mario oks (3 risultati)

Albino Fernández (1921-2014) & Daniel Zelaya (1938-2012) & Osvaldo Romberg (1938) & Raúl Schurjin (1907-1983) et al. (illustratore). ~ Profusión de ilustraciones en el texto ~ Rústica original ~ 159+[1]p ~ 20x15x1cm. ~ Lomo envejecido y oscurecido, con faltante de 2 cm. aprox., por lo demás, Muy Buen estado ~ LANGUAGE: Español // We accept PayPal & EU bank transfer in EUROS //.

Encuadernación de tapa blanda. Condizione: Muy bueno. 1ª Edición. Oks, Mario (1939). "Brújulas para el Destiempo . Prólogo de Gyula Kosice (1924-2016). Buenos Aires, editorial Stilcograf, 1966. 82 páginas. Con fotografía del autor en la solapa delantera. Encuadernación rústica ilustrada por Gyula Kosice. Primera Edición. (código 3609).

Encuadernación de tapa blanda. Condizione: Muy bien. In-8º. #1 May 1956 - #52 August 1972. (Complete set): Wrappers. Collaborators : J. Rodolfo Wilcock, Juan Carlos Onetti, Griselda Gambaro, Jorge Luis Borges, Beatriz Guido, Noé Jitrik, David Viñas, María Luisa Bastos, Ezequiel Martínez Estrada, María Angélica Bosco, Miguel Briante, Gregorio Weinberg, Estela y Patricio Canto, Tulio Carella, Abelardo Castillo, Susana Thénon, Enriqueta Muñiz, Héctor Tizón, Bernardo Verbitsky, Córdova Iturburu, Adolfo de Obieta, Guillermo de Torre, Antonio Di Benedetto, Adelaida Gigli, Ernesto Sabato, Joaquin Giannuzzi, Alicia Jurado, Bernardo Kordon, Marta Lynch, Daniel Moyano, Manuel Mujica Lainez, Manuel Peyrou, Augusto Roa Bastos, Luisa Sofovich, Francisco Urondo, Luisa Valenzuela, Oscar Hermes Villordo. Fiction. Bimonthly Magazine-Book was founded and directed by the Spaniard Juan Goyanarte, "writer, journalist, adventurer, editor, businessman, landowner", considered "one of the most versatile figures of the Basque diaspora in South America", who had been managing partner of the editorial and magazine Sur. Due to differences with Victoria Ocampo, he followed his own path and, in addition to the magazine, founded the Editorial Juan Goyanarte. In 1963, Goyanarte withdrew from the project and the direction of Ficción was left to another Spaniard, Víctor Sáiz. Ficción was published between 1956 and 1971. The editorial decision at the beginning was not to publish poems, in a period marked by abundant poetry magazines. Therefore, he devoted himself especially to narrative and criticism; it published some monographic numbers, such as those dedicated to the literature of Uruguay and Brazil, or to the 150 years of the May Revolution; and it included lasting fixed sections on cinema, theater, plastic arts, music, ballet, chronicles, publishing novelties, panoramas of the literatures of other countries. From #43-44, the subtitle changed to Revista de las Letras y de las Artes, the content and its design: it incorporated poetry, illustrations, photos and thematic anthologies, but it was never the same again and its publication became dashed; In an attempt to launch a second period, with the title Ficción y Realidad, four numbers were published between 1972 and 1973. Provenzano 289. Washington Pereyra T5,p154. CodPaj.