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Tokion Magazine, Issue 29. 2001 | "The Disobedients."
Ryan McGinness; Evan Hecox; Margaret Kilgallen; Thomas Campbell; Aaron Rose; Mark McMenemy
Lingua: Inglese
Editore: tokion, New York, Tokyo, 2001
- Brossura
- Prima edizione
- Rivista/periodico
Da: Franklin Shepard Ink, South Bend, IN, U.S.A.Franklin Shepard Ink
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Ottimo
EUR 137,69
EUR 4,68 spedizioneSpedito in U.S.A.Quantità: 1 disponibile
Aggiungi al carrelloSoft cover. Condizione: Fine. 1st Edition. Tokion Magazine, Issue 29. "The Disobedients." Published 2001. A special issue of Tokion, the international art and street‑culture magazine known for its coverage of emerging movements in design, graffiti, skate culture, and youth‑driven creative scenes. Features "The Disobedients" — essays and commentary on rebellious art movements and contemporary visual culture Scene Reports from Tokyo, Hong Kong, Australia, Taipei, London, Amsterdam, and São Paulo "Between Moment and Movement" by Mark McMenemy Interview with Aaron Rose, a central figure in the Beautiful Losers art movement "Shows That Changed Things" — exhibitions that shaped the modern art landscape Art 29th Artists Ryan McGinness Evan Hecox Margaret Kilgallen Thomas Campbell Support Centers Foundations and institutions supporting contemporary artists, including Philadelphia Fantasy Focus Additional Content Graffiti‑influenced visual spreads Skate‑culture iconography Street‑art typography and collage design Editorial reflections on global youth culture and artistic rebellion A visually rich issue from Tokion's influential period, notable for contributions from Kilgallen, Campbell, McGinness, and Rose — key figures in early 2000s street‑art and independent creative movements. Issue 29. Published 2001. Collectors of early 2000s street art and independent culture will recognize the significance of this issue immediately: contributions from Ryan McGinness, Evan Hecox, Margaret Kilgallen, Thomas Campbell, Aaron Rose, and Mark McMenemy place it squarely within the formative era of the Beautiful Losers movement. Kilgallen and Campbell in particular have become touchstones for contemporary art history, and Tokion's coverage of their work has grown increasingly scarce in the market. Fine copies of this issue are sought after for its blend of international scene reporting, influential artist profiles, and early documentation of a creative moment that has since become museum‑level canon. …