mark andrew white (29 risultati)

Condizione: New. Brand New.

Unknown. Condizione: Good. No Jacket. Kerstin Bratsch; James Howard; Alex Klein; Noah Sheldon (illustratore). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Fine. First Edition. Chicago: The Poetry Foundation. 2008. Softcover. First edition. Magazine. Pictorial wrappers [about 5.5" x 9"], last numbered page is 177 [first numbered page is 105] [plus ads at the rear]. Fine copy 150.

hardcover. Condizione: Very Good. In very good, unmarked condition. Dust jacket good. Your purchase benefits the world-wide relief efforts of Mennonite Central Committee.

Condizione: Used: Like New. Near fine.

paperback. Condizione: Very Good.

Paperback. Condizione: Very Good. 2 This book is in very good condition; no remainder marks. It does have some cover shelfwear. Inside pages are clean. ; 10.90 X 9.10 X 1 inches; 304 pages.

Softcover. White & color illus. wraps; 118 pp.; 6 color, 63 bw figures. Includes three essays, as well as works by Reynolds Beal, George Wesley Bellows, Samuel Colman, Jasper Francis Cropsey, Guy Pene du Bois, Hermann Herzog, Walt Kuhn, Edward Potthast, Thomas Worthington Whittredge, and others. VG- (May have label & few marks from previous gallery owner; may have slight wear at spine.).

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Hardcover. Condizione: New in shrinkwrap. Color illus. dj.; Dark blue cloth over boards; 236 pp.; Profusely illustrated. Features paintings, drawings, textiles, baskets, and more, by artists such as Fred Kabotie, Alfonso Roybal, Joe Hilario Herrera, Jerome Tiger, Tonita Peña, Helen Hardin, Walter Richard "Dick" West, and Patrick DesJarlait.

Paperback. Condizione: New.

Hardcover. Condizione: Clean as unread. Clean as unread, Illustrated dust jacket over cloth boards Illustrated dust jacket over clo.

Softcover. Color-illustrated softcover with orange lettering. 44 pp. Color illustrations. Catalogue of an exhibition at Edwin A. Ulrich Museum of Art, 17 Nov. 2000-3 Jan. 2001, and elsewhere. VG- light corner/edge wear and some rubbing to covers.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Soft cover. Condizione: As New. No Jacket. Kerstin Bratsch; James Howard; Alex Klein; Noah Sheldon (illustratore). Nearly as new copy. (see picture) 78 pages.Also Issue 1,Fall,2007;Issue 3,Spring,2010;Issue 4,Summer,2013.All as new,approx 78 pages each. SOLD AS A SET OF 4.

Hardcover. Condizione: Brand New. 160 pages. 11.25x9.25x0.75 inches. In Stock.

Taschenbuch. Condizione: Neu. Neuware.

Condizione: New.

Condizione: New. The depictions of the people, places, and events of Indian Country included in this volume defined the region for contemporary American and European audiences. Today they provide a rich visual record of a key era of western and Oklahoma history - and of t.

Hardcover. Condizione: New.

