matthew connors (38 risultati)

paperback. Condizione: Good. Signed by Author.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. first edition,2p; 1098765432 pt line. VERY GOOD CONDITION , CLEAN, solid, bright.; INSCRIBED AND SIGNED BY THE AUTHOR, "Fr. Berg Please Enjoy Matthew Connors" corner title page. ; 472 pages; Signed by Author; 2.

Soft cover. Condizione: Near Fine. No Jacket. Binding is tight and pages are clean and unmarked. Second Printing.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. A superbly made hybrid photobook on the stories that objects invite us to tellIn July of 2017, photographer Matthew Connors (born 1976) and novelist and critic Lucy Ives (born 1980) embarked on a strange project: to remove and catalog all the contents of Connors's car, a 1992 Volvo 240 station wagon.Although the New York-based duo began the endeavor without knowing where it would lead, their investigation-of parts, tools, ephemera, litter, personal items, unidentifiable disjecta, among other objects-lasted more than two years and resulted in a series of photographs by Connors and an essay by Ives on narrative forms and temporalities inherent to contemporary media.This collaborative publication, designed by Elana Schlenker, poses questions about where narrative originates and how we establish our stories in relation to the objects and timescales that carry, ground and surround us.

Condizione: New.

Paperback. Condizione: New. A superbly made hybrid photobook on the stories that objects invite us to tellIn July of 2017, photographer Matthew Connors (born 1976) and novelist and critic Lucy Ives (born 1980) embarked on a strange project: to remove and catalog all the contents of Connors's car, a 1992 Volvo 240 station wagon.Although the New York-based duo began the endeavor without knowing where it would lead, their investigation-of parts, tools, ephemera, litter, personal items, unidentifiable disjecta, among other objects-lasted more than two years and resulted in a series of photographs by Connors and an essay by Ives on narrative forms and temporalities inherent to contemporary media.This collaborative publication, designed by Elana Schlenker, poses questions about where narrative originates and how we establish our stories in relation to the objects and timescales that carry, ground and surround us.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: new. Paperback. A superbly made hybrid photobook on the stories that objects invite us to tellIn July of 2017, photographer Matthew Connors (born 1976) and novelist and critic Lucy Ives (born 1980) embarked on a strange project: to remove and catalog all the contents of Connors's car, a 1992 Volvo 240 station wagon.Although the New Yorkbased duo began the endeavor without knowing where it would lead, their investigationof parts, tools, ephemera, litter, personal items, unidentifiable disjecta, among other objectslasted more than two years and resulted in a series of photographs by Connors and an essay by Ives on narrative forms and temporalities inherent to contemporary media.This collaborative publication, designed by Elana Schlenker, poses questions about where narrative originates and how we establish our stories in relation to the objects and timescales that carry, ground and surround us. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Paperback. Condizione: Brand New. 75 pages. 9.00x6.00x0.19 inches. In Stock.

Condizione: New.

