saar has said about her work, "It was really about evolution rather than revolution, about evolving the consciousness in another way and seeing black people as human beings instead of the caricatures or the derogatory images." Through her confident usage of found objects, personal memorabilia and derogatory images that evoke denied or distorted narratives, Saar developed a powerful social critique that challenges racial and sexist stereotypes deeply rooted in American culture. In the 1970s, her assemblages began to grow in scale, ultimately becoming substantial installations and immersive environments that speak to an approach uniting spiritual beliefs and faiths of all kind - from the intimate and the mysterious to the universal - alongside politicized convictions. Curator Elvira Dyangani Ose notes, "Saar's works blur boundaries between art and life, between physical and metaphysical. Spirituality in her work, does not only resides in the works with which she addresses her concerns and her knowledge on a myriad of traditions. On the contrary, it is to be found in the artistic exercise of transforming common material in a sort of evocative new imagery, involving the viewer in reminiscent fabulations of the real." "Uneasy Dancer" expands holistically on fundamental tenants of Saar's practice including memory, mysticism and the construction of socio-political identifiers. This is none so much apparent than in the seminal work The Alpha and the Omega (2013-2016), a circular environment alluding to the initiatory journey and the experience of human life. This installation was specifically conceived for "Uneasy Dancer", and will include a number of newly created elements denoting the idea of representing the whole of anything, from beginning to end. Earlier assemblages involving objects inserted within boxes or suitcases, like Record for Hattie (1975) and Calling Card (1976), take on a performative dimension even when rendered in an intimate scale. Sculptural floor works utilizing cages, such as Domestic Life (2007) and Rhythm and Blues (2010), simultaneously represent the physical and metaphorical condition of segregation, and the increased need for resistance and survival. These works specifically reference African-American folklore, combining a political dimension with a spiritual vision that draws on a multiplicity of traditions stemming from Africa, Asia, America and Europe. The exhibition additionally highlights a series utilizing work tools and elements of domestic life, such as washboards and scales, alongside either found or inherited photographs, a. Libro.…

Condizione: Buone. inglese Condizioni dell'esterno: Discrete con difetti, segni d'uso Condizioni dell'interno: Buone.

Condizione: New.

paperback. Condizione: Very Good. Covers and edges show some light scuffing and shelf wear. Interior is clean and unmarked.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: COME NUOVO. Milano, Progetto Prada Arte cm.17x23, pp.660, 1572 illustrazioni a colori. legatura editoriale in tutta mezza tela, con legatura aperta in tela verde. Testo Inglese. Il volume è suddiviso in sette sezioni, ciascuna introdotta da un testo dell'artista che accompagna il lettore attraverso le diverse fasi della sua ricerca. Le sezioni Farming, Rice e Cotton documentano il lavoro sul campo in Asia attraverso fotografie, materiali d'archivio, interviste e saggi che indagano il rapporto tra umanità, agricoltura, tecnologia e spiritualità. Le sezioni dedicate a Dash includono immagini del video omonimo, una storia di fantascienza scritta da Cao Fei e lo sviluppo di un videogioco in realtà virtuale. Infine, la sezione Dash (Exhibition) presenta la mostra attraverso un saggio critico, materiali di produzione, costumi, disegni e la checklist delle opere. Interviste di Ai Haipeng, Wu Chongqing, Justin Gong, He Xiongkui, Hu Lian, Ju Xi, Anucha Mangkhalang, Mangkorn Sakdarak, Mann Ou, Sang Phan, To Kosal, Qui Tran, Tong Wei, Paricat Veesom, Wen Tiejun, Xiao Yanqiang, Shi Yan, Zheng Tao A cura di Mario Mainetti.…

Condizione: NEW.

Condizione: NEW.

brossura paperback. Condizione: Fine. cl5volume ancora confezionato. Book.

Condizione: new.

Paperback. Condizione: New.

Paperback. Condizione: new. Paperback. TV 70 is a project by artist Francesco Vezzoli (born 1971) developed in collaboration with Rai, Italy's national broadcasting company. With archival material and testimonials, it explores 1970s TV production. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…