matthias wittmann (91 risultati)

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. Reassesses the post-revolutionary Iranian Cinema from a new mnemo-political perspectiveEstablishes a new framework of understanding the tensions between hegemonial and excluded aesthetics and rhetorics, between censorship and resistance, carving out resistant points of remembering within and outside state-controlled cinemaExposes silenced experiences and suppressed struggles that nevertheless articulate themselves in cinematic formsLooks for ruptures, frictions and sudden re-distributions within the trauma- and memoryscapes of Iranian CinemaIntroduces new readings of Iranian films and thus suggest a theory of trauma and memory inspired by cinematic procedures and orientated towards specific materialsFar?d ad-D?n-e ?A???r's Persian folk tale The Conference of the Birds relates the quest by thousands of pilgrim birds for an ideal king, the mythical bird called S?morgh. At the end of the quest, the surviving birds recognise that the longed-for king is nothing other than the reflection of their own existence. But what about those other birds that were not able to become part of the final representation? This groundbreaking book calls them 'counter-memories'; memories that are barred from hegemonic history, but are, nevertheless present in cinematic forms. Due to the strategic and artistic interventions of a range of Iranian filmmakers, such as Abbas Kiarostami and Shahram Mokri, Ali Hatami and Tahmineh Milani, Kianoush Ayari and Rakshan Banietemad, the history of post-revolutionary Iranian Cinema is also structured by counter-memories, with the potential to destabilise officially fabricated success stories of revolution, war and sacred defence. Counter-Memories in Iranian Cinema establishes a new framework for understanding the tensions between censorship and resistance, helping to carve out resistant points of remembering both within and outside state-controlled cinema.

Paperback. Condizione: new. Paperback. Fard ad-Dn-e Ar's Persian folk tale The Conference of the Birds relates the quest by thousands of pilgrim birds for an ideal king, the mythical bird called Smorgh. At the end of the quest, the surviving birds recognise that the longed-for king is nothing other than the reflection of their own existence. But what about those other birds that were not able to become part of the final representation? This groundbreaking book calls them 'counter-memories'; memories that are barred from hegemonic history, but are, nevertheless present in cinematic forms. Due to the strategic and artistic interventions of a range of Iranian filmmakers, such as Abbas Kiarostami and Shahram Mokri, Ali Hatami and Tahmineh Milani, Kianoush Ayari and Rakshan Banietemad, the history of post-revolutionary Iranian Cinema is also structured by counter-memories, with the potential to destabilise officially fabricated success stories of revolution, war and sacred defence. Counter-Memories in Iranian Cinema establishes a new framework for understanding the tensions between censorship and resistance, helping to carve out resistant points of remembering both within and outside state-controlled cinema. Reassesses the post-revolutionary Iranian Cinema from a new mnemo-political perspective. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. Reassesses the post-revolutionary Iranian Cinema from a new mnemo-political perspectiveEstablishes a new framework of understanding the tensions between hegemonial and excluded aesthetics and rhetorics, between censorship and resistance, carving out resistant points of remembering within and outside state-controlled cinemaExposes silenced experiences and suppressed struggles that nevertheless articulate themselves in cinematic formsLooks for ruptures, frictions and sudden re-distributions within the trauma- and memoryscapes of Iranian CinemaIntroduces new readings of Iranian films and thus suggest a theory of trauma and memory inspired by cinematic procedures and orientated towards specific materialsFar?d ad-D?n-e ?A???r's Persian folk tale The Conference of the Birds relates the quest by thousands of pilgrim birds for an ideal king, the mythical bird called S?morgh. At the end of the quest, the surviving birds recognise that the longed-for king is nothing other than the reflection of their own existence. But what about those other birds that were not able to become part of the final representation? This groundbreaking book calls them 'counter-memories'; memories that are barred from hegemonic history, but are, nevertheless present in cinematic forms. Due to the strategic and artistic interventions of a range of Iranian filmmakers, such as Abbas Kiarostami and Shahram Mokri, Ali Hatami and Tahmineh Milani, Kianoush Ayari and Rakshan Banietemad, the history of post-revolutionary Iranian Cinema is also structured by counter-memories, with the potential to destabilise officially fabricated success stories of revolution, war and sacred defence. Counter-Memories in Iranian Cinema establishes a new framework for understanding the tensions between censorship and resistance, helping to carve out resistant points of remembering both within and outside state-controlled cinema.

Condizione: new.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. 1st edition NO-PA16APR2015-KAP.

Paperback. Condizione: New.

Condizione: New. 2023. Paperback. . . . . .

Condizione: New.

Condizione: New. 2023. Paperback. . . . . . Books ship from the US and Ireland.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condizione: New.

