Marjan debaene (25 risultati)

Condizione: Very Good.

[Antwerpen, Kanselarij Phoebus Foundation vzw, 2019]. 71 pp. Col. ills. Softcover (pictorial wrappers). 8vo. (Phoerus Focus XII).

Paperback, 86 pages, 21,1 x 14,1 x 1,1 cm. Illustrated. Text in NL ISBN 9789463883337. Phoebus Focus 12 - Madonna met Kind. Jan II Borman (gest. ca. 1520) Vroeg zestiende-eeuwse beeldhouwkunst op haar best 0 g.

Paperback. Condizione: Very Good. Not present. Eigendomsmerk. Naamstempel op eerste bladzijde Dutch Tentoonstellingscatalogus die het werk van Jan?Rombouts (ook bekend als Jan van Rillaer, ca.?1495?1568) belicht. De auteurs analyseren recent ontdekt bronmateriaal en herzien attributies, waardoor Rombouts eindelijk een plaats krijgt naast tijdgenoten als Dierc Bouts, Lucas van Leyden en Albrecht Dürer. Rijk geïllustreerd met ca.?150 reproducties en begeleidende essays.…

Hardcover. Color-illlus. boards; green spine. 221 pp. with about half/half color plates and bw illustrations. Text mainly in Dutch but with the introduction also in English, at the back. The long-awaited catalogue of the sculpture collection of the museum. Along with the exhaustive catalogue of almost 1000 objects, there are also 50 notes on highlights from the collection and two essays on the museum's late gothic and 19th century sculpture collections. NF; as new but for light bumps to all four corners.…

Hardcover. Condizione: Brand New. 330 pages. French language. 7.09x0.69x10.44 inches. In Stock.

Hardcover. Condizione: Brand New. 320 pages. 12.00x9.75x1.00 inches. In Stock.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: gut. Dieric Bouts Creator of Images. In deutscher Sprache. pages.

Hardback. Condizione: New.

Condizione: New. 2025. Bilingual. hardcover. . . . . .

Hardback. Condizione: New.

Condizione: New. 2025. Bilingual. hardcover. . . . . . Books ship from the US and Ireland.

Condizione: gut. Alabaster Sculpture in Europe (1300-1650) In englischer Sprache. pages.

Condizione: gut. Borman in Context, Brabantine Sculpture from 1460-1540 In deutscher Sprache. pages.

Antwerpen : Kanselarij Phoebus Foundation , 2019 Softcover, 71pp., 15x21cm., ills. in kleur, in zeer goede staat. Als nieuw. ISBN 9789463883320.

hardcover. Condizione: As New. New hardcover with dust jacket has a tiny bump to lower back corner so listing as used. Unread copy.

hardcover. Condizione: New. 1st.

kart. Condizione: Neu. nl. 71 Seiten, Illustrationen NEW ! 9789463882320 Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. ***ATTENTION U.S. CUSTOMERS: Due to the new tariffs, we are unable to ship packages to the USA at this time. Thank you for understanding.*** Sprache: Niederländisch Gewicht in Gramm: 220.…

Hardback, 432 pages, Size:240 x 300 mm, Illustrations:20 b/w, 330 col., 10 tables b/w., Language: English. ISBN 9781912554973. Summary From the late medieval period onwards, an interplay of different factors stimulated sculptors from the Low Countries to work abroad. From the first half of the sixteenth century, artists increasingly travelled to Italy. These so-called Scultori Fiamminghi crossed the Alps to study classical monuments and sculptures firsthand, to draw inspiration from the new Renaissance style and, as a result, to both develop their own artistic expression and seek commissions from new patrons. The dynamic exchange between the Northern and Southern Renaissance gave rise to fascinating stylistic cross-pollination. This book contains not only a wide range of essays that address multiple aspects of the sculptural relationship between the Low Countries and Italy in the sixteenth and early seventeenth centuries, but also detailed catalogue entries on all exhibition loans. The catalogue follows a chronological structure, highlighting early precursors and transitional figures, as well as the first and second generation of Flemish sculptors active in Italy, culminating in the Early Baroque period. In addition to bringing together and synthesizing previously published research, the present volume presents a significant body of new information. This material is the result of in-depth research conducted by leading specialists across various disciplines and offers an overview of the most recent discoveries in the field, including the papers presented at the tenth ards Colloquium on Medieval and Renaissance Art (Rome, 2023). With essays by Marjan Debaene, Harula Economopoulos, Grégoire Extermann, Tancredi Farina, Stefano Farinelli, Valerie Herremans & Joris Snaet, Alain Jacobs, Arie Pappot, Frits Scholten, Max Wiringa. TABLE OF CONTENTS Introduction Marjan Debaene From Gothicism to Mannerism in the Low Countries The Development of a New Style in the Low Countries in the First Half of the Sixteenth Century Marjan Debaene Jacques Dubroeucq: A Connection Between Genoa and Rome Grégoire Extermann catalogue nos 1-32 Shaping Connections: Giambologna and Artistic Exchange between Italy and the Low Countries Sculptors from the Low Countries in Italy in the Late Sixteenth and Early Seventeenth Centuries Harula Economopoulos and Alain Jacobs Giambologna: Between Florence and the Low Countries Max Wiringa Casting a New Light on Giambologna's Time in Rome Max Wiringa On Goldsmiths and Sculptors Frits Scholten Copies of Michelangelo's Phases of Time Shared between Italy and Northern Europe: The Role of Niccolò Tribolo's Terracottas Stefano Farinelli catalogue nos 33-90 Fiamminghi Sculptors' Presence and Activity in Rome Fiamminghi Sculptors in a Roman Context: Work Organization, Patronage, and Religious Affiliations Harula Economopoulos Piper, Van den Vliete, and La Motte as Restorers, Antiquarians, and Collectors Harula Economopoulos Some Thoughts on Nicolas Piper, Gillis van den Vliete, and Portraiture in Late Sixteenth-Century Rome Tancredi Farina Jacob Cobart: An Update of Our Knowledge Alain Jacobs Pierre de la Motte and Guglielmo Mido: Two Sculptors from the Southern Netherlands Active in Post-Tridentine Rome Alain Jacobs catalogue nos 91-102 The Triumph of Catholicism and Early Flemish Baroque Sculpture in the Southern Netherlands From Mannerism to Baroque in the Southern Netherlands Alain Jacobs The De Nole Workshop's Sculptural Programme at the Basilica of Our Lady of Scherpenheuvel Valerie Herremans and Joris Snaet catalogue nos 103-113 Epilogue catalogue no. 114 Dating Bronzes: Two Case Studies from the Exhibition Arie Pappot Bibliography Index Lenders to the Exhibition Photographic Acknowledgements 0 g.…

