Marta ponsa (28 risultati)

paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condizione: New. The visible world overflows with pictures: more than three billion of them stream across social media every day. This overproduction this excess needs to be managed. Images must be stored, formatted and transported, their flow and exchange must be organised. They require road networks (such as internet cables) and new forms of labour (such as content moderators and clickworkers). And they transform the way we see, mobilising our gaze as never before. The essays and artworks in this catalogue, by observing similar transformations currently affecting our financialised economy in the age of cryptocurrencies, seek to grasp and theorise this new iconomy of the visible.This exhibition catalogue is a collection of short texts providing a wide range of perspectives on the economics of the image and images of the economy. A number of classic essays have also been reproduced, in part or in full. Includes contributions from Emmanuel Alloa, Hervé Aubron, Matthias Bruhn, Yves Citton, Elena Esposito, Jean-Joseph Goux, Maurizio Lazzarato, Catherine Malabou, Marta Ponsa, Marie Rebecchi, Antonio Somaini, Peter Szendy, Leah Temper, Elena Vogman and Dork Zabunyan.…

Condizione: as new. Wie neu/Like new.

Hardcover. Condizione: new. Hardcover. 'Art and economics have entertained a complex and decisive relationship since ancient times. But for over a century, what is at stake goes far beyond the mere art market: what we face now is the commodification of all that is visible. We live in a world that is increasingly saturated with images. The photographs, drawings, paintings, videos, films, digital works and multimedia installations selected for the exhibition cast a keen and watchful eye over these issues. On the one hand, they reflect the upheavals that currently affect economics in general, whether in terms of unprecedentedly large storage spaces, scarce raw materials, labour and its mutations towards immaterial forms of work, or in terms of value and its new manifestations, such as cryptocurrencies. At the same time, however, these artists' works repeatedly interrogate the future of images and things visible in the age of their globalised 'iconomics'. This exhibition catalogue is a collection of short texts providing a wide range of perspectives on the economics of the image and images of the economy. A number of classic essays have also been reproduced, in part or in full. Includes contributions from Emmanuel Alloa, Herve Aubron, Matthias Bruhn, Yves Citton, Elena Esposito, Maurizio Lazzarato, Catherine Malabou, Marie Rebecchi, Marta Ponsa, Antonio Somaini, Peter Szendy, Leah Temper, Elena Vogman, Dork Zabunyan and Miren Etxezarreta Zubizarreta. AUTHOR: Peter Szendy is Professor of Comparative Literature and Humanities at Brown University. Previously, he worked as Maitre de conferences and accredited research director at Universite de Paris Nanterre, Visiting Professor at NYU and Princeton, and Maitre de conferences at Universite Marc-Bloch in Strasbourg. In 1995, he obtained his doctoral degree in Musical Aesthetics at Ecole des hautes etudes en sciences sociales (Ehess), Paris. SELLING POINTS: . Explores a wide range of perspectives on the economics of the image and images of the economy . Published to accompany an exhibition at Jue de Paume Museum, Paris, from February - June 2020 . Preface by Quentin Bajac, director of Jeu de Paume, previously head of photography at MoMA . Edited by widely published Peter Szendy, author of The Supermarket of Visible translated into English at Fordham University Press 200 colour images This book explores a wide range of perspectives on the economics of the image and images of the economy. Accompanies an exhibition at Jeu de Paume, Paris, showcasing more than 50 artists. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: new. Paperback. The volume, dedicated to Marine Hugonnier (Paris, 1969), filmmaker and contemporary artist, presents a selection of works representative of her artistic approach since her beginnings in 1998.At the border between documentary and fiction, the work of Marine Hugonnier constitutes an exploration of the politics of the gaze. His works are an attempt to deconstruct the inherent complicity between the gaze and political ideologies. His work thus aims to question the cultural and political framework that conforms each point of view. His films, which can be described as experimental films or film essays, are sometimes associated with visual anthropology, his field of investigation being the space that separates the subject from his observer. She travelled a lot with her Aaton s16 mm camera on her shoulder, adopting the posture of the reporter and the ethnographer more than that of the artist, mixing images and genres. For Marine Hugonnier, producing images involves thinking about them. Cinema is conceived by the artist as a political act. A filmmaker above all, the artist also practices photography and creates works on paper. Her artistic research transversally addresses feminism, gender fluidity, anti-colonialism and issues related to the convergence between human and non-human. She tries to reconfigure the devices of capture and restitution of the cinema to build a new regime of images.Texts by: Michael Newman, Nicole Brenez, Carles Guerra; conversation between Eyal Weizmann and Marine Hugonnier. A volume dedicated to Marine Hugonnier, established filmmaker and contemporary artist on the international scene. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: New. The volume, dedicated to Marine Hugonnier (Paris, 1969), filmmaker and contemporary artist, presents a selection of works representative of her artistic approach since her beginnings in 1998.At the border between documentary and fiction, the work of Marine Hugonnier constitutes an exploration of the politics of the gaze. His works are an attempt to deconstruct the inherent complicity between the gaze and political ideologies. His work thus aims to question the cultural and political framework that conforms each point of view. His films, which can be described as experimental films or film essays, are sometimes associated with visual anthropology, his field of investigation being the space that separates the subject from his observer. She travelled a lot with her Aaton s16 mm camera on her shoulder, adopting the posture of the reporter and the ethnographer more than that of the artist, mixing images and genres. For Marine Hugonnier, producing images involves thinking about them. Cinema is conceived by the artist as a political act. A filmmaker above all, the artist also practices photography and creates works on paper. Her artistic research transversally addresses feminism, gender fluidity, anti-colonialism and issues related to the convergence between human and non-human. She tries to reconfigure the devices of capture and restitution of the cinema to build a new regime of images.Texts by: Michael Newman, Nicole Brenez, Carles Guerra; conversation between Eyal Weizmann and Marine Hugonnier.…

