Mary l duncan (34 risultati)

Soft cover. Condizione: New. Book in great conditions. Binding tight, text block clear, and the cover shows almost no signs of shelf wear. Name of previous owner on first page. DB. Melissa Mary Duncan; Angela Melick (illustratore).

Condizione: very_good. Book is in very good condition. Clean with little to no signs of wear or markings highlights.

Condizione: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Hardcover. Condizione: As New. Book Club. A fine copy! CTN.

hardcover. Condizione: Very Good. Orders shipped daily from the UK. Professional seller.

Paperback. Condizione: As New. Text clean and tight; 8vo 8" - 9" tall; 232 pages.

Paperback. Condizione: Very Good. Very good in wraps showing some light handling. Light wear to the top edge of the text block. Contents clean and unmarked. xxix, 426pp.

Hard Back. Condizione: VG+. VG+ Oblong Laminated H/b.1982.Dean Pop-Up.Mary L Duncan , Colour illustrated by artists J & A G Johnstone.Two neat professional " invisible", repairs to two of the pop ups. no inscp.clean throughout.Bright clean covers. Please see our image of the actual book offered for sale. Johnstone , Janet & Anne Grahame , (illustratore).…

Hardcover. Condizione: Very Good. Clean and firmly bound. Name of previous owner inside. Janet and Anne Grahame Johnstone (illustratore).

Condizione: Good. Good condition. Book Club edition. (mystery, fiction, detective) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Soft cover. Condizione: Fine. 1st Edition. 518 pp., x. '10' in number line. Profusely illustrated with black and white illustrations. Following the Preface and "Introduction: The Expanding Discourse", Contents divided into 29 successive Essays: (1) Margaret R. Miles, "The Virgin's One Bare Breast: Nudity, Gender, and Religious Meaning in Tuscan Early Renaissance Culture"; (2) Patricia Simons, "Women in Frames: The Gaze, the Eye, the Profile in Renaissance Portraiture"; (3) Mary D. Garrard, "Leonardo da Vinci: Female Portraits, Female Nature"; (4) Patricia L. Reilly, The Taming of the Blue: Writing Out Color in Renaissance Theory"; (5) Lilian Zirpolo, "Botticelli's Primavera: A Lesson for the Bride"; (6) Rona Goffen, "Titian's Sacred and Profane Love and Marriage"; (7) Yael Even, "The Loggia dei Lanzi: A Showcase of Female Subjugation"; (8) Margaret D. Carroll, "The Erotics of Absolutism: Rubens and the Mystification of Sexual Violence"; (9) Natalie Boymel Kampen, "The Muted Other: Gender and Morality in Augustan Rome and Eighteenth-Century Europe"; (10) Anne Higonnet, "Secluded Visiion: Images of Feminine Experience in Nineteenth-Century Europe"; (11) James M. Saslow, " ' Disagreeably Hidden ' : Construction and Constriction of the Lesbian Body in Rosa Bonheur's Horse Fair"; (12) Tamar Garb, " ' L'Art Feminin ' : The Formation of a Critical Category in Late Nineteenth-Century France"; (13) Linda Nochlin, "Morisot's Wet Nurse: The Construction of Work and Leisure in Impressionist Painting"; (14) Griselda Pollock, "Modernity and the Spaces of Femininity"; (15) Norma Broude, "Edgar Degas and French Feminism, ca. 1880: ' The Young Spartans ', The Brothel Monotypes, and the Bathers Revisited"; (16) Tamar Garb, "Renoir and the Natural Woman"; (17) Abigail Solomon-Godeau, "Going Native: Paul Gauguin and the Invention of Primitivist Modernism"; (18) Peter Brooks,"Gauguin's Tahitian Body"; (19) Carol Duncan, "The MoMA's Hot Mamas"; (20) Marilyn Lincoln Board, "Constructing Myths and Ideologies in Matisse's Odalisques"; (21) Mary Ann Caws, "Ladies Shot and Painted: Female Embodiment in Surrealist Art"; (22) "Janice Helland, "Culture, Politics, and Identity in the Paintings of Frida Kahlo"; (23) Helen Langa, "Egalitarian Vision, Gendered Experience: Women Printmakers and the WPA/FAP Project"; (24) Anne M. Wagner, "Lee Krasner as L.K."; (25) Barbara Buhler Lynes, "Georgia O'Keeffe and Feminism: A Problem of Position"; (26) Josephine Withers, "Judy Chicago's Dinner Party: A Personal Vision of Women's History"; (27) Lowery S. Sims, "Race Riots, Cocktail Parties, Black Panthers, Moon Shots, and Feminists: Faith Ringgold's Observations on the 1960s in America"; (28) Freida High W. Tesfagiorgis, "Afrofemcentrism and Its Fruition in the Art of Elizabeth Catlett and Faith Ringgold"; (29) Craig Owens, "The Discourse of Others: Feminists and Postmodernism"; Notes on the Contributors, pp. 503-505; Index, pp. 506-518. Glossy decorative green wrappers with Title and Editor names in White letters across top third and bottom front cover, respectively. Subtitle in yellow, just above a large, middle-lower middle, front cover, color illustration of Edgar Degas' "Spartan Girls Challenging Boys". Tiny nick to lower left spine corner and similar tiny nick to left edge spine near midpoint; small, soft crease, diminishingly, at top corners, pp. 11-40, First three pages of #8 Essay (Carroll) have small amount of yellow highlighting and first five pages of Essay #14 (Pollock), similarly,(i.e., 8 pp of 518 pp) : describes worse than it is, but there you have it. Virtually As New: Tight binding (NO cracks); square corners; NO remainder marks; NO previous owner names. Essentially, Clean text. Solid copy. …

