mary gowing (43 risultati)

Hardcover. Condizione: Very Good.

Soft cover. Condizione: Near Fine. Softcover 1988 edition. Text and covers in near fine condition. Binding firm. Pages unmarked and clean. (226 pages).

hardcover. Condizione: Very Good. Inscribed by the author on the title page. No dust jacket. Minimal wear. Gift inscription on front pastedown. Text is clean.

hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Signed by Mary Gowing inside front cover. 1974 Commonwealth Press. Pages are all clean and bright, appears unread. Green cloth hardcover is clean and bright. Dust jacket is clean and bright with light shelf rub at top edge.

Trade Paperback. Condizione: Very Good. Green, Harry - Designer (illustratore). First Edition. 226 Pages Indexed. The three exhibitions were: London 12 April to August 1988, Paris 20 September to 31 December 1988, and Washington 29 January to 30 April 1989. This exhibition reveals the immense diversity of Cezanne's creative imagination. It also shows us the richness and beauty of the quasi-expressionist technique that characterizes his work prior to the influence of orthodox impressionism and the concomitant emergence of his more characteristic constructive brushstroke in the mid-1870S. For more than a century, Cezanne's early work has been both controversial and perplexing to most viewers. However, in the careful examination of a large number of early works of great quality, the exhibition confirms the artist as a painter and draftsman of remarkable and consistent stature from the very beginning of his career. Contents: Foreword, Lenders to the Exhibition, Acknowledgements, Photographic Acknowledgements, Editorial Note, Introduction, The Early Work of Paul Cezanne, Parisian Writers and the Early Work of Cezanne, Literature Music and Cezanne's Early Subjects, La Lutte d'armour, The Collector's of Cezanne's Early Work, The Catalogue, Chronology, Concordance of Works in the Exhibition, List of Exhibitions including Cezanne's Early Work, and Select Bibliography.

Hardcover. Condizione: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. Signed and dated by author otherwise clean, unmarked. DJ has many small chips and tears at edges.

Hardcover with price-clipped dustjacket, 230 pages, very good condition; light rubbing to dj; no internal marks. Foreign shipping may be extra.

Hardcover with dustjacket, 226 pages, very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condizione sovraccoperta: dj. First Edition. First edition. Hardcover. Contributions by Gotz Adriani, Mary Louise Krumrine, Mary Tompkins Lewis, Sylvie Patin and John Rewald. A look at the productive early years of Cezanne's career with 137 illustrations including 71 in full color. A near fine copy in a near fine dust jacket that has a slight amount of wear.

Hard Cover. Condizione: Fair. Condizione sovraccoperta: Good. First Edition. Signed and dated by author. Ex-Lib with usual markings, DJ Taped, unclipped. Heavy wear to bottom edge of cloth with boards exposed, fraying, heavy toning to text edges.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. Accompanies exhibit at London's Royal Academy of Arts, National Gallery of Art in D.C., and Musee d'Orsay in Paris, where 67 oils, 4 watercolors, 19 drawings were displayed. Book contains 137 illustrations including 71 color plates and 5 essays; chronology. Jacket has faint scratch marks on back, otherwise fine. Book is fine. 226 pages, 11 1/4" x 8 3/4" by 1" Additional fees for expedited and international shipping.

Softcover, 226 pages, good condition; scattered pencil marks in text. As is.

Condizione: Very good. New York: Harry N. Abrams, (1988)., (1988). Very good. - Quarto, 11 inches high by 8-1/2 inches wide. Softcover, bound in color pictorial wraps. The covers are slightly rubbed. [x], 226 & [1] pages, profusely illustrated in color and black & white. Very good. Catalog for the exhibitions at the Royal Academy of Arts in London, the Reunion des musees nationaux/Musee d'Orasy in Paris, and the National Gallery of Art in Washington.

Softcover. Color wraps. 226 pp. 67 bw, 72 color plates. Examines the early work of Paul Cezanne, revealing his preoccupation with an imaginary world and the links between his early and later works and his move in Impressionism. VG (corners bumped and light shelfwear).

Wraps. Condizione: Near Fine. 4to, 226 pp., 85 plates incl. 67 in color. Page edges just a bit tanned.

hardcover. Condizione: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized.

Condizione: Fair. Signed Copy First edition copy. . No Dust Jacket Former Library book. Signed by author on title page. (Virginia, description and travel).