Condizione: new.

Hardcover. Condizione: Brand New. 312 pages. 9.25x6.75x1.25 inches. In Stock.

Paperback. Condizione: New. The volume, dedicated to Marine Hugonnier (Paris, 1969), filmmaker and contemporary artist, presents a selection of works representative of her artistic approach since her beginnings in 1998.At the border between documentary and fiction, the work of Marine Hugonnier constitutes an exploration of the politics of the gaze. His works are an attempt to deconstruct the inherent complicity between the gaze and political ideologies. His work thus aims to question the cultural and political framework that conforms each point of view. His films, which can be described as experimental films or film essays, are sometimes associated with visual anthropology, his field of investigation being the space that separates the subject from his observer. She travelled a lot with her Aaton s16 mm camera on her shoulder, adopting the posture of the reporter and the ethnographer more than that of the artist, mixing images and genres. For Marine Hugonnier, producing images involves thinking about them. Cinema is conceived by the artist as a political act. A filmmaker above all, the artist also practices photography and creates works on paper. Her artistic research transversally addresses feminism, gender fluidity, anti-colonialism and issues related to the convergence between human and non-human. She tries to reconfigure the devices of capture and restitution of the cinema to build a new regime of images.Texts by: Michael Newman, Nicole Brenez, Carles Guerra; conversation between Eyal Weizmann and Marine Hugonnier.…

tapa blanda. Condizione: 2ª Mano. 2ª Mano. Fundació Caixa d'Estalvis i Pensions de Barcelona. 1999. Ilustrado con 79 fotografías a plena pagina. Primera edición. Libro.

Paperback. Condizione: Brand New. 288 pages. 11.75x9.50x1.97 inches. In Stock.

paperbound, flaps, 4to 134 pp., ca. 100 ills. exhibition catalogue; Ed van der Elsken; text in Spanish; LIKE NEW condition.

Buch. Condizione: Neu. Neuware - This book explores a wide range of perspectives on the economics of the image and images of the economy. Accompanies an exhibition at Jeu de Paume, Paris, showcasing more than 50 artists.

Gebunden. Condizione: New. This book explores a wide range of perspectives on the economics of the image and images of the economy. Accompanies an exhibition at Jeu de Paume, Paris, showcasing more than 50 artists.&Uumlber den AutorPeter Szendy is Professor o.

Condizione: New. KlappentextSurveying the oeuvre of a genre-bending French documentarianFrench artist Marine Hugonnier (born 1969) makes experimental films that investigate the politics of the gaze and exist at the border of do.