Paperback. Condizione: Brand New. 183 pages. 8.00x5.25x0.75 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Brand New. 472 pages. 8.90x6.00x0.90 inches. In Stock.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condizione: Fine. First Edition, First Printing. Quarto. 9.75 x 12.5 in. Unpaginated. Near fine in unbound leaves, illustrated with color reproductions of photographs. Signed on the rear by Connors. Signed.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condizione: new. Hardcover. The Axe Will Survive the Master is an oblique record of life on a faltering planet. Created over twelve years and across continents, Matthew Connors's photographs trace the contours of an era shaped by confrontations with authoritarian power. From the Arab Spring to the Russian invasion of Ukraine, Connors traverses scenes of global upheaval marked by disintegrating social contracts, political violence, and the lingering reverberations of the Cold War. Bringing together photographs made between 2013 and 2025, this volume concludes a trilogy - following General Assembly (2013) and Fire in Cairo (2015) - meditating on power, resistance, and the fragile fate of democratic ideals. His images move between the geopolitical and the intimate, drawn as much from the fabric of daily life as from the front lines of history. They depict a world defined by conflict and uncertainty, yet charged with beauty, threat, and consequence. Connors distils this vast, long-term observation into a single, haunting sequence, forming a work that asks how images can bear witness to fracture and endurance. The Axe Will Survive the Master stands as the culmination of a major body of work: a lyrical reflection on survival, sovereignty, and the political forces that shape individual experience. Matthew Connors contends with contemporary global conflicts and political violence in lyrical photographs which form a timely reflection on survival, sovereignty, and the political forces that shape individual experience. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condizione: New. The Axe Will Survive the Master is an oblique record of life on a faltering planet. Created over twelve years and across continents, Matthew Connors's photographs trace the contours of an era shaped by confrontations with authoritarian power. From the Arab Spring to the Russian invasion of Ukraine, Connors traverses scenes of global upheaval marked by disintegrating social contracts, political violence, and the lingering reverberations of the Cold War. Bringing together photographs made between 2013 and 2025, this volume concludes a trilogy - following General Assembly (2013) and Fire in Cairo (2015) - meditating on power, resistance, and the fragile fate of democratic ideals. His images move between the geopolitical and the intimate, drawn as much from the fabric of daily life as from the front lines of history. They depict a world defined by conflict and uncertainty, yet charged with beauty, threat, and consequence. Connors distils this vast, long-term observation into a single, haunting sequence, forming a work that asks how images can bear witness to fracture and endurance. The Axe Will Survive the Master stands as the culmination of a major body of work: a lyrical reflection on survival, sovereignty, and the political forces that shape individual experience.

Paperback. Condizione: New. A superbly made hybrid photobook on the stories that objects invite us to tellIn July of 2017, photographer Matthew Connors (born 1976) and novelist and critic Lucy Ives (born 1980) embarked on a strange project: to remove and catalog all the contents of Connors's car, a 1992 Volvo 240 station wagon.Although the New York-based duo began the endeavor without knowing where it would lead, their investigation-of parts, tools, ephemera, litter, personal items, unidentifiable disjecta, among other objects-lasted more than two years and resulted in a series of photographs by Connors and an essay by Ives on narrative forms and temporalities inherent to contemporary media.This collaborative publication, designed by Elana Schlenker, poses questions about where narrative originates and how we establish our stories in relation to the objects and timescales that carry, ground and surround us.

Kartoniert / Broschiert. Condizione: New.

Paperback. Condizione: new. Paperback. A superbly made hybrid photobook on the stories that objects invite us to tellIn July of 2017, photographer Matthew Connors (born 1976) and novelist and critic Lucy Ives (born 1980) embarked on a strange project: to remove and catalog all the contents of Connors's car, a 1992 Volvo 240 station wagon.Although the New Yorkbased duo began the endeavor without knowing where it would lead, their investigationof parts, tools, ephemera, litter, personal items, unidentifiable disjecta, among other objectslasted more than two years and resulted in a series of photographs by Connors and an essay by Ives on narrative forms and temporalities inherent to contemporary media.This collaborative publication, designed by Elana Schlenker, poses questions about where narrative originates and how we establish our stories in relation to the objects and timescales that carry, ground and surround us. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condizione: New. A superbly made hybrid photobook on the stories that objects invite us to tellIn July of 2017, photographer Matthew Connors (born 1976) and novelist and critic Lucy Ives (born 1980) embarked on a strange project: to remove and catalog all the contents of Connors's car, a 1992 Volvo 240 station wagon.Although the New York-based duo began the endeavor without knowing where it would lead, their investigation-of parts, tools, ephemera, litter, personal items, unidentifiable disjecta, among other objects-lasted more than two years and resulted in a series of photographs by Connors and an essay by Ives on narrative forms and temporalities inherent to contemporary media.This collaborative publication, designed by Elana Schlenker, poses questions about where narrative originates and how we establish our stories in relation to the objects and timescales that carry, ground and surround us.

Taschenbuch. Condizione: Neu. Neuware - A superbly made hybrid photobook on the stories that objects invite us to tell.