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    • Editore: Wayne State University Press, Detroit, 2015

      • Brossura

      Da: Lowry's Books, Three Rivers, MI, U.S.A.Lowry's Books

      Venditore con 4 stelle
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      Condizione: Usato - Buono

      EUR 7,97

      EUR 5,12 spedizione 
      Spedito in U.S.A.

      Quantità: 1 disponibili

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      Paperback. Condizione: Good. No Jacket. This copy is in good condition and has typical ex-library markings. Covers have minimal wear. Text is clean save for library markings. Binding is secure. Size: Folio - over 12" - 15" tall. Ex-Library.

    • Editore: Wayne State University Press, Detroit, 2015

      • Brossura

      Da: Literary Cat Books, Machynlleth, Powys, WALES, Regno UnitoLiterary Cat Books

      Venditore con 3 stelle
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      Membro dell’associazione: IOBA

      Condizione: Usato - Molto buono

      EUR 19,20

      EUR 17,48 spedizione 
      Spedito da Regno Unito a U.S.A.

      Quantità: 1 disponibili

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      Original decorated wrappers. Condizione: Very Good+. No Dust Jacket. In original cellophane wrap, slightly worn & torn.; In original cellophane wrap, slightly worn & torn.; 30.5 x 25.5 x 1.6 cms; The Orbit Magazine Anthology: Re-Entry (2015) , authored by Rob St. Mary, is a comprehensive retrospective of Detroitâs underground publishing scene from 1978 to 1999. It chronicles the evolution of three influential magazinesâ"White Noise, Fun, and Orbitâ"all spearheaded by artist and provocateur Jerry Peterson, known as Jerry Vile. Beginning with White Noise, a punk zine active from 1978 to 1980, the anthology traces the transition to Fun: The Magazine for Swinging Intellectuals (1986â"1990) , noted for its satirical edge and bold design. This progression culminated in Orbit (1990â"1999) , a publication that blended irreverent humour, cultural commentary, and striking visuals, becoming a staple of 1990s Detroit culture. Orbit featured a distinctive globe-headed mascot and gained wider recognition when Quentin Tarantino wore its T-shirt in Pulp Fiction. The anthology includes interviews with former staff, reproductions of original layouts, and showcases contributions from notable Detroit artists and musicians such as Jack White, Kid Rock, and Derrick May. With a foreword by Jerry Vile and an afterword by Ben Blackwell, the volume offers insights into the creative processes and cultural impact of these publications. Published by Wayne State University Press, The Orbit Magazine Anthology serves as a vital record of Detroit's alternative media history and the vibrant subcultures it represented.