Softcover. Condizione: Book very good. 134 pp. Throughout b/w photographs of Van der Elsken. Biography, bibliography, list of exhibitions. Exposition catalogue. Languages: Spanish and Catalan, with an English translation. L'exposició Ed van der Elsken: Eye love you ha estat produida pel Kunstmuseum de Wolfsburg i organitzada per la Fundació "La Caixa". Size: 29,5 x 24 cm.…

Paperback. Condizione: new. Paperback. The volume, dedicated to Marine Hugonnier (Paris, 1969), filmmaker and contemporary artist, presents a selection of works representative of her artistic approach since her beginnings in 1998.At the border between documentary and fiction, the work of Marine Hugonnier constitutes an exploration of the politics of the gaze. His works are an attempt to deconstruct the inherent complicity between the gaze and political ideologies. His work thus aims to question the cultural and political framework that conforms each point of view. His films, which can be described as experimental films or film essays, are sometimes associated with visual anthropology, his field of investigation being the space that separates the subject from his observer. She travelled a lot with her Aaton s16 mm camera on her shoulder, adopting the posture of the reporter and the ethnographer more than that of the artist, mixing images and genres. For Marine Hugonnier, producing images involves thinking about them. Cinema is conceived by the artist as a political act. A filmmaker above all, the artist also practices photography and creates works on paper. Her artistic research transversally addresses feminism, gender fluidity, anti-colonialism and issues related to the convergence between human and non-human. She tries to reconfigure the devices of capture and restitution of the cinema to build a new regime of images.Texts by: Michael Newman, Nicole Brenez, Carles Guerra; conversation between Eyal Weizmann and Marine Hugonnier. A volume dedicated to Marine Hugonnier, established filmmaker and contemporary artist on the international scene. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Fundació La Caixa, Barcelona 2000. 4to. 128 pages. Illustrations in b/w and colour. Orig. softcover. Near fine. * Texts in Spanish and English.

Condizione: new. Livraison rapide, bien emballé, service client soigné.Pour tout renseignement complémentaire, n'hésitez pas à nous contacter.

Taschenbuch. Condizione: Neu. Neuware - Surveying the oeuvre of a genre-bending French documentarianFrench artist Marine Hugonnier (born 1969) makes experimental films that investigate the politics of the gaze and exist at the border of documentary and fiction. Equipped with her 16mm camera, Hugonnier mixes the roles of reporter and ethnographer. …

Hardcover. Condizione: new. Hardcover. 'Art and economics have entertained a complex and decisive relationship since ancient times. But for over a century, what is at stake goes far beyond the mere art market: what we face now is the commodification of all that is visible. We live in a world that is increasingly saturated with images. The photographs, drawings, paintings, videos, films, digital works and multimedia installations selected for the exhibition cast a keen and watchful eye over these issues. On the one hand, they reflect the upheavals that currently affect economics in general, whether in terms of unprecedentedly large storage spaces, scarce raw materials, labour and its mutations towards immaterial forms of work, or in terms of value and its new manifestations, such as cryptocurrencies. At the same time, however, these artists' works repeatedly interrogate the future of images and things visible in the age of their globalised 'iconomics'. This exhibition catalogue is a collection of short texts providing a wide range of perspectives on the economics of the image and images of the economy. A number of classic essays have also been reproduced, in part or in full. Includes contributions from Emmanuel Alloa, Herve Aubron, Matthias Bruhn, Yves Citton, Elena Esposito, Maurizio Lazzarato, Catherine Malabou, Marie Rebecchi, Marta Ponsa, Antonio Somaini, Peter Szendy, Leah Temper, Elena Vogman, Dork Zabunyan and Miren Etxezarreta Zubizarreta. AUTHOR: Peter Szendy is Professor of Comparative Literature and Humanities at Brown University. Previously, he worked as Maitre de conferences and accredited research director at Universite de Paris Nanterre, Visiting Professor at NYU and Princeton, and Maitre de conferences at Universite Marc-Bloch in Strasbourg. In 1995, he obtained his doctoral degree in Musical Aesthetics at Ecole des hautes etudes en sciences sociales (Ehess), Paris. SELLING POINTS: . Explores a wide range of perspectives on the economics of the image and images of the economy . Published to accompany an exhibition at Jue de Paume Museum, Paris, from February - June 2020 . Preface by Quentin Bajac, director of Jeu de Paume, previously head of photography at MoMA . Edited by widely published Peter Szendy, author of The Supermarket of Visible translated into English at Fordham University Press 200 colour images This book explores a wide range of perspectives on the economics of the image and images of the economy. Accompanies an exhibition at Jeu de Paume, Paris, showcasing more than 50 artists. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condizione: New. The volume, dedicated to Marine Hugonnier (Paris, 1969), filmmaker and contemporary artist, presents a selection of works representative of her artistic approach since her beginnings in 1998.At the border between documentary and fiction, the work of Marine Hugonnier constitutes an exploration of the politics of the gaze. His works are an attempt to deconstruct the inherent complicity between the gaze and political ideologies. His work thus aims to question the cultural and political framework that conforms each point of view. His films, which can be described as experimental films or film essays, are sometimes associated with visual anthropology, his field of investigation being the space that separates the subject from his observer. She travelled a lot with her Aaton s16 mm camera on her shoulder, adopting the posture of the reporter and the ethnographer more than that of the artist, mixing images and genres. For Marine Hugonnier, producing images involves thinking about them. Cinema is conceived by the artist as a political act. A filmmaker above all, the artist also practices photography and creates works on paper. Her artistic research transversally addresses feminism, gender fluidity, anti-colonialism and issues related to the convergence between human and non-human. She tries to reconfigure the devices of capture and restitution of the cinema to build a new regime of images.Texts by: Michael Newman, Nicole Brenez, Carles Guerra; conversation between Eyal Weizmann and Marine Hugonnier.…

