marjan unger (60 risultati)

Condizione: As New. Unread copy in mint condition.

Condizione: New. Brand New.

Hardcover. Condizione: New. 1st Edition. 152 pp., 16.5 x 22.5 cm, 96 color ills. Including a 32-page supplement. Hardcover. English/German/French. Sealed, new. Swiss artist David Bielander (b. 1968) is one of the most significant proponents of contemporary art jewellery in the world. With him, nothing is what it seems: corrugated cardboard is actually silver or gold, Wiener sausages are a chair in a coffee house, shapely lips are made of rubber. This ambiguity distinguishes his work as much as his exceptional knowledge of materials and artisanal skill. With twenty years of work, the publication offers the first, comprehensive review of the multi-award-winning artist, who with his conceptual reflection and power of imagination creates works full of wit and sensuality. With contributions by Helen Britton, Rutger Emmelkamp, Maria Cristina Bergesio, Julia Wild, Gijs Bakker, Marjan Unger, Bernhard Schobinger, Benno Hungerbühler, Florian Hufnagl, Jochen Bitzer, Toni Greenbaum, Raphael Bielander, Tim Krohn, Jorunn Veiteberg and Karl Fritsch.

Taschenbuch. Condizione: Neu. Neuware -Jewellery in Context is the doctoral dissertation, edited by Theo Smeets in its first English translation, by the Dutch arthistorian and design critic Marjan Unger (1942-2018). In this work she initially endeavours to formulate a general definitionof jewellery. Yet above all she also analyses to what extent jewellery is associated, across the globe, with different, sometimes contrary issues: all human fears, but also desires, have, in a sense, materialised as objects of adornment, she postulates.This comprehensive approach aimed not least at developing a solid theoretical framework to aid the study of jewellery.Thus the text can already be seen as an outright standard reference work, indispensable for all students of jewellery. However, experts, too, will discover new perspectives on the phenomenon of jewellery.; Jewellery in Context ist die von Theo Smeets erstmals in englischer Übersetzung herausgegebene Doktorarbeit der niederländischen Kunsthistorikerin und Designkritikerin Marjan Unger (1942-2018). Sie unternimmt in dieser Arbeit zunächst den Versuch, eine allgemeine Definition von Schmuck zu formulieren. Vor allem aber analysiert sie, inwieweit Schmuck weltweit mit verschiedenen, zum Teil gegenläufigen Aspekten assoziiert wird: Alle menschlichen Ängste aber auch Wünsche hätten sich gewissermaßen als Objekte der Zierde materialisiert. Dieser umfassende Ansatz zielte nicht zuletzt darauf ab, einen soliden theoretischen Rahmen als Handreichung für das Schmuckstudium zu entwickeln. Damit gilt der Text bereits jetzt als absolutes Standardwerk und ist ein Muss für alle Schmuckstudierenden. Aber auch Experten werden bei der Lektüre neue Perspektiven auf das Phänomen Schmuck entdecken. 232 pp. Englisch.

Paperback. Condizione: Boek goed. 56 pp. Illusdtratie in kleur en in z/w. Size: 29 x 21 cm.

Condizione: Good. Originele hardcover, stofomslag, veel (paginagrote) illustraties in z/w, ongepagineerd, 4to.; Rug verkleurd.

Condizione: Good. Oorspronkelijk geniet omslag, softcover, illustraties in z/w, 4to.

Condizione: Good. Paperback, illustraties in kleur en z/w, catalogus van de expositie.

Condizione: Good. Paperback, geïllustreerd met (paginagrote) foto's in kleur, tekst in Nederlands en Engels, 4to.; Onderhoekje voorplat gevouwen.

4° OKart. (quer). 152 S. m. Abb. Gutes Exemplar, 4-sprachig, Einladung zur Eröffnung im Deutschen Goldschmiedehaus 1990 in Hanau liegt bei. Lieferung in die Vereinigten Staaten von Amerika (USA): Derzeit nicht möglich! Sprache: Deutsch Gewicht in Gramm: 650.

Original publisher's blue paper-covered boards, pictorial dustjacket, square 8vo: [60]pp., very richly illustrated, afterword, colophon. With correspondence card. Very fine copy - as new., Non-commercial edition.

Geniet. Condizione: Lichte gebruikssporen. 39 pp. Illustraties in kleur. Kunstenaars: Rien Bout; ArtyGrimm; Ger Lataster; Lei Molin; Lambert Oostrum; Anton Reijnders; Eric Verhal; Henk van Vessem; Miguel Ibañez. Voor- en achterzijde kaft aan de bovenkant plm. 3 cm. verkleurd. A4.

Condizione: Good. Paperback, numerous full page illustrations in colour, 8vo.

Condizione: Good. First Edition. CalenderBook 2011: Het jaar van het Sieraad. Een boek en een agenda ineen over Sieraden in Nederland. In samenwerking met Galerie Ra, Amsterdam 256 pagina?s waarvan 150 voor het boekgedeelte en 100 voor het agendagedeelte. Tweetalig met veel beeldmateriaal (ruim 150 afbeeldingen van Sieraden).

