mary bergstein (123 risultati)

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paper. Condizione: Good. Good copy paper ex. cat. Feb. 4 - April 22, 2000 @ RI School of Design, 159 pp with many color, sepia and B/W photographs throughout.

Hardcover. Condizione: Good. Hardcover in dust jacket, 12 by 9 1/2 inches, 159 pages, index, bibliography, illustrated. The jacket has slight edgewear, the binding has minimal wear and the pages are clean.

Hardcover with dustjacket, 336 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover, 160 pages; very good condition, tiny crease to most pages at lower right corner tip; no internal marks. Foreign shipping may be extra.

Condizione: New.

Hardback or Cased Book. Condizione: New. Mirrors of Memory: Freud, Photography, and the History of Art. Book.

Hardcover. Condizione: New. Condizione sovraccoperta: Near Fine. New and still in shrinkwrap. Slight fading along some edges of DJ. International addresses will require extra postage due to size. ; 4to 11" - 13" tall.

Soft cover. Condizione: Very Good. 160 page softcover exhibition catalog with many photo illustrations. Exhibition travelled to several locations in 2000. Very good condition - unmarked, tight and clean.

Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Maureen O'Brian and Mary Bergstein (editors), contributing authors - Mary Bergstein, Deborah Bright, Susan Hay, Christian Kempf, Maureen O'Brian, and Naomi Rosenblum. Quarto, 160 pages, 123 illustrations, hardcover black cloth with two dolphins embossed on cover and silver lettering on spine, dust jacket. Fine condition. Inventory #43703.

Soft cover. Condizione: New. NEW BOOK / SOFT COVER: VERY MINOR Shelf Wear. (Thames & Hudson; Museum of Art, Rhode Island School of Design). Location: R 73.

Hard Cover. Condizione: Fine. Condizione sovraccoperta: Fine. 335 pages, illustrated in b&w. "Lavishly illustrated with reproductions of the photo's from Freud's voluminous collection, the author argues that studying the man and his photographs uncovers a key to the origins of psychoanalysis." FINE HARDCOVER, FINE DUST JACKET. Size: 8vo - over 7¾" - 9¾" tall.

Hardcover. Condizione: Very good. Hardcover. 157pp+ index. Very good hardback in a very good dustjacket.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition. Unclipped dust jacket protected by archival mylar.

Hardcover. Condizione: New. Condizione sovraccoperta: New. 1st Edition. Cornell Studies in the History of Psychiatry. First printing. Volume, measuring approximately 7.5" x 8.75", is bound in gilt-lettered dark brown cloth spine and gray paper-covered boards. Book and dust jacket are new. 335 pages. "Photographs shaped the view of the world in turn-of-the-century Central Europe, bringing images of everything from natural and cultural history to masterpieces of Greek sculpture into homes and offices. Sigmund Freud's library―no exception to this trend―was filled with individual photographs and images in books. According to Mary Bergstein, these photographs also profoundly shaped Freud's thinking in ways that were no less important because they may have been involuntary and unconscious. In "Mirrors of Memory," lavishly illustrated with reproductions of the photos from Freud's voluminous collection, she argues that studying the man and his photographs uncovers a key to the origins of psychoanalysis. In Freud's era, photographs were viewed as transparent windows revealing objective truth but at the same time were highly subjective, resembling a kind of dream-memory. Thus, a photo of a ruined temple both depicted the particular place and conveyed a sense of loss, oblivion, of time passing and past, and provided entry into the language of the psychoanalytic project. Bergstein seeks to understand how various kinds of photographs―of sculptures; archaeological sites in Greece, Rome, and Egypt; medical conditions; ethnographic scenes―fed into Freud's thinking as he elaborated the concepts of psychoanalysis. The result is a book that makes a significant contribution to our understanding of early twentieth century visual culture even as it shows that photography shaped the ways in which the great archaeologist of the human mind saw and thought about the world.".

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 0.79 x 12.05 x 9.37 Inches; 159 pages; Ever since their creation in nineteenth-century France, Adolphe Braun's photographic images have been uniformly praised for their beauty. Braun was a trained textile designer who initially used the nascent technology of photography to document the French landscape and architecture, traditional regional costume, animal breeds and husbandry, and the events and legacies of the Franco-Prussian war. Braun's opulent bouquets of flowers are at once lush, delicate, and richly tonal; his landscapes are breathtaking and immediate; his animal studies arresting; his war photos dramatic and unrelenting. He created thousands of visual souvenirs of pristine alpine sites and would ultimately become one of the first to reproduce works of art photographically for a mass audience. Although the creation of "fine art" was not his intention, Braun produced work that was (and still is) synonymous with superb technical and artistic resolution, as he sought to identify popular uses for the process of photography. Through Braun's provocative work, Image and Enterprise explores the origins of contemporary visual communication--from the evolution of photography to the means of dissemination to the public. The introductory essays give an overview of Braun's photographic enterprise, his use of new technology, and the political and economic climate in which his business flourished. Other essays examine discrete aspects of Braun's work in the context of contemporary social, economic, and cultural history. Published to accompany an exhibition at the Rhode Island School of Design and the Cleveland Museum of Art.