Condizione: Good. 4to. 21x 29.7cm. Sheets loose as issued in original silver printed chemise and box. 28pp. text; poster and 50 signed broadsides, folded from 59.5 x 42cm. to 8 pages. Fine condition. .The deluxe portfolio, 2000-01, comprising 50 offset lithographs, on smooth wove paper, with title-page and text, each signed by the respective artist, the sheets folded (as issued), within the original silver Solander box with debossed cover and spine.Richard Hamilton, Gavin Turk, Tim Stoner, Philip Treacy, Caruso St John, John Hilliard, Liam Gillick, Georgie Hopton & Josephine Soughton, Jake & Dinos Chapman, Mark Hosking, Grayson Perry, Simon Patterson, Runa Islam, Anish Kapoor, Bella Freud, Tacita Dean, Antony Gormley, Carey Young, Marine Hugonnier, Will Self, Fiona Rae, Tracey Emin, Christopher Le Brun, Liam Gillick, Douglas Gordon, Carsten Holler, Pierre Huyghe, Philippe Parreno, Rirkrit Tiravanija, Nigel Shafran, Anya Gallaccio, James White & Tim Sheward, Mark Lewis, Richard Deacon & Martin Kreyssig, Wolfgang Tillmans, Joao Penalva, Matthew Higgs, Oliver Payne & Nick Relph, John Latham, Gilbert & George, Enrico David, Mona Hatoum, Andrew Lewis, Cerith Wyn Evans, Howard Hodgkin, Tom Gidley, Sam Taylor-Wood, Harland Miller, Peter Doig, Hussein Chalayan, Patti Smith, Darren Almond, Michael Craig-Martin, Jeremy Deller, Bridget Riley."fig-1" was a project initiated by Mark Francis and White Cube founder Jay Jopling, who held 50 one-week exhibitions at a disused venue in Soho, London.The project called together 49 British artists of different generations, from veterans such as Richard Hamilton, Howard Hodgkin, Anish Kapoor, and Bridget Riley, to established YBAs including Jake & Dinos Chapman, Tracey Emin, and Gavin Turk, and up and coming, soon to be illustrious names, such as Peter Doig, Grayson Perry and Harland Miller - each one of them exhibiting for one week, with Richard Hamilton showing twice in the first and last week.Divided into 50 sections, the book chronicles each project in the words of the participants through interviews, essays and visual documentaries. .Arrangment of the prints: 01. Richard Hamilton02. Gavin Turk03. Tim Stoner04. Philip Treacy05. Caruso St. John06. John Hilliard07. Liam Gillick08. Georgie Hopton + Josephine Soughan09. Jake + Dinos Chapman10. Mark Hisking11. Grayson Perry12. Simon Patterson13. Runa Islam14. Anish Kapoor15. Bella Freud16. Tacita Dean17. Antony Gormley18. Carey Young19. Marine Hugonnier20. Will Self21. Fiona Rae22. Tracey Emin23. Christopher Le Brun24. Liam Gillick, Douglas Gordon, Carsten Höller, Pierre Huyghe, Philippe Parreno, Rirkrit Tiravanija25. Nigel Shafran26. Anya Gallaccio27. James White + Tim Sheward28. Mark Lewis29. Richard Deacon + Martin Kreyssig30. Wolfgang Tillmans31. João Penalva32. Matthew Higgs, Oliver Payne + Nick Relph33. John Latham34. Gilbert + George35. Enrico David36. Mona Hatoum37. Andrew Lewis38. Cerith Wyn Evans39. Howard Hodgkin40. Tom Gidley41. Sam Taylor-Wood42. Harland Miller43. Peter Doig44. Hussein Chalayan45. Patti Smith46. Darren Almond47. Michael Craig-Martin48. Jeremy Deller49. Bridget Riley50. Richard Hamilton.

Cloth. Condizione: Very Good Indeed. None (illustratore). A lovely set of 5 essay titles in The Victorian Library publisher series, with original orange dust wrappers. A 5 volume collection of essay titles, as published between 1969 and 1970 by Leicester University Press.A very smart set, bound in original vibrant blue simulated leather.Featuring the original signature orange dust wrappers of The Victorian Library publisher series, all but one unclipped.These titles includes various influential works by 19th Century writers such as Francis William Newman's autobiographical work 'Phases of Faith', which recounts the evolution of his personal religious beliefs; and two titles in one volume by Mark Rutherford, the pseudonym of civil servant Hale White - including his acclaimed 1885 novel, 'Deliverance'. Bound in blue simulated leather. In original orange dust wrappers. Unclipped, except vol4. Externally, in lovely condition. Slight spotting to endpapers. Infrequent shelf wear - occasional bumping to extremities. The odd mark to boards - severe mark to vol5 rear board, and corresponding dust wrapper leaf. Occasional spotting to text block edges. Shelf wear to dust wrapper extremities. The odd mark to dust wrappers. Occasional closed tears. Price stickers to 4/5 front fly leaves. Internally, firmly bound. Pages generally bright and clean, with the odd spot. Very Good Indeed. book.

