Matthew brannon (20 risultati)

Softcover. Condizione: Very Good. [ART HISTORY]. Ed. Katy Siegel. Contributors: Matthew Brannon, Sarah Suzuki, Triple Canopy, Bruce Hainley, Stephen W. Melville, et al. "Art Journal, Vol. 70, No. 4, Winter 2011." New York: College Art Association, 2011. English language. Softcover. 124 pp. Shelfwear. Bottom of spine rubbed. Smudge on table of contents. Text clean. Very Good. No ISBN. No ASIN. ISSN: 0004-3249."The mission of Art Journal, founded in 1941, is to develop rigorous and shared methods by which modern and contemporary art can be understood; to engage critically with twentieth- and twenty-first-century art and art history in national and global frameworks; to encourage broad and rigorous contributions to our disciplines and to institute, in our peer review and editorial structures, an inclusive, critical, and collaborative approach to the development of new and emerging forms of thought and communities of practice; to address and redress exclusionary histories of art and art history as fields of practice and scholarship; to be pedagogically useful by making links between theoretical issues and their use in teaching at the college and university levels; to explore relationships among diverse forms of art practice and production as well as within the fields of art making, art history, visual studies, theory, and criticism; to give voice and publication opportunity to artists, art historians, and other writers in the arts; to be responsive to issues of the moment in and beyond the arts; and to promote dialogue and debate.". …

Softcover, 176 pages; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

Softcover. Condizione: NF. Quarto. Softcover. Illustrated cover with full french flaps. 175 p. : ill. (chiefly col.) ; 31 cm. "To Say the Very Least is the first comprehensive publication on the print works and installations by Matthew Brannon. Everything takes place on the surface, or just under it in Brannon's work, just as everything there is public or takes place in public. The prints exploit their generic relation to advertising and posters, but the benign appearance of the illustrations, reminiscent of 1950s cookbooks and cocktail manuals, is undercut by the fine imprint of letterpress texts, which teeter towards inappropriate confessions and unpardonable acts. These texts, with their hint of literary genres tinged by noir, are little melodramatic scenarios of success and failure, careerism and alcoholism, substance abuse and sexual misadventure. Each set of prints stages Brannon's principal question, "Why are people their own worst enemies?"--Jacket.…

2 vol. 64 pp. ; [1] pp.; 20.3 x 15.9 cm.; glue bound; other special feature[s]; color; edition size unknown; unsigned and unnumbered; offset-printed Artists's book about Sam Gordon's experiences at two residencies: The Claude Monet Foundation Residency, Giverny, France, June 1 - September 17, 2001 and the residency at University of Tennessee at Knoxville, January 5 - May 30, 2002. Gordon's writing about the residencies is interspersed with photographs and reproductions of artwork. Includes list of further reading, footnotes, exhibition history, and a folded poster designed by Matthew Brannon. Also includes slipped in folded poster. Reference : "Hello, We Were Talking About Hudson" Edited by Steve Lafreniere, Chicago, IL : Soberscove Press, 2024. Very Good. Light yellowing of page edges from age, contents otherwise clean and unmarked. Includes slipped folded poster and "compliments of Hudson" card from Feature Inc.…

Soft cover. Condizione: Fine. 1st Edition. 103pp., b/w ills. Exhibition catalogue for Rowe's "On Returning" at D'Amelio Terras. 2007. Essay by Roger White entitled "Wood, Carpet, Drywall, Mirrors". Essay by Nick Herman entitled "Ornament Bears Repeating". Condition: FINE. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Binding is tight and structurally sound. Pages are clean and are not marred by notes or folds of any kind. Actual book is pictured. See images provided.…

240 pp.; 22.8 x 15.3 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue 16 of the tri-annual arts and prose periodical Open City. Edited by Thomas Beller, Daniel Pinchbeck, and Joanna Yas. Contents include: "Contributors' Notes;" "The Crossing Guard," by Robert Bingham; "Four Poems," by Dana Goodyear; "Book Worms," by David Bunn; "Four Stories," by Joe Andoe; "Happens All the Time," by Deborah Shapiro; "Three Poems," by Nathaniel Bellows; "Dubrovnik," by Cannon Thomas; "Resuscitations of the Shih Tzu," by Ryan Kenealy; "Three Poems," by Craig Arnold; "Hope from the Third Person," by Evan Harris; "The Unread Unreadable.(bookmark)," by Matthew Brannon; "Four Poems," by Kevin Young; "From the Poetical Dictionary," by Lohren Green; "A Ticket for Kat," by Erich Eisenegger; "From the Sorted Books Project," by Nina Katchadourian; "From Arachnida Speak," by Ed Pavlic; "Two Poems," by Margaret Levine; "The Diver," by Lewis Robinson; "The First Visit to the Louvre," by Rafael Fernández de Villa-Urrutia; "Alley," by Peter Gray; "Lost," by Bruce Jay Friedman; "Her Deflowering," by Marilyn A. Johnson; "Private Beach Bitches," by Tim Wilson; "This Island Earth," by Bryan D. Dietrich; "Three Parts," by Matthew Higgs; "The Birdlady of Houston," by Michael Sledge; "Proust and the Rat," by Nick Tosches; "Two Letters," by Rick Rofihe and "Greetings from L.A.," by Allen Ruppersberg. Cover: Matthew Higgs. Very Good. Light bumping of corners with minimal handling wear. Contents clean and unmarked.…

Softcover exhibition catalog, 64 pages very good condition; clean and crisp; no internal marks.

