Matos (Oltre 14.000 risultati)

Condizione: Very Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardback. Condizione: Good. Poetry exploring bisexual relationships, erasure, and denial.WE PREFER THE DAMNED, the 11th book from Carlo Matos, features poems exploring bisexual relationships, erasure, and denial. Matos, equally celebrated for his fiction, poetry, and prose-poetry, pushes toward a new grammar for intersectional identities as the poems in WE PREFER THE DAMNED weave his Portuguese-American heritage and bi+ lived experience. Through language turned and punctuated in fresh ways, Matos finds the structures and syntax to embrace past and present, old self and new self. His toughness as a former MMA fighter turns to the finessed strength of rigorous self-examination with these poems. The collection embraces the true complexities of the bi+/pan/poly experience, particularly false accusations of not being Queer enough or, simultaneously, of being too sexual and incapable of monogamy. These poems also trace the boundaries where such issues interact with a working-class, child-of-immigrants upbringing, in which the very words for describing bisexuality did not exist. With WE PREFER THE DAMNED, Carlo Matos creates that missing language.Poetry.…

Hardback. Condizione: Very Good. Poetry exploring bisexual relationships, erasure, and denial.WE PREFER THE DAMNED, the 11th book from Carlo Matos, features poems exploring bisexual relationships, erasure, and denial. Matos, equally celebrated for his fiction, poetry, and prose-poetry, pushes toward a new grammar for intersectional identities as the poems in WE PREFER THE DAMNED weave his Portuguese-American heritage and bi+ lived experience. Through language turned and punctuated in fresh ways, Matos finds the structures and syntax to embrace past and present, old self and new self. His toughness as a former MMA fighter turns to the finessed strength of rigorous self-examination with these poems. The collection embraces the true complexities of the bi+/pan/poly experience, particularly false accusations of not being Queer enough or, simultaneously, of being too sexual and incapable of monogamy. These poems also trace the boundaries where such issues interact with a working-class, child-of-immigrants upbringing, in which the very words for describing bisexuality did not exist. With WE PREFER THE DAMNED, Carlo Matos creates that missing language.Poetry.…

Paperback. Condizione: Good. The Man who left/El Hombre que se fue is a bilingual body of poetry by renowned Dominican poet Juan Matos. In it, Matos analyses, with exquisitely beautiful language and technic, the cultural heritage, with its virtues and flaws, of the rich folklore, people and roots of a specific spot in Dominican history and territory: The Batey. Matos rises as a denouncing voice of the racism, classism and machismo experienced through himself and others in Dominican society. /// The Man who left/El Hombre que se fue es un cuerpo poetico bilingue del reconocido poeta dominicano Juan Matos. En el, Matos analiza, con exquisito y hermoso lenguaje y tecnica, la herencia cultural, con sus virtudes y maculas, del rico folclor, gente y raices de un punto especifico en la historia y territorio dominicanos: El Batey. Matos denuncia el racismo, el elitismo y el machismo experimentados por el y otros en la sociedad dominicana.…

Condizione: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Paperback. Condizione: Very Good.

Hardback. Condizione: Good. This compelling collection of essays explores the Qhapaq nan (or Great Inca Road), an extensive network of trails reaching modern-day Colombia, Ecuador, Peru, Bolivia, Chile, and Argentina. These roads and the accompanying agricultural terraces and structures that have survived for more than six centuries are a testament to the advanced engineering and construction skills of the Inca people. The Qhapaq nan also spurred an important process of ecological and community integration across the Andean region. This book, the companion volume to a National Museum of the American Indian exhibition of the same name, features essays on six main themes: the ancestors of the Inca, Cusco as the center of the empire, road engineering, road transportation and integration, the road in the Colonial era, and the road today. Beautifully designed and featuring more than 225 full-color illustrations, The Great Inka Road is a fascinating look at this enduring symbol of the Andean peoples' strength and adaptability.…

Paperback. Condizione: Good.