Perfect Paperback. Condizione: New.

Paperback. Condizione: New.

Paperback. Condizione: Brand New. gld edition. 272 pages. 9.21x6.14x0.57 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Brand New. 260 pages. 8.31x5.87x0.87 inches. In Stock.

Condizione: Gebraucht - Gut. Taschenbuch - 2016 - Wittmann - h4.

221 S. 8°, Brosch., fester Kartonumschlag. Guter und sauberer Zustand. 1000 gr.

Taschenbuch. Condizione: Neu. Neuware -Der skelettlose Krake ist ein Virtuose der Veruneindeutigung, Sand im Getriebe einer Verwaltung, die keine Ambiguität duldet. Seine Absonderlichkeit macht den Kraken als unaufhörliche Abweichung - auch von sich selbst - unberechenbar. Die Figur des Tentakels dient in diesem außergewöhnlichen Essay sowohl der Analyse und Kritik des Bestehenden als auch dem Gegenentwurf eines Noch-Nicht. Im sich entspinnenden Dialog zwischen den Krakengestalten in Zoologie und Mythologie, Medien und Kulturtheorie, Phänomenologie und politischer Philosophie sowie Film-, Literatur- und Kunstgeschichte kommt es zu überraschenden Wendungen, aus deren Zugriff sich der Krake immer wieder entwindet, um Formen eines epistemischen Ungehorsams durchzuspielen, die schließlich bei einem neuen Gesellschaftsvertrag ankommen, basierend auf der Anerkennung von Schutzlosigkeit und Verletzlichkeit. Matthias Wittmann beleuchtet blinde Flecken unserer Gesellschaft und etabliert mit dem Kraken eine Gestalt unserer krisenhaften Gegenwart sowie eine Figur der Störung menschlicher Wissensordnungen. 255 pp. Deutsch.

Paperback. Condizione: New. 2.

Paperback. Condizione: New. Reassesses the post-revolutionary Iranian Cinema from a new mnemo-political perspectiveEstablishes a new framework of understanding the tensions between hegemonial and excluded aesthetics and rhetorics, between censorship and resistance, carving out resistant points of remembering within and outside state-controlled cinemaExposes silenced experiences and suppressed struggles that nevertheless articulate themselves in cinematic formsLooks for ruptures, frictions and sudden re-distributions within the trauma- and memoryscapes of Iranian CinemaIntroduces new readings of Iranian films and thus suggest a theory of trauma and memory inspired by cinematic procedures and orientated towards specific materialsFar?d ad-D?n-e ?A???r's Persian folk tale The Conference of the Birds relates the quest by thousands of pilgrim birds for an ideal king, the mythical bird called S?morgh. At the end of the quest, the surviving birds recognise that the longed-for king is nothing other than the reflection of their own existence. But what about those other birds that were not able to become part of the final representation? This groundbreaking book calls them 'counter-memories'; memories that are barred from hegemonic history, but are, nevertheless present in cinematic forms. Due to the strategic and artistic interventions of a range of Iranian filmmakers, such as Abbas Kiarostami and Shahram Mokri, Ali Hatami and Tahmineh Milani, Kianoush Ayari and Rakshan Banietemad, the history of post-revolutionary Iranian Cinema is also structured by counter-memories, with the potential to destabilise officially fabricated success stories of revolution, war and sacred defence. Counter-Memories in Iranian Cinema establishes a new framework for understanding the tensions between censorship and resistance, helping to carve out resistant points of remembering both within and outside state-controlled cinema.

Paperback. Condizione: new. Paperback. Fard ad-Dn-e Ar's Persian folk tale The Conference of the Birds relates the quest by thousands of pilgrim birds for an ideal king, the mythical bird called Smorgh. At the end of the quest, the surviving birds recognise that the longed-for king is nothing other than the reflection of their own existence. But what about those other birds that were not able to become part of the final representation? This groundbreaking book calls them 'counter-memories'; memories that are barred from hegemonic history, but are, nevertheless present in cinematic forms. Due to the strategic and artistic interventions of a range of Iranian filmmakers, such as Abbas Kiarostami and Shahram Mokri, Ali Hatami and Tahmineh Milani, Kianoush Ayari and Rakshan Banietemad, the history of post-revolutionary Iranian Cinema is also structured by counter-memories, with the potential to destabilise officially fabricated success stories of revolution, war and sacred defence. Counter-Memories in Iranian Cinema establishes a new framework for understanding the tensions between censorship and resistance, helping to carve out resistant points of remembering both within and outside state-controlled cinema. Reassesses the post-revolutionary Iranian Cinema from a new mnemo-political perspective. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condizione: New.