Soft cover. Condizione: Very Good. 1st Edition. 9" x 11.5" softcover book in card wraps with French flaps. 121pp. with illustrations in color. Text in English and Russian. Clean and unmarked. Binding sound. Catalogue of a 2009 group exhibition featuring artists Walead Beshty, Matthew Brannon, Wade Guyton, Sterling Ruby, and Kelley Walker. Curated by Maria Baibakov and Kate Sutton. Wraps with subtle rubbing, minimal shelfwear excepting a heavy bump at foot of spine and a small bump to front upper corner. Page interiors crisp. Overall very good condition.…

Softcover art journal with articles on: Paul McCarthy, Ellen Gallagher, Anri Sala; insert by Matthew Brannon; very good condition except small bump to bottom of spine; no internal marks. Foreign shipping may be extra.

Condizione: Very Good.

No Binding. Condizione: Good. Exhibition announcement / poster for Matthew Brannon; fully opened size: 24 x 18 inches; edition size is unknown, it is not signed; some creases and tiny tears to the edges of the paper, otherwise in GOOD COND.

1. Auflage. 196 Seiten. OBr., Klein-Oktav 18 cm x 13 cm, 196 S.; sehr gut erhaltenes Exemplar.

brossura paperback. Condizione: Ottimo (Fine). 2013. Copertina editoriale in acetato pieghevole con titoli al piatto. 2 volumetti in astuccio. Ill.; 20 cm. Ottime condizioniSPS. Book.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Hardbound in dust jacket. Inscribed by Matthew Brannon to the previous owner on the half title page. 1st edition. Inscribed by Author(s).

Hardcover. Condizione: New.

Paperback. Condizione: New. To Say the Very Least is the first comprehensive publication on the print and installation work of the rising New York artist Matthew Brannon. Everything takes place on the surface, or just under it, in Brannon's work, just as everything is public or takes place in public there. The prints exploit their generic relation to advertising and posters, but the benign appearance of the illustrations, reminiscent of 1950s cookbooks and cocktail manuals, is undercut by the fine print of embossed texts, which teeter towards inappropriate confessions and unpardonable acts. These texts, with their hint of literary genres tinged by noir, are little melodramatic scenarios of success and failure, careerism and alcoholism, substance abuse and sexual misadventure. Each set of prints stages Brannon's principal question, "Why are people their own worst enemies?".…

Paperback. Condizione: Fine. 4to. LIMITED SIGNED EDITION, One of 150 copies (of 250 total), SIGNED by Brannon. Issued in conjunction with exhibition Midlife Crisis Intermission. Fine, in publisher's clear acetate d.j. Illustrator.

Couverture rigide. Condizione: Comme neuf. Edition originale. Paris 2014. 1 Volume/1. -- Neuf / New -- .115 x 178 x 10 cm - 45.2 x 70 x 3.9 in. Painted wood, neons, original photographs, hand made pins, carpet, digital and silkscreened texts on paper.********************** Matthew Brannon boldly follows up with his "irresponsible" biography on Laurence Harvey, playing with the famed actor's larger-than-life existence with Lobby Cards Display Cases for Laurence Harvey. Experience the intriguing visions of Laurence Harvey in a sumptuous display of the actor's most famed roles; revel within the intricacies of art imitating life (or vice versa) within a dedicated work that could have very well been devised by Harvey himself. One can consider Brannon's biography experimental, but here the artist wryly arranges the most honest moments of one man's career piecing together the reality of a life that could only be suited for the silver screen.…

Couverture rigide. Condizione: Comme neuf. Edition originale. Paris 2014. 1 Volume/1. -- Neuf / New -- .Book: 26 x 37 x 1 cm - 10.24 x 14.57 x 0.39 in. Case: 27,5 x 39,5 x 2 cm - 10.83 x 15.55 x 0.79 in.************ 56 pages bound in seven signatures . *************************** Neurosis and dietary habits when we are only left dangerously intoxicated by his celebrity? Undoubtedly, it is because one can find this work of art akin to a script suppressed by the Hollywood of yesterday, and here it is today far better served as an imaginary film wherein the hero is more or less familiar to us. Logically inscribed in Matthew Brannon's work, the artist presents us with an experimental biography, a veritable work of writing, montage of excerpts, witness accounts and interior monologues peppered with a few quotes by Derrida. See it for yourself: its large format, soft cover in delicately traced moiré fabric and illustrations silkscreened in four matte colors presented in a handcrafted shirt box, neatly tailored as if arriving straight from Savile Row.…

Poster, measuring 36 x 24 inches; very good condition; machine folded 6 times into 16 sections; a mailed copy with address and postal marks on rear. Will be mailed folded.