Condizione: Good. Kaft voor deels iets verkleurd door sticker.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

8°, hardcover. 192 pp New book. Sprache: Englisch Gewicht in Gramm: 0.

Condizione: Good. Papieren omslag, 52 pp., ill. (tekeningen, foto's [zw.&w.], foto's [kleur]) Wordt verzonden als brievenbuspakket.

Square 8vo, (205x205mm), 59p. 21 illustrations. Original boards, tail of the covers faded, dustjacket. Illustrating paper works by Elma van Imhoff, Sabine Q. Brems, Jeanny Pompen, Marie-Jose Kuipers and Saskia van Santen Kolff.

Hardback. Condizione: New. Jewellery designed by Ute Eitzenhöfer is intrinsically complex and contradictory. Her designs range from playful, sensual, reassuring, to dark, angry, provocative and brutal. Intrinsic beauty and its value to society is a recurring theme of her work. The jewellery she creates is autonomous, it makes a statement; created not for an abstract display case, these are strong artefacts that become complete, that find some meaning, only when worn on the body. The narrative Eitzenhöfer strives for is one of social criticism, her designs are perceived as opulent yet reflect certain images or concepts inherent in the modern world. She has consistently challenged and explored the themes of freedom, time, sensuality and superficiality in her work. This volume is a collection of designs that range from her earlier creative work to the last ten years; thought-provoking, imaginative and often extreme, this is jewellery as a social statement, rather than an accessory. Text in English and German.

Condizione: Gebraucht / Used. Paperback. Goed. 131pp.

Wraps. Condizione: VG+. Introduction; "One Talent and a Promise" by Marjan Unger; "Technique and Form" by Ineke Werkman; "Sturdy and Eminenitly Dutch" by Eik Beenker; "The Tulip Vases" by Ineke Werkman; "The Nervous Vibration of a Human Soul" by Herman Langmuur; Unique Pieces and Multiples 1947-1990; Appendix; Exhibition Overview; Brief Biography; Bibliography. (Large Format) ; Profusely b&w; Colour; 4to 11" - 13" tall; 179 pp.

Paperback. Condizione: New. Jewellery in Context is the doctoral dissertation, edited by Theo Smeets in its first English translation, by the Dutch art historian and design critic Marjan Unger (1946-2018). In this work she initially endeavours to formulate a general definition of jewellery. Yet above all she also analyses to what extent jewellery is associated, across the globe, with different, sometimes contrary issues: all human fears, but also desires, have, in a sense, materialised as objects of adornment, she postulates. This comprehensive approach aimed not least at developing a solid theoretical framework to aid the study of jewellery. Thus the text can already be seen as an outright standard reference work, indispensable for all students of jewellery. However, experts, too, will discover new perspectives on the phenomenon of jewellery.

Hardcover. Condizione: New. **SHRINKWRAPPED**.

Originele rode linnen band, met stofomslag, vrijwel als nieuw. Tekst in het Engels. Met foto's in kleur. Please see description or ask for photos.

Large 4to, soft cover, illustrated, 56 p. In good condition. K13 los.

hardcover. Condizione: New. **HARDBACK**.

4to, soft cover, 56 p. illustrated In very good condition. Doos G4.

Taschenbuch. Condizione: Neu. Neuware - Jewellery in Context is the doctoral dissertation, edited by Theo Smeets in its first English translation, by the Dutch arthistorian and design critic Marjan Unger (1942-2018). In this work she initially endeavours to formulate a general definitionof jewellery. Yet above all she also analyses to what extent jewellery is associated, across the globe, with different, sometimes contrary issues: all human fears, but also desires, have, in a sense, materialised as objects of adornment, she postulates.This comprehensive approach aimed not least at developing a solid theoretical framework to aid the study of jewellery.Thus the text can already be seen as an outright standard reference work, indispensable for all students of jewellery. However, experts, too, will discover new perspectives on the phenomenon of jewellery.; Jewellery in Context ist die von Theo Smeets erstmals in englischer Übersetzung herausgegebene Doktorarbeit der niederländischen Kunsthistorikerin und Designkritikerin Marjan Unger (1942-2018). Sie unternimmt in dieser Arbeit zunächst den Versuch, eine allgemeine Definition von Schmuck zu formulieren. Vor allem aber analysiert sie, inwieweit Schmuck weltweit mit verschiedenen, zum Teil gegenläufigen Aspekten assoziiert wird: Alle menschlichen Ängste aber auch Wünsche hätten sich gewissermaßen als Objekte der Zierde materialisiert. Dieser umfassende Ansatz zielte nicht zuletzt darauf ab, einen soliden theoretischen Rahmen als Handreichung für das Schmuckstudium zu entwickeln. Damit gilt der Text bereits jetzt als absolutes Standardwerk und ist ein Muss für alle Schmuckstudierenden. Aber auch Experten werden bei der Lektüre neue Perspektiven auf das Phänomen Schmuck entdecken.