Marta serrano coll (28 risultati)

Condizione: As New. : Descubre los secretos de la repostería tradicional española con 'Dulces y Postres de las Monjas Clarisas'. Este libro recopila 260 recetas auténticas provenientes de cien monasterios españoles, ofreciendo una ventana a la rica herencia culinaria de las monjas clarisas. Aprende a preparar delicias únicas, desde dulces conventuales hasta postres exquisitos, siguiendo las tradiciones transmitidas a lo largo de los siglos. Un tesoro gastronómico para los amantes de la cocina tradicional y los sabores auténticos de España. EAN: 9788415122197 Tipo: Libros Categoría: Cómics y Manga Título: Dulces y postres de las monjas clarisas Autor: Esther Lozano López| Marta Serrano Coll Editorial: EDITORIAL CHRONICA,S.L Idioma: es-ES Páginas: 248 Formato: tapa blanda.…

paperback. Condizione: New.

Encuadernación de tapa blanda. Condizione: Nuevo. Condizione sovraccoperta: Nuevo. 1ª Edición.

Encuadernación de tapa dura. Condizione: Nuevo. Idioma español. Ejemplar nuevo. New. Tapa dura. Dimensiones: 22x16 - 308 pp.

Encuadernación de tapa dura. Condizione: Nuevo. Idioma español. Ejemplar nuevo. New. Tapa dura. Dimensiones: 24x15 - 307 pp. Alegre Alonso, Joaquín (illustratore).

Encuadernación de tapa blanda. Condizione: Muy bueno. Coleccion De Letras 13 x 21 x 1.9 cm, 312 pgs. ISBN: 9788478209460 Se observa una decoloración de las páginas debido a la naturaleza del papel ácido. Por lo demás, el libro se encuentra en muy buen estado. Nunca ha sido leido.

Encuadernación de tapa blanda. Condizione: Excelente. 1ª Edición.

Encuadernación de tapa blanda. Condizione: Nuevo. Condizione sovraccoperta: Nuevo. 1ª Edición.

651 p 24 cm Encuadernación editorial en rústica con solapas. Estado de conservación: Como nuevo.

Condizione: New.

Paperback. Condizione: Brand New. 01 edition. 300 pages. 11.00x9.00x1.25 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Tapa dura. Condizione: Nuevo. Condizione sovraccoperta: Nuevo. Doña Emilia es una de las más brillantes escritoras en español de todos los tiempos. Inquieta, laboriosa, instruida y desenvuelta, cultivó con asiduidad la literatura de viajes. Sus notasö recogidas por una mirada sagaz e inquisitiva, y expuestas en un castellano brioso y elegante testimonian su pasión por la naturaleza, el arte, la arquitectura, su tierra y sus paisanos. Una lectura para sacar del pasado lecciones con las que entender el presente. LIBRO. ALEGRE ALONSO, JOAQUÍN (illustratore).…

Condizione: As New. Unread book in perfect condition.

Kartoniert / Broschiert. Condizione: New.

hardcover. Condizione: New. 1st.

Condizione: New. 2020. Paperback. . . . . .

4to.; 311 pp. Con 86 ilustraciones en negro y color. Cubiertas originales.

Paperback. Condizione: New. Brand New. Trade Paperback. 100% Money Back Guarantee on all Items. We believe in providing accurate grading on used books and excellent customer service.

Condizione: New. 2020. Paperback. . . . . . Books ship from the US and Ireland.

paperback. Condizione: New. New .Ships From Multiple Locations. book.

Condizione: gut. Weaving Memories in Medieval Cathedrals Artistic Narratives in Global History In deutscher Sprache. pages.