Condizione: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Hardback. Condizione: Very Good. Everybody knows the hits of 1984-pop music's greatest year. From "Thriller" to "Purple Rain," "Girls Just Want to Have Fun" to "Like a Virgin," "Hello" to "Against All Odds," "Sister Christian" to "Love Is a Battlefield," "What's Love Got to Do with It" to "Wake Me Up Before You Go-Go," they continue to dominate advertising, karaoke nights, and the soundtracks for film classics (Boogie Nights) and TV hits (Stranger Things). But the story of that thrilling, turbulent time, an era when Top 40 radio was both the leading edge of popular culture and a moral battleground, has never been told with the full detail it deserves-until now.Can't Slow Down is the definitive portrait of the exploding world of mid-eighties pop and the time it defined, from Cold War anxiety to the home-computer revolution. Big acts like Michael Jackson (Thriller), Prince (Purple Rain), Madonna (Like a Virgin), Bruce Springsteen (Born in the U.S.A.), and George Michael (Wham!'s Make It Big) rubbed shoulders with the fermenting scenes of hip-hop, indie rock, and club music.Rigorously researched, mapping the entire terrain of American pop, with crucial side trips to the UK and Jamaica, from the biz to the stars to the upstarts and beyond, Can't Slow Down is a vivid trip to a thrilling, turbulent time when pop was remaking itself, and the culture at large, one hit at a time. Let's go crazy.…

Hardback. Condizione: Good. Everybody knows the hits of 1984-pop music's greatest year. From "Thriller" to "Purple Rain," "Girls Just Want to Have Fun" to "Like a Virgin," "Hello" to "Against All Odds," "Sister Christian" to "Love Is a Battlefield," "What's Love Got to Do with It" to "Wake Me Up Before You Go-Go," they continue to dominate advertising, karaoke nights, and the soundtracks for film classics (Boogie Nights) and TV hits (Stranger Things). But the story of that thrilling, turbulent time, an era when Top 40 radio was both the leading edge of popular culture and a moral battleground, has never been told with the full detail it deserves-until now.Can't Slow Down is the definitive portrait of the exploding world of mid-eighties pop and the time it defined, from Cold War anxiety to the home-computer revolution. Big acts like Michael Jackson (Thriller), Prince (Purple Rain), Madonna (Like a Virgin), Bruce Springsteen (Born in the U.S.A.), and George Michael (Wham!'s Make It Big) rubbed shoulders with the fermenting scenes of hip-hop, indie rock, and club music.Rigorously researched, mapping the entire terrain of American pop, with crucial side trips to the UK and Jamaica, from the biz to the stars to the upstarts and beyond, Can't Slow Down is a vivid trip to a thrilling, turbulent time when pop was remaking itself, and the culture at large, one hit at a time. Let's go crazy.…

Condizione: good. Gently used with minimal wear on the corners and cover. A few pages may contain light highlighting or writing, but the text remains fully legible. Dust jacket may be missing, and supplemental materials like CDs or codes may not be included. May be ex-library with library markings. Ships promptly. …

Hardcover. Condizione: Very Good. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condizione: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

paperback. Condizione: Good. Crease on cover*.

Paperback. Condizione: Good. The Man who left/El Hombre que se fue is a bilingual body of poetry by renowned Dominican poet Juan Matos. In it, Matos analyses, with exquisitely beautiful language and technic, the cultural heritage, with its virtues and flaws, of the rich folklore, people and roots of a specific spot in Dominican history and territory: The Batey. Matos rises as a denouncing voice of the racism, classism and machismo experienced through himself and others in Dominican society. /// The Man who left/El Hombre que se fue es un cuerpo poetico bilingue del reconocido poeta dominicano Juan Matos. En el, Matos analiza, con exquisito y hermoso lenguaje y tecnica, la herencia cultural, con sus virtudes y maculas, del rico folclor, gente y raices de un punto especifico en la historia y territorio dominicanos: El Batey. Matos denuncia el racismo, el elitismo y el machismo experimentados por el y otros en la sociedad dominicana.…

