matthew affron (221 risultati)

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condizione: New. . . 2015. paperback. . . . . Books ship from the US and Ireland.

Softcover, 304 pages; very good condition except rear cover faded; some handling wear to edges of a few pages; no internal markings. Foreign shipping may be extra.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or limited writing/highlighting. We ship orders daily and Customer Service is our top priority!

Paperback. Condizione: Acceptable. Water damaged. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

Hardcover. Condizione: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condizione: New. . . 2015. paperback. . . . .

paperback. Condizione: Very Good. Clean sturdy and unmarked with mild shelf wear EP.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Hardcover. Condizione: VG. Condizione sovraccoperta: Very Good. Profusely Illustrated (illustratore). used hardcover in a dust jacket. jacket is slightly worn about the edges, but with no tears and not price clipped. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.

Hardcover. Condizione: Used - Very Good.

Softcover, 148 pages, very good condition; 1-inch crease to lower right corner of last few pages and rear cover; otherwise clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condizione: New. A clean crisp well preserved 2019 Yale University Press softcover in a fine tight binding. Little to no shelf wear. Text is bright and free of marks or underlining. Fast shipping in a secure book box mailer with tracking. An engaging and accessible introduction to one of the 20th century's greatest and most enigmatic artists This richly illustrated publication explores the full career of the hugely influential and endlessly fascinating French-American artist Marcel Duchamp (1887-1968). A pioneer whose creative output was predicated on a fundamental questioning of what art is, Duchamp is well known despite remaining mysterious as an artist, owing to his elusive persona and the unconventional nature of his work. Focusing on the world-renowned Duchamp collection at the Philadelphia Museum of Art, The Essential Duchamp tells the artist's story through four key periods. The book begins with his early paintings and engagement with the avant-garde, then charts his abandonment of painting and invention of the readymade. This is followed by the creation of his alter ego Rrose Sélavy and the optical experiments of the interwar years, and, finally, by the making of Étant donnés (1946-66), the project that occupied the artist in the final two decades of his life. Shorter accompanying texts include explanations of key terms Duchamp used for his innovative ideas--readymade, precision optics, pictorial nominalism, and infrathin--as well as interviews and statements by the artist about his own art and ideas. Published in association with the Philadelphia Museum of Art Exhibition Schedule: Tokyo National Museum (10/02/18-12/09/18) National Museum of Modern and Contemporary Art, Seoul (12/22/18-04/07/19) Art Gallery New South Wales, Sydney (April-August 2019) .

Trade Paperback. Condizione: Very Good. text clean and unmarked. binding tight. covers have very light wear. edges of pages have very light wear.

Condizione: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

hardcover. Condizione: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Paperback. Condizione: new. Paperback. Between 1912 and 1914, Fernand Leger executed a large cycle of works known as the "Contrasts of Forms". The series embraces the genres of landscape, still life, and figure, but at its core are numerous arresting compositions that sweep aside observation to focus on formal principles. The common denominator is a complex vocabulary of mingled cones, cylinders, cubes, and planes, vigorously outlined and scrubbed with color (in the paintings) or with black ink and white gouache (in the works on paper). "The Contrasts of Forms" are essential to two great chapters in the history of modern art in the years before the First World War: first, the development of cubism, and second, the emergence of abstract art. Curated by Leger scholar Matthew Affron and organized by the University of Virginia Art Museum, this tightly focused exhibition unites two landmark paintings with eleven works on paper from major museums and private collections. "Fernand Leger: Contrasts of Forms" was presented at the University of Virginia Art Museum from January 19 to March 18, 2007, and will be at the Fogg Art Museum, Harvard University Art Museums, from April 14 to June 10, 2007.The full-color catalogue features two essays. Affron examines the logic of the "Contrasts of Forms" and the importance of this cycle in shaping the character of Leger's art. Maria Gough (Stanford University) focuses on the drawings and on Leger's notion of abstraction. Between 1912 and 1914, Fernand Leger executed a large cycle of works known as the "Contrasts of Forms". The series embraces the genres of landscape, still life, and figure, but at its core are numerous arresting compositions that sweep aside observation to focus on formal principles. This work examines the logic of the "Contrasts of Forms". Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condizione: Good. Condizione sovraccoperta: Good. corner bump, rub.

paperback. Condizione: New.

Hardcover. Condizione: Very Good. No Jacket. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Moderate loosening to binding. Secure packaging for safe delivery.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Binding and dust jacket in very good condition, still in publisher's shrinkwrap. Small discolorations on bottom edge of text block from tear in shrinkwrap.

Paperback. Condizione: Fine. 1st. ix, 283 pages, illustrations; 24 cm. Tight, clean copy. First paperback edition. *** "Bringing together studies by art historians, historians, and political scientists, Fascist Visions explores the themes and paradigms that pervaded protofascist and fascist aesthetic discourse, cultural policy, and artistic production in France and Italy. Whether traditionalist or innovative in idiom, art functioned as the expression of fascism's ideological polarities: nihilism and idealism, modernism and antimodernism, revolution and reaction. This volume charts the unfolding of fascist aesthetics from its genesis in nationalist and antimaterialist ideologies before World War I to its full development during the interwar period and World War II. It also highlights the shared motivations of advocates of fascist aesthetics, including artists, art critics, political activists, and government officials, outside of Germany. The eight essays in this book investigate the intersection of fascist ideology and aesthetics through a wide range of historical examples. Topics include: theories of cultural regeneration in Italy from the Risorgimento to fascism the impact of fascism upon the work of such artists and art critics as Ardengo Soffici, Mario Sironi, Valentine de Saint-Point, and Waldemar George the theories of modernist urbanism developed by Georges Valois's Faisceau and official sponsorship of painting and the decorative arts in Mussolini's Italy and in Vichy France. The contributors to this volume include Walter Adamson, Matthew Affron, Mark Antliff, Emily Braun, Mich le Cone, Emilio Gentile, Nancy Locke, and Marla Stone." - Publisher. *** CONTENTS: List of Illustrations; Acknowledgments; Art and Fascist Ideology in France and Italy: An Introduction; The Myth of National Regeneration in Italy: From Modernist Avant-Garde to Fascism; Ardengo Soffici and the Religion of Art; Valentine de Saint-Point and the Fascist Construction of Woman; Mario Sironi's Urban Landscapes: The Futurist/Fascist Nexus; La Cite francaise: Georges Valois, Le Corbusier, and Fascist Theories of Urbanism; Waldemar George: A Parisian Art Critic on Modernism and Fascism; The State as Patron: Making Official Culture in Fascist Italy; Decadence and Renewal in the Decorative Arts under Vichy; Selected Bibliography; Notes on the Contributors; 5Index. Size: 8vo.

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Profusely Illustrated (illustratore). Hardcover exhibition catalog with dustjacket, 304 pages; very good condition except dj is missing an inch at the bottom of the spine; no internal marks. Foreign shipping may be extra.

Condizione: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pen, pencil & highlighter markings. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780691027371.

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. remainder mark, rub.