mason larry (126 risultati)

paperback. Condizione: Very Good.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condizione: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Condizione: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condizione: very_good. Paul Mason (illustratore). Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Trade paperback. Trade paperback (US). Glued binding. 258 p. Audience: General/trade. NO PREVIOUS OWNER'S NAME SC 93 Very good. No dust jacket as issued.

Unknown. Condizione: Good. No Jacket. Paul Mason (illustratore). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Unknown. Condizione: Very Good. No Jacket. Paul Mason (illustratore). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Unknown. Condizione: Fair. No Jacket. Paul Mason (illustratore). Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condizione: New. Paul Mason (illustratore).

Condizione: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condizione: As New. Unread book in perfect condition.

No Binding. Condizione: Very Good. ORIGINAL Articles, disbound from journal; no covers; a couple of sentences underlined, o/w in very good condition. Journal.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

perfect. Condizione: Very Good. Paul Mason (illustratore). Fast Shipping - Safe and Secure 7 days a week!

paperback. Condizione: New. New never used. Cover has minor shelf rubbings. Your Satisfaction Guaranteed. We ship daily. Expedited shipping available.

Condizione: New.

Pamphlet. Condizione: Very Good. Vol 35, pp. 227-235, Illus, Extracted from orig vol, begins with title page, trimmed & stapled, thus is like a pamphlet, VG.

Condizione: New.

Paperback. Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New.

Soft cover. Condizione: Very Good. Sheet music. Some blue ink spots on lower front panel of cover, a little wear else, very good. With a photo of Orleans on front cover.

136 pp.; 27.8 x 21.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at The Jewish Museum San Francisco, San Francisco, March 7 - June 27, 2004. Traveled to Laguna Art Museum, Laguna Beach, July 24 - October 3, 2004 and Contemporary Art Center of Virginia, Virginia Beach, June 9 - September 4, 2005. Curated and with an introduction by John Baldessari and Meg Cranston. Essay by Thomas McEvilley. Artists included: Reverend Ethan Acres, Jo Harvey Allen, Terry Allen, Eleanor Antin, Brienne Arrington, David Askevold, Lillian Ball, Cindy Bernard, Andrea Bowers, Delia Brown, Edgar Bryan, Angela Bulloch, Chris Burden, Mary Ellen Carroll, Erin Cosgrove, Michael Craig-Martin, Jeremy Deller, Sam Durrant, Jimmie Durham, Nicole Eisenman, Katharina Fritsch, Jonathan Furmanski, Jeremy Gilbert-Rolfe, Liam Gillick, James Gobel, Jack Goldstein, Scott Grieger, Andreas Gursky, James Hayward, Micol Hebron, Damien Hirst, Rebecca Horn, Darcy Huebler, Christian Jankowski, Larry Johnson, Mike Kelley, Marky Kelly, Martin Kersels, Nicholas Kersulis, Martin Kippenberger, Rachel Lachowicz, Norm Laich, Liz Larner, Louise Lawler, Barry Le Va, William Leavitt, Roy Lichtenstein, Jen Liu, Thomas Locher, Daria Martin, T. Kelly Mason, Rita McBride, Paul McCarthy, Carlos Mollura, JP Munro, Jennifer Nelson, Eric Niebuhr, Leonard Nimoy, Albert Oehlen, Catherine Opie, Tony Oursler, Jorge Pardo, Simon Patterson, Hirsch Perlman, Luciano Perna, Renée Petropoulos, Raymond Pettibon, Paul Pfeiffer, Nicolette Pot, Richard Prince, Rob Pruitt and Jonathan Horowitz, David Reed, Victoria Reynolds, Gerhard Richter, Susan Rothenberg, Nancy Rubins, Glen Walter Rubsamen, Allen Ruppersberg, Ed Ruscha, Pauline Stella Sanchez, Kim Schoenstadt, Jim Shaw, Gary Simmons, Alexis Smith, Yutaka Sone, Thaddeus Strode, Diana Thater, Mungo Thomson, Thorvaldur Thorsteinsson in collaboration with Helena Jonsdottir, Jeffrey Vallance, John Waters, Marner Weber, William Wegman, Lawrence Weiner, Benjamin Weissman, James Welling, Eric Wesley, John Wesley, Franz West, and Chris Wilder. Includes an index of artists. Very Good / Fine. Light rubbing of cover corners and dust soiling to text block edge. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

Condizione: New.

Condizione: New.

Paperback. Condizione: new. Paperback. In previous writings, it has been established that the author experienced a near death at the age of five and one half. Immediately finding a presence that was introduced as The Architect, the author, in a spiritual state of a soul. was invited to watch a holographic presentation was offered to explain how the beginning of creation was planned, then executed. The length of the spiritual presentation twenty-four minutes.The soul was then returned to the vessel that the spirit had left to find answers. Within the structure of this writing, this book considers the basic foundation, structure, and flow in the use of: The Seven W's and One H which form the necessary questions for any belief system. Why, When Where, Who, What, What If, and What if Not: In brief, the Author is using the Jewish Mysticism of the Kabbalah, which introduces an unknown entity referred to as The Ein Sof as an Entity of Infinite Light-Consciousness;This puts the very Concept of 'GOD' simultaneously into a position of being both Blurred and Expanded beyond normally accepted beliefs.With this, it is important to accept that consciousness is no longer 'just' a local event; Light-Consciousness was provided to the initial beginnings of creation, as it was shown that a infinite source of what is considered as the raw, spiritual materials that were used, initially all contain varying levels of consciousness that followed the specific and detailed plans of The Architect on how all expanded into the formation of not only our universe as unseen forces are holding everything together. This is known as quantum entanglement, which was created across an unknown number of parallel universes.Once the initial expansion was initiated, the light-consciousness, that is, The Ein Soph into a point of Objective observation, leaving the Spiritual Avatars that were set up to oversee the expansion. Whether it was initially part of the plan, eventually our earth was formed; Adam was created, and the story continues.The Laws and process' continued to a point well beyond the perceived potential of one universe. A Multiverse of dimensions was also established as a supporting matrix. This was necessary and is typically referred to as the theory of Quantum Mechanics; The very concept of Multiple dimensions, which include 'The String Theory 'and subatomic material were also necessary to provide balance.The Space-Time Continuum becomes a mere fractal of our limited understandings of The Unseen, yet potentially perceived Holographic nature of the Universe that now becomes a higher state of reality to accept.As mentioned, this manuscript presents, at a minimum, the Blending several important concepts such The Ein Sof, as presented Jewish mysticism, alongside The Void of infinite potential. Thus, The Void provides a source that Light-Consciousness utilizes, and this concept is embodied within the Yin/Yang.Thus, the Foundation, the Structure and The Flow are provided by The Source are both Infinite Wisdom along with an Inexhaustible, Limitless materials that can be drawn. That both are required seem to be incorporated and presented within Quantum Mechanics theories. Such 'theories' are supported by the probability of embracing both the concepts of not only our four dimensions; It also embraces the probabilities that hold parallel universes in a state of quantum entanglement, The String Theory is yet to be refined and accepted along with a deeper understanding necessary to support the dark, unseen energies of the seen and unseen components that are holding not only the universe we can observe, this understanding is what holds our own conscious reality together.The author is simply sharing what was shown.</p Shipping may be from multiple locations in the US or from the UK, depending on stock availability.