hardcover, Pages: iv + 326 pages; Size:180 x 265 mm, Illustrations:12 b/w, 181 col., Language(s):English, French. **NEW. ISBN 9782503607993. In September 2019, ten years of interdisciplinary research culminated in the first-ever monographic exhibition on the Borman family, titled Borman and Sons. The Best Sculptors (20.09.19?26.01.20) at M Leuven. The exhibition was accompanied by a new publication on the Borman family of Brussels sculptors, who were active from the second half of the fifteenth century into the second third of the sixteenth century. The 6th Annual Ards Colloquium, held at M Leuven in November 2019, provided an in-depth contextualisation of the sculptural work of the Borman family. While a document from 1513 refers to the Bormans as ?the best sculptors?, they did not operate in isolation. Brussels was a thriving artistic centre?a cultural hub that hosted numerous talented and influential artists, all working under the patronage of high-profile commissioners. This volume presents papers that explore the Bormans? role within the artistic context of the Duchy of Brabant, alongside discussions of stylistic and iconographical themes, as well as new discoveries concerning their commissions and works. TABLE OF CONTENTS Marjan Debaene and Hannah de Moor, Foreword Part I: Commissions and Commissioners from North to South Magali Briat-Philippe, The Statuary of the Royal Monastery of Brou: An Important and Singular Witness of Brabantine Sculpture between 1513 and 1522 Catheline Périer-D?Ieteren, Emmanuelle Mercier, and Myriam Serck-Dewaide, The Adoration of the Magi in San Nazaro, Milan: An Unknown Work by Jan Borman II? Marjan Debaene and Claire Dumortier, The Bormans and Leuven: An Analysis of Known and Newly Discovered Documents in the Leuven City Archives concerning Jan I Borman, the Borman Family, and Their Artistic Activity in Leuven in the Fifteenth Century Hannah De Moor, In Search of the Patrons of Netherlandish Carved Altarpieces in Sweden Ragnhild M. Bø, The Resurrected Christ Appearing to His Mother and the Seven Joys of the Virgin: Borman and Beyond Adam Harris Levine, Borman Reliquaries in their Iberian Context Emilio Ruiz de Arcaute Martínez, Originals or Copies? Interesting Contributions regarding the Technical Study of Some Borman Reliquary Busts Part II: Style, Materials, Techniques, and Workshop Organisation Michel Lefftz, De Rogier van der Weyden à Jan Borman I: Transferts, rivalité et émulation dans la peinture et la sculpture des anciens Pays-Bas au XVe siècle Elisabeth Van Eyck and Ria De Boodt, Reunited? Case Study about an Early Sixteenth-Century Carved Wooden Altarpiece and Its Painted Shutters Ingrid Geelen, The Polychromers of the Borman Altarpieces Christel Theunissen, Lost and Found: Tracing the Origin of Scattered Choir Stall Fragments Seppe Roels and Marieke Van Vlierden, Mallets, Flowers, and Circles: Marks on Sculptures Related to the Borman Workshops: A Preliminary Comparison Index 0 g. …

Hardcover. Condizione: new. Hardcover. In September 2019, ten years of interdisciplinary research culminated in the first-ever monographic exhibition on the Borman family, titled Borman and Sons. The Best Sculptors (20.09.19-26.01.20) at M Leuven. The exhibition was accompanied by a new publication on the Borman family of Brussels sculptors, who were active from the second half of the fifteenth century into the second third of the sixteenth century. The 6th Annual Ards Colloquium, held at M Leuven in November 2019, provided an in-depth contextualisation of the sculptural work of the Borman family. While a document from 1513 refers to the Bormans as 'the best sculptors', they did not operate in isolation. Brussels was a thriving artistic centre-a cultural hub that hosted numerous talented and influential artists, all working under the patronage of high-profile commissioners. This volume presents papers that explore the Bormans' role within the artistic context of the Duchy of Brabant, alongside discussions of stylistic and iconographical themes, as well as new discoveries concerning their commissions and works. Following the first ever monographical exhibition at M-Museum Leuven in 2019, this volume contextualizes the sculptural work of the Borman family. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…