Paperback. Condizione: New. The U.S. incarceration machine imprisons more people than in any other country. Music-Making in U.S. Prisons looks at the role music-making can play in achieving goals of accountability and healing that challenge the widespread assumption that prisons and punishment keep societies safe. The book's synthesis of historical research, contemporary practices, and pedagogies of music-making inside prisons reveals that, prior to the 1970s tough-on-crime era, choirs, instrumental ensembles, and radio shows bridged lives inside and outside prisons. Mass incarceration had a significant negative impact on music programs. Despite this setback, current programs testify to the potency of music education to support personal and social growth for people experiencing incarceration and deepen social awareness of the humanity found behind prison walls.Cohen and Duncan argue that music-making creates opportunities to humanize the complexity of crime, sustain meaningful relationships between incarcerated individuals and their families, and build social awareness of the prison industrial complex. The authors combine scholarship and personal experience to guide music educators, music aficionados, and social activists to create restorative social practices through music-making.…

Condizione: New.

Hardcover. Condizione: Very Good. No Jacket. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Illustrated by Janet and Anne Grahame Johnstone. Clean collectible condition. Gift Quality. Secure packaging for safe delivery.

Hardcover. Condizione: Very good condition. Condizione sovraccoperta: Very good. Fifth edition. xi, 1155 pp.

Hardcover. Condizione: Very good condition. Condizione sovraccoperta: Very good. xi, 1155 pp. New Edition, incorporating corrections from 1985 printing of Fifth Edition.

Hard Back. Condizione: VG. 1st Edition. VG Oblong Laminated H/b.1966.1st ed.Dean Pop-Up.Mary L Duncan , Colour illustrated. no inscp.clean throughout.no notable defect.Bright clean yellow illus.covers. Please see our actual images of the book offered for sale.

Paperback. Condizione: Brand New. 240 pages. 7.75x5.25x0.50 inches. In Stock.

Condizione: New.

Condizione: New. In English.

Condizione: New.

Paperback. Condizione: Brand New. 240 pages. 7.75x5.25x0.50 inches. In Stock.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condizione sovraccoperta: Very good. Sixth Edition. viii, 1172 pp. Very good condition; name of previous owner on inside of front cover.

Condizione: New. Looks at the carceral state of the United States and considers how music programs can shift the perspective of prisons and prisoners. The book includes song lyrics from incarcerated composers, and engages with the racial politics of prisons and US society.

Paperback. Condizione: New. The U.S. incarceration machine imprisons more people than in any other country. Music-Making in U.S. Prisons looks at the role music-making can play in achieving goals of accountability and healing that challenge the widespread assumption that prisons and punishment keep societies safe. The book's synthesis of historical research, contemporary practices, and pedagogies of music-making inside prisons reveals that, prior to the 1970s tough-on-crime era, choirs, instrumental ensembles, and radio shows bridged lives inside and outside prisons. Mass incarceration had a significant negative impact on music programs. Despite this setback, current programs testify to the potency of music education to support personal and social growth for people experiencing incarceration and deepen social awareness of the humanity found behind prison walls.Cohen and Duncan argue that music-making creates opportunities to humanize the complexity of crime, sustain meaningful relationships between incarcerated individuals and their families, and build social awareness of the prison industrial complex. The authors combine scholarship and personal experience to guide music educators, music aficionados, and social activists to create restorative social practices through music-making.…