Condizione: NEW. Roma: Viella, 2024 9791254695678 Quaderni napoletani di storia dell'arte medievale, 8 809 208 p. : ill. col., indice, biografia ; 24 cm. Cet ouvrage réunit une série d'essais consacrés aux sceaux féminins créés et utilisés pendant le Moyen Âge dans des territoires bordant la Méditerranée. Ces essais sont issus d'un colloque qui s'est tenu à Naples en novembre 2022, comme deuxième volet du grand congrès international La sigil lografia medieval a Catalunya i a l'Europa mediterrània. Estudis comparatius, né de la collaboration entre l'Institut d'Estudis Catalans de Barcelone et l'Université de Naples Federico II. Malgré l'évolution généralisée des études historiennes avec une perspective de genre, force est de constater que de nombreuses questions concernant les sceaux féminins restent encore sans réponse. Les sceaux féminins sont-ils des objets commandés par les femmes pour elles-mêmes ou par les hommes pour les femmes? Les femmes avaient-elles le pouvoir de décider la nature des images à placer sur leurs sceaux? Les femmes choisissaient elles-mêmes les artistes et les formes de leurs sceaux? Selon la réponse que nous pouvons donner à ces questions, la perspective dans laquelle nous regardons les sceaux féminins du Moyen Âge change en conséquence. Cet ouvrage réunit une série d'essais consacrés aux sceaux féminins créés et utilisés pendant le Moyen Âge dans des territoires bordant la Méditerranée. Ces essais sont issus d'un colloque qui s'est tenu à Naples en novembre 2022, comme deuxième volet du grand congrès international La sigil lografia medieval a Catalunya i a l'Europa mediterrània. Estudis comparatius, né de la collaboration entre l'Institut d'Estudis Catalans de Barcelone et l'Université de Naples Federico II. Malgré l'évolution généralisée des études historiennes avec une perspective de genre, force est de constater que de nombreuses questions concernant les sceaux féminins restent encore sans réponse. Les sceaux féminins sont-ils des objets commandés par les femmes pour elles-mêmes ou par les hommes pour les femmes? Les femmes avaient-elles le pouvoir de décider la nature des images à placer sur leurs sceaux? Les femmes choisissaient elles-mêmes les artistes et les formes de leurs sceaux? Selon la réponse que nous pouvons donner à ces questions, la perspective dans laquelle nous regardons les sceaux féminins du Moyen Âge change en conséquence. Lucherini,Vinni.…

Encuadernación de tapa blanda. Condizione: Bien. R40. Arola - 122pp Fotografías en color. (F) S.

Hardback,Pages: 317 p.Size:216 x 280 mm, Illustrations:17 b/w, 126 col., 2 tables b/w. Language(s):English. ISBN 9782503617695. Summary This volume examines a network of medieval European cathedrals, from the North Sea to Andalusia, to reveal the specific ways in which institutional and civic memories were interwoven in each of these ecclesiastical sees. These pages analyze the plurality of the European landscape through eleven cathedrals, created between the fourth and fifteenth centuries across the European geographical and cultural breadth. The architectural features of each cathedral are the result of a complex process of morphogenesis that is constantly defined by the local conditions of space, building material, etc. For these reasons, each author reveals in the respective case study how the ritual spaces and the cultic and commemorative devices that legitimized their relationship with the past, the particular devotions, the diachronic and synchronic crossroads and their relationships with the secular and religious elites were generated, modified and organized. Crucial to this integrative process was the movement of patrons and master builders, as well as their ability to adopt new approaches and integrate them into established patterns. The cathedrals studied in this volume were highly innovative centers that exported successful models. In some cases, their proposals were formulated on the substratum of Roman antiquity, often reinterpreted. Furthermore, special attention is given to the memorial competencies of devices and liturgical furnishings, that constituted a large part of the visual and mnemonic experience inside their ceremonial spaces. Through the study of the selected cathedrals it is revealed that each and every one of them sought to affirm two complementary realities: what role each one aspired to play in the history of Universal Salvation and, at the same time, how to articulate the spaces of the monument to give place and temporality to the memory itself, extolling the most relevant powerful personalities in the framework of the lay community. Thus, the volume offers a panoramic view of the specificities, but also of the analogies generated by artistic intersections and homologous statements. TABLE OF CONTENTS Introduction: Negotiating Institutional Pasts in European Cathedrals Gerardo Boto Varela and Marta Serrano Coll Medieval Cathedrals As Reliquaries Of Memorial Narratives I Imperial Patronage and Shaped Memories The Cathedral of Rome in Context: Sacred Spaces, Rituals, and Patrons (Fifth?Fourteenth Centuries) Manuela Gianandrea and Eleonora Tosti Cathedral Saint Mauritius and Saint Katharina, Magdeburg Matthias Untermann II International Architectures for Secular and Ecclesiastical Hegemonies 1099?1106: The Foundation of Modena Cathedral as a Mirror of the Transition Between Seigneurial Power and Civic Self-Consciousness Saverio Lomartire Poitiers, the Cathedral Saint-Pierre-Saint-Paul Claude Andrault-Schmitt The Dispute over the Tradition of an Episcopal Church and the Art of the Naumburg Master Holger Kunde The Cathedral of Saint Vitus, Wenceslas, Adalbert, and the Virgin Mary in Prague in the Romanesque Period Jana Ma?íková-Kubková Notre-Dame de Lausanne: Socio-Spatial Organisation at the Origins of the Cathedral (Thirteenth?Sixteenth Centuries) Kérim Berclaz III Hosting and Proclaiming Cults ?North to Saint Olav??A Saint and his Cathedral on the Edge of the Christian World Øystein Ekroll Canterbury Cathedral and its Holy Archbishops: Weaving Memories Between Continuity and Innovation Ute Engel IV Negotiating the Past in Palimpsestic Cities on the Edges of Latinity The Hard Task of Surrogating Jerusalem: Famagusta Cathedral in Medieval Experience and Modern Scholarship Michele Bacci The (In)visible Cathedral: The Major Church of Santa María in Seville from 1248 to 1411 Teresa Laguna Paúl Index of Names Index of Places 0 g.…