Hardback. Condizione: Very Good. Poetry exploring bisexual relationships, erasure, and denial.WE PREFER THE DAMNED, the 11th book from Carlo Matos, features poems exploring bisexual relationships, erasure, and denial. Matos, equally celebrated for his fiction, poetry, and prose-poetry, pushes toward a new grammar for intersectional identities as the poems in WE PREFER THE DAMNED weave his Portuguese-American heritage and bi+ lived experience. Through language turned and punctuated in fresh ways, Matos finds the structures and syntax to embrace past and present, old self and new self. His toughness as a former MMA fighter turns to the finessed strength of rigorous self-examination with these poems. The collection embraces the true complexities of the bi+/pan/poly experience, particularly false accusations of not being Queer enough or, simultaneously, of being too sexual and incapable of monogamy. These poems also trace the boundaries where such issues interact with a working-class, child-of-immigrants upbringing, in which the very words for describing bisexuality did not exist. With WE PREFER THE DAMNED, Carlo Matos creates that missing language.Poetry.…

Hardback. Condizione: Good. Poetry exploring bisexual relationships, erasure, and denial.WE PREFER THE DAMNED, the 11th book from Carlo Matos, features poems exploring bisexual relationships, erasure, and denial. Matos, equally celebrated for his fiction, poetry, and prose-poetry, pushes toward a new grammar for intersectional identities as the poems in WE PREFER THE DAMNED weave his Portuguese-American heritage and bi+ lived experience. Through language turned and punctuated in fresh ways, Matos finds the structures and syntax to embrace past and present, old self and new self. His toughness as a former MMA fighter turns to the finessed strength of rigorous self-examination with these poems. The collection embraces the true complexities of the bi+/pan/poly experience, particularly false accusations of not being Queer enough or, simultaneously, of being too sexual and incapable of monogamy. These poems also trace the boundaries where such issues interact with a working-class, child-of-immigrants upbringing, in which the very words for describing bisexuality did not exist. With WE PREFER THE DAMNED, Carlo Matos creates that missing language.Poetry.…

Paperback. Condizione: Very Good.

Condizione: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Condizione: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardback. Condizione: Fair. Joining the ranks of Please Kill Me and Can't Stop Won't Stop comes this definitive chronicle of one of the hottest trends in popular culture-electronic dance music-from the noted authority covering the scene. It is the sound of the millennial generation, the music "defining youth culture of the 2010s" (Rolling Stone). Rooted in American techno/house and '90s rave culture, electronic dance music has evolved into the biggest moneymaker on the concert circuit. Music journalist Michaelangelo Matos has been covering this beat since its genesis, and in The Underground Is Massive, charts for the first time the birth and rise of this last great outlaw musical subculture. Drawing on a vast array of resources, including hundreds of interviews and a library of rare artifacts, from rave fanzines to online mailing-list archives, Matos reveals how EDM blossomed in tandem with the nascent Internet-message boards and chat lines connected partiers from town to town. In turn, these ravers, many early technology adopters, helped spearhead the information revolution. As tech was the tool, Ecstasy-(Molly, as it's know today) an empathic drug that heightens sensory pleasure-was the narcotic fueling this alternative movement. Full of unique insights, lively details, entertaining stories, dozens of photos, and unforgettable misfits and stars-from early break-in parties to Skrillex and Daft Punk-The Underground Is Massive captures this fascinating trend in American pop culture history, a grassroots movement that would help define the future of music and the modern tech world we live in.…

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Condizione: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condizione: Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: first ] Publisher: W.H. Freeman and Company Pub Date: 1/1/2013 Binding: paperback Pages: 198 first edition.

Hardcover. Condizione: Very Good. First Edition. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Condizione: Good. This is a used book in good condition and may show some signs of use or wear . This is a used book in good condition and may show some signs of use or wear .

Condizione: very_good.

Paperback. Condizione: Very Good. The latest cookbook from French chef Stéphane Reynaud tackles the barbecue and who better to fire up the grill than the man who is an expert on meat and the author of bestsellers Pork & Sons, Ripailles, and Rôtis. Here he presents barbecuing as an art. Beautiful full-color photographs of skewered salmon, glowing tomatoes, and crispy chicken accompany a wide variety of recipes from dinner feasts to breakfasts, and make this gorgeous cookbook all the more essential. It features more than 150 recipes divided into chapters on seafood, meat, side dishes, sauces and marinades, and more, whether on skewers, as yakitori, or straight on the grill. These delicious and original recipes are easy to make, amusing to read -- thanks to Reynaud's trademark wit -- and highly illustrated with whimsical illustrations and striking photography. De Matos, Jose Reis De (illustratore).…

paperback. Condizione: Very Good. De Matos, Jose Reis De (illustratore).