3 vol. : vol. 1: 144 pp. ; vol. 2: 163 pp. ; vol. 3: 186+ pp.; 3 vol. : vol. 1: 27 x 20 cm. ; vol. 2: 26.5 x 21 cm. ; vol. 3: 27.5 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; All three published issues of the periodical The Fox, one of the most important publications of 1970s conceptualism. All issues printed on newsprint, with rough cardboard covers."It is the purpose of our journal to try to establish some kind of community practice. Those who are interested, curious, or have something to add (be it pro or con) to the editorial thrust . the revaluation of ideology . of the first issue are encouraged, even urged, to contribute to following issues. All other correspondences are welcome." -- preface to Volume One. Issue 1, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, and Preston Heller. Contents include: "A Declaration of Dependence," by Sarah Charlesworth; "For Thomas Hobbes," by Michael Baldwin and Philip Pilkington; " The Artist as Anthropologist," by Joseph Kosuth; " Are You Not Doing What You're Doing While You're Doing What You Are," by Andrew Menard; "A Note on Art in Yugoslavia," by Zoran Popovic and Jasna Tijardovic; "Pricing Works of Art," by Ian Burn; "To Art (Reg. Intrans. V.)," by Adrian Piper; "On Practice," by Mel Ramsden; "Historical Discourse," by Michael Corris; "Education Bankrupts," by David Rushton and Paul Wood; "Counterfeit Interview," by Preston Heller; "Optimistic Handbook," by Lynn Lemaster; "Looking Back, Going On," by Terry Atkinson; "Perimeters of Protest," by Mel Ramsden; "Buying Cultural Dependency: A Note on the Crazed Thinking Behind Several Australian Collections," by Ian Burn; "A Forum on Artforum," by Karl Beveridge; and "Thinking About Tim Clark and Linda Nochlin," by Ian Burn. Issue 2, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "Book Review: John Berger's 'Ways of Seeing,'" by Eunice Lipton; "Review: Jeremy Gilbert-Rolfe's As-Silly-As-You-Can-Get"; "Brice Marden's Painting,'" by Mel Ramsden; "Review: Fighting Modern Masters," by Terry Smith; "Dear Fox." by Lizzie Borden; "Memo For the Fox," by Sarah Charlesworth; "Review: 'Cityarts Workshop: People's Art in New York City,'" by Mel Ramsden; "Conversation Pieces," by Mark Klienberg; "A Proposal For Pricing Works of Art," by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Andrew Menard; "Review: Ian Wilson's Discussion at the John Weber Gallery," by Michael Corris; "Review: 'Art-Language' Volume 3 Number 2," by Ian Burn; "Bruce Kurtz: A Conversation with Robert Smithson"; "Stefan Morawski: Concerning an Attack by Sandra Harrison"; "Letters from Jean Toche, Robert Horvitz, Paul Kagawa, Annson Kenney, and others"; "Direct Speech," by David Rushton and Paul Wood; "1975," by Joseph Kosuth; "Doing Art History," by Terry Smith; "Media Madness," by Andrew Menard and Ron White; "Looking Back, Going On - Part 2," by Terry Atkinson; "Don Judd," by Karl Beveridge and Ian Burn; "Yet Another Palace Revolt in the Banana Republic?" by Michael Corris; "On Samuel Beckett's 'Waiting for Godot,'" by Trevor Pateman. Issue 3, published in 1976, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "The Lumpen-Headache," by Peter Benchley; "Review: Not on the Development of Contradiction," by Kathryn Bigelow; "For Artists Meeting," by Sarah Charlesworth; "Review: Under the Rug," by Martha Rosler; "Review: Framing & Being Framed - Or, Are We Going to Let Barbara Rose Get Away with 'Dialectics' this Year?" by Mel Ramsden; "Having-Your-Heart-In-The-Right-Place is Not Making History," by Art & Language UK; "Worst of All Allies," by Art & Language UK; " The Edge of the Edge," Carole Condé and Karl Beveridge; " Autopatripassionata," by Christine Kozlov and Mayo Thompson; "Review: Chic Kicking Muse," by Sharlene Spingler; "Chris Smith Confronts Norman Trotsky and Dame Flora Luxemburg, Many of their colleagues, Furry and Feathered Friends," by Art & Language UK; " For Your Reference," Ian Wilson; "Review: Convoy," by Mayo Thompson; "The 'Liquidation' of Art: Self-Management or Self-Protection," by Jasna Tijardovic; "Bathysiderodromophobia," Ross Neher; "Has Your License Expired," by Nigel Lendon; "Work," by Joseph Kosuth; "Method or Mouthtalk," by Fern Tiger and Edward Robbins; "The Organization of Culture under Monopoly Capitalism, Part I: 'How Do You Feel About the Arts and Artifacts Indemnity Act?' The Organization of Culture under Monopoly Capitalism, Part II: Culture Ain't No Headless Horseman," by Michael Corris, Preston Heller, Andrew Menard; "History," by David Rushton and Paul Wood; "On the Class of Character in Art," by Goram Djordjevic; "Sociological Art as Utopian Strategy," by Hervé Fischer; "Art-Learning," by David Rushton and Paul Wood; correspondence by Robert Witz, Joshua Neustein, Guerrilla Art Action Group, J. Byron Kearns and others; and notes: "May Stevens: Art & Class"; Jane Klion & Julie Wolf: Students Fighting Faculty at WU; Mayo Thompson: Natural Alliances; For the Sensitive Stefan Morawski: Theses on Aesthetics. References : "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 72 - 73 and 77. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 261. Fair / Good. Volume One: light creasing of recto and verso; 10 cm. moisture soiling to bottom edge of recto carrying through to all pages; rubbing of cover edges with rounding of corners; previou.

First edition, first printing. Edition of 50 signed by the artists. Fig-1 was 50 projects in 50 weeks initiated by Mark Francis and Jay Jopling, set in a small warehouse building in Soho, each project lasting one week. Each poster is signed by the relevant artist or artists. The projects embraced a broad range of contemporary creative productions including fine art, with 13 Turner Prize nominees, as well as literature, film and video, fashion, design, and architecture. Quarto, 32 page stapled booklet, A1 folded poster with photo-portraits of all the artists, 50 A2 folded posters. With the original silver card clamshell box. Box lightly rubbed to edges, else fine.