Hardcover, 317 pages, 216 x 280 mm, Illustrations:17 b/w, 126 col., 2 tables b/w. English. New. . ISBN 9782503617695. This volume examines a network of medieval European cathedrals, from the North Sea to Andalusia, to reveal the specific ways in which institutional and civic memories were interwoven in each of these ecclesiastical sees. These pages analyze the plurality of the European landscape through eleven cathedrals, created between the fourth and fifteenth centuries across the European geographical and cultural breadth. The architectural features of each cathedral are the result of a complex process of morphogenesis that is constantly defined by the local conditions of space, building material, etc. For these reasons, each author reveals in the respective case study how the ritual spaces and the cultic and commemorative devices that legitimized their relationship with the past, the particular devotions, the diachronic and synchronic crossroads and their relationships with the secular and religious elites were generated, modified and organized. Crucial to this integrative process was the movement of patrons and master builders, as well as their ability to adopt new approaches and integrate them into established patterns. The cathedrals studied in this volume were highly innovative centers that exported successful models. In some cases, their proposals were formulated on the substratum of Roman antiquity, often reinterpreted. Furthermore, special attention is given to the memorial competencies of devices and liturgical furnishings, that constituted a large part of the visual and mnemonic experience inside their ceremonial spaces. Through the study of the selected cathedrals it is revealed that each and every one of them sought to affirm two complementary realities: what role each one aspired to play in the history of Universal Salvation and, at the same time, how to articulate the spaces of the monument to give place and temporality to the memory itself, extolling the most relevant powerful personalities in the framework of the lay community. Thus, the volume offers a panoramic view of the specificities, but also of the analogies generated by artistic intersections and homologous statements. TABLE OF CONTENTS Introduction: Negotiating Institutional Pasts in European Cathedrals Gerardo Boto Varela and Marta Serrano Coll Medieval Cathedrals As Reliquaries Of Memorial Narratives I Imperial Patronage and Shaped Memories The Cathedral of Rome in Context: Sacred Spaces, Rituals, and Patrons (Fifth?Fourteenth Centuries) Manuela Gianandrea and Eleonora Tosti Cathedral Saint Mauritius and Saint Katharina, Magdeburg Matthias Untermann II International Architectures for Secular and Ecclesiastical Hegemonies 1099?1106: The Foundation of Modena Cathedral as a Mirror of the Transition Between Seigneurial Power and Civic Self-Consciousness Saverio Lomartire Poitiers, the Cathedral Saint-Pierre-Saint-Paul Claude Andrault-Schmitt The Dispute over the Tradition of an Episcopal Church and the Art of the Naumburg Master Holger Kunde The Cathedral of Saint Vitus, Wenceslas, Adalbert, and the Virgin Mary in Prague in the Romanesque Period Jana Ma?íková-Kubková Notre-Dame de Lausanne: Socio-Spatial Organisation at the Origins of the Cathedral (Thirteenth?Sixteenth Centuries) Kérim Berclaz III Hosting and Proclaiming Cults ?North to Saint Olav??A Saint and his Cathedral on the Edge of the Christian World Øystein Ekroll Canterbury Cathedral and its Holy Archbishops: Weaving Memories Between Continuity and Innovation Ute Engel IV Negotiating the Past in Palimpsestic Cities on the Edges of Latinity The Hard Task of Surrogating Jerusalem: Famagusta Cathedral in Medieval Experience and Modern Scholarship Michele Bacci The (In)visible Cathedral: The Major Church of Santa María in Seville from 1248 to 1411 Teresa Laguna Paúl Index of Names Index of Places 0 g.…

Taschenbuch. Condizione: Neu. Neuware - Cet ouvrage reunit une serie d'essais consacres aux sceaux feminins crees et utilises pendant le Moyen Age dans des territoires bordant la Mediterranee. Ces essais sont issus d'un colloque qui s'est tenu a Naples en novembre 2022, comme deuxieme volet du grand congres international La sigil-lografia medieval a Catalunya i a l'Europa mediterrania. Estudis comparatius, ne de la collaboration entre l'Institut d'Estudis Catalans de Barcelone et l'Universite de Naples Federico II. Malgre l'evolution generalisee des etudes historiennes avec une perspective de genre, force est de constater que de nombreuses questions concernant les sceaux feminins restent encore sans reponse. Les sceaux feminins sont-ils des objets commandes par les femmes pour elles-memes ou par les hommes pour les femmes Les femmes avaient-elles le pouvoir de decider la nature des images a placer sur leurs sceaux Les femmes choisissaient elles-memes les artistes et les formes de leurs sceaux Selon la reponse que nous pouvons donner a ces questions, la perspective dans laquelle nous regardons les sceaux feminins du Moyen Age change en consequence.…