Hardcover. Condizione: As New. Hardcover with dust jacket. Book is in excellent condition, text is unmarked and pages are tight.

Softcover. Condizione: Very Good+. Tight unmarked book in lightly rubbed covers with slight bump along spine. ; 11.9 X 8.9 X 0.5 inches.

Hardcover. Condizione: Used - Good. Braun's opulent bouquets of flowers are at once lush, delicate, and richly tonal; his landscapes are breathtaking and immediate; his animal studies arresting; his war photos dramatic and unrelenting. He created thousands of visual souvenirs of pristine Alpine sites and would ultimately become one of the first to reproduce works of art photographically for a mass audience. Although the creation of 'fine art' was not his intention, Braun produced work that was (and still is) synonymous with superb technical and artistic resolution, as he sought to identify popular uses for the process of photography. Through Braun's provocative work, image and Enterprise explores the origins of contemporary visual communication -- from the evolution of photography to the means of dissemination to the public. The introductory essays give an overview of Braun's photographic enterprise, his use of new technology, and the political and economic climate in which his business flourished. Other essays examine discrete aspects of Braun's work in the context of contemporary social, economic, and cultural history. Book is a remainder, but has NO markings and is 100%. Book has dust particles on it. Book has minor shelf wear.

Softcover. Condizione: Very Good with no dust jacket. Sound binding. Pages clean and bright. Wrappers have light handling wear. Contents: Branham, Sacred space under easure in ancient synagogues and early churches. Neagley, Elegant simplicity: the late Gothic plan design of St.-Maclou in Rouen. Paoletti, Michelangelo's masks. Goldberg, Velázquez in Italy: painters, spies, and low Spaniards. Corbett, "The third factor": modernity and the absent city in the work of Paul Nash, 1919-36. Bergstein, Lonely Aphrodites: on the documentary photography of sculpture. Lachman, "The image made by chance" in China and the West: Ibk Wang meets Jackson Pollock's Mother. Reviews. ; 11.5" tall; 162 pages.

Softcover. Condizione: Very Good with no dust jacket. Sound binding. Clean, bright pages. Mailing label on back. Wrappers have light handling wear. ; Contents: Ianziti, Leonardo Bruni and Biography: the Vita Aristotelis. Bergstein, Donatello's Gattamelata and its humanist audience. Carlson, The "Opicius" poems (British Library, Cotton Vespasian B.iv) and the humanist anti-literature in early Tudor England. Crowther-Heyck, "Be fruitful and multiply": Genesis and generation in Reformation Germany. Johnson, The short, lascivious lives of two Venetia theaters, 1580-85. Herman, "Bastard children of tyranny": the ancient constitution and Fulke Greville's A Dedication to Sir Philip Sidney. Deutscher, From Cicero to Tasso: humanism and the education of the Novarese parish clergy. Book reviews. ; 9.25" tall; 329 pages.

softcover. Condizione: Fine copy. Profusely illustrated (illustratore). 1st. 4to, 160 pp., With contributions by Mary Bergstein, Deborah Bright, Susan Hay, Christian Kempf, Maureen C. O'Brien & Naomi Rosenblum.

Hard. Condizione: Very Good Plus. Condizione sovraccoperta: Very Good Plus. 1st. First edition. Hard cover in dust jacket. Published NY: Thames & Hudson, 2000, first printing. Folio, 9 1/2" x 12 1/4", 160pp., 123 illustrations. Blind embossed black cloth with silver spine titles. "Ever since their creation in nineteenth-century France, Adolphe Braun's photographic images have been uniformly praised for their beauty. Braun was a trained textile designer who initially used the nascent technology of photography to document the French landscape and architecture, traditional regional costume, animal breeds and husbandry, and the events and legacies of the Franco-Prussian war. Braun's opulent bouquets of flowers are at once lush, delicate, and richly tonal; his landscapes are breathtaking and immediate; his animal studies arresting; his war photos dramatic and unrelenting. He created thousands of visual souvenirs of pristine alpine sites and would ultimately become one of the first to reproduce works of art photographically for a mass audience." Minor moisture stain top edge of front board and dust jacket, else very good plus in very good plus dust jacket.

First Edition. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new.; 159 pages; Description: 159 p. : ill. ; 30 cm. Includes bibliographical references (p. 153-155) . Subjects: Braun, Adolphe (1811-1877) --Exhibitions--Criticism and Interpretation -- Photography, Artistic--Exhibitions. 4 Kg.

31 x 24 cm ; Pp. ; Condizione: Gut. 159 S. ; Großformatige englischsprachige Hardcoverausgabe mit Schutzumschlag, 159 Seiten mit zahlreichen Fotos. Gutes Exemplar. pw345 ISBN: 0500542325.

Cloth. Condizione: Near Fine. Condizione sovraccoperta: Very Good. First Edition. 159 pages. 123 illustrations. Small tear to the top edge of dust jacket.