Hardback. Condizione: New. The visible world overflows with pictures: more than three billion of them stream across social media every day. This overproduction this excess needs to be managed. Images must be stored, formatted and transported, their flow and exchange must be organised. They require road networks (such as internet cables) and new forms of labour (such as content moderators and clickworkers). And they transform the way we see, mobilising our gaze as never before. The essays and artworks in this catalogue, by observing similar transformations currently affecting our financialised economy in the age of cryptocurrencies, seek to grasp and theorise this new iconomy of the visible.This exhibition catalogue is a collection of short texts providing a wide range of perspectives on the economics of the image and images of the economy. A number of classic essays have also been reproduced, in part or in full. Includes contributions from Emmanuel Alloa, Hervé Aubron, Matthias Bruhn, Yves Citton, Elena Esposito, Jean-Joseph Goux, Maurizio Lazzarato, Catherine Malabou, Marta Ponsa, Marie Rebecchi, Antonio Somaini, Peter Szendy, Leah Temper, Elena Vogman and Dork Zabunyan.…

Paperback. Condizione: New. The volume, dedicated to Marine Hugonnier (Paris, 1969), filmmaker and contemporary artist, presents a selection of works representative of her artistic approach since her beginnings in 1998.At the border between documentary and fiction, the work of Marine Hugonnier constitutes an exploration of the politics of the gaze. His works are an attempt to deconstruct the inherent complicity between the gaze and political ideologies. His work thus aims to question the cultural and political framework that conforms each point of view. His films, which can be described as experimental films or film essays, are sometimes associated with visual anthropology, his field of investigation being the space that separates the subject from his observer. She travelled a lot with her Aaton s16 mm camera on her shoulder, adopting the posture of the reporter and the ethnographer more than that of the artist, mixing images and genres. For Marine Hugonnier, producing images involves thinking about them. Cinema is conceived by the artist as a political act. A filmmaker above all, the artist also practices photography and creates works on paper. Her artistic research transversally addresses feminism, gender fluidity, anti-colonialism and issues related to the convergence between human and non-human. She tries to reconfigure the devices of capture and restitution of the cinema to build a new regime of images.Texts by: Michael Newman, Nicole Brenez, Carles Guerra; conversation between Eyal Weizmann and Marine Hugonnier.…

Couverture rigide. Condizione: Comme neuf. Edition originale. Cartonnage éditeur illustré en couleurs, très nombreuses illustrations couleurs et n&b, 312 pages.

Barcelona 2001 . Traduccions de Caplletra S.L. Enquad : Rústica amb solapes . 24,2 x 29,7 cms. 189 pag Tema : El Desert . Idioma : Català . Llibre en bon estat . ( Si paga Contra Reemborsament incrementarà les despeses d'Enviament en 5 Eur ) .