First Edition. Near fine cloth copy in a very good if slightly edge-nicked dust-wrapper, now mylar-sleeved. Remains well-preserved overall; tight, bright, clean and especially sharp-cornered. Provenance: Lawrence Gowing's own copy with his handwritten initials on the flyleaf. Physical description; 230 pages : illustrations (some colour), portraits ; 29 cm. Notes; Published to accompany an exhibition. Exhibition schedule: Royal Academy of Arts, London (22 April-21 August 1988); Musée d'Orsay, Paris (15 September-31 December 1988); National Gallery of Art, Washington (29 January-30 April 1989). Includes bibliographical references (pages 221-223) and index. Subjects; Cézanne, Paul. Painting, French. 19th century. Illustrated. 1 Kg.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. First Edition. Inscribed and signed by author on endpaper: "To my dear friend Gail Mann - Whose enthusiasm and love of life ar an in-spiration to us all - Much love. Mary C. Gowing April 1985". Chipped and foxed DJ. ; Small 4to 9" - 11" tall; 183 pages; Signed by Author.

Hardcover. Condizione: New. Condizione sovraccoperta: As New. 1st Edition. First edition 1988, first printing, no additional printings listed. Hardcover in full cloth with DJ. Condition new, square tight and crisp book, no edgewear, no names no underlinings no highlights , no bent page corners, Not a reminder. DJ as new, bright and shiny, no edgewear, no tears no chips, not clipped. 4to, 226 pages, 137 illustrations including 71 plates in full color, bibliography, index. Heavy book will require additional postage for international orders.

First Edition. Near fine cloth copy in a very good if slightly edge-nicked and dust-toned dust-wrapper, now mylar-sleeved. Remains well-preserved overall; tight, bright, clean and especially sharp-cornered. Provenance: Sir Lawrence Gowing's own copy. Physical description; 226 pages : illustrations (some colour) ; 29 cm. Notes; Catalogue by Lawrence Gowing, with contributions by Götz Adriani and others. Includes bibliographical references (pages 221-223) and index. Subjects; Cézanne, Paul. Exhibitions. Painting, French. Early works. 19th century. 20th century. Illustrated. Colour plates. 3 Kg.

Hardcover. Condizione: Fine. Condizione sovraccoperta: FiINE. FIRST. A FINE FIRST IN DJ.

First Edition. Near fine cloth copy in a very good if slightly edge-nicked dust-wrapper, now mylar-sleeved. Remains well-preserved overall; tight, bright, clean and especially sharp-cornered. Provenance: Lawrence Gowing's own copy with his handwritten initials on the flyleaf. Physical description; 230 pages : illustrations (some colour), portraits ; 29 cm. Notes; Published to accompany an exhibition. Exhibition schedule: Royal Academy of Arts, London (22 April-21 August 1988); Musée d'Orsay, Paris (15 September-31 December 1988); National Gallery of Art, Washington (29 January-30 April 1989). Includes bibliographical references (pages 221-223) and index. Subjects; Cézanne, Paul. Painting, French. 19th century. Illustrated. 1 Kg.

Soft cover. Condizione: Very Good. 1st Edition. 226pp; Index. Contents clean and textually unmarked. No library markings. Owner's name written on half-title page.

First Edition. Near fine cloth copy in a very good if slightly edge-nicked and dust-toned dust-wrapper, now mylar-sleeved. Remains well-preserved overall; tight, bright, clean and especially sharp-cornered. Provenance: Sir Lawrence Gowing's own copy. Physical description; 226 pages : illustrations (some colour) ; 29 cm. Notes; Catalogue by Lawrence Gowing, with contributions by Götz Adriani and others. Includes bibliographical references (pages 221-223) and index. Subjects; Cézanne, Paul. Exhibitions. Painting, French. Early works. 19th century. 20th century. Illustrated. Colour plates. 1 Kg.

Soft cover. Condizione: Very Good. 301 pages. Ulinka Rublack "Fluxes: the Early Modern Body and the Emotions" / Sarah Elbert "William and Mary King Allen's Marriage - An Inter-Racial Love Story in Fact and Fiction" / Manas Ray "Growing Up Refugee" / Sandra Holton "Gender Difference, National Identity and Professing History: the Case of Alice Stopford Green" / Erika Rappaport "Art, Commerce, or Empire? The Rebuilding of Regent Street, 1880-1927" (SL#54/1).

Cloth w/DJ. Condizione: G/G. Black & White Photos & Illus. (illustratore). Radford, VA: Commonwealth Press, Inc. G/G. (1974). . Cloth w/DJ. Inscribed by the author on the Title page . Sm 4to., 183 pp., dj rubbed, edges frayed, toning, writing on ffe .

Paperback. Condizione: New. The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France - including detailed looks at Monet, Manet, Pissarro, Degas, Cezanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters' pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement's historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism.These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field. Contributors of this title include: Carol Armstrong, T. J. Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L. Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, and Martha Ward.

hardcover. Condizione: Good. Ships Out Tomorrow!