maufra (11 risultati)

Presses Universitaires de Rennes, 1991. In-8 oblong broché de 88 pages illustrées en noir et en couleurs. Bon état.

Soft cover. Condizione: Very Good.

Condizione: Good. Paper envelope, 11 x 17", containing four (4) 4 x 5" color photo transparencies of artist's work "L'Ete Brouillard du Matin," 1902. Fine.

couverture souple. Le Livre et l'Image | Paris 1910 | 18 x 27.50 cm | broché | Edition originale. Couverture illustrée, imprimée en rouge et noir, dos présentant des déchirures sans manque, coins comportant des traces d'usures. Collaborations de L. Millanvoy : "Nadar", Henry Eon : "Maxime Maufra", Clément-Janin, Dubray. Une tâche brune apparaît dans la partie supérieure de la page 96, sans atteinte au texte. Exemplaire incomplet du gaufrage inédit d'Alexandre Charpentier. Infimes rousseurs. | [ENGLISH DESCRIPTION FOLLOWS] First edition. Illustrated cover, printed in red and black, spine with tears but no loss, corners showing traces of wear. Collaborations by L. Millanvoy: "Nadar", Henry Eon: "Maxime Maufra", Clément-Janin, Dubray. A brown stain appears in the upper part of page 96, not touching the text. Copy lacking the original embossing by Alexandre Charpentier. Minimal foxing. *.

Hardback. Condizione: Very Good. Maufra (illustratore). A review of the work of the early 20th century French painter, etcher, and lithographer. A review of the work of the early 20th century French painter, etcher, and lithographer. Maufra did not become a full time painter until 1890, having discovered the work of the Impressionists and under the encouragement of his friends. He was the first painter to take up residence in the Bateau-Lavoir, a famous residence for artists in Paris. His style often incorporated many of the techniques du jour, including impressionism and pointillism. He was primarily a painter of landscapes and marine scenes. This work is full of illustrations displaying his work, including many of his sketches. In the original pictorial card covers, and with the original tissue wrapper. Externally with a little general wear but remarkably sound for its age. The tissue wrapper is intact only at the rear, and is chipped with some moderate loss along the spine. The front part of the tissue wrap has become detached from the rear part, and is inserted between the front cover and front free endpaper. Internally, age-toned towards the edges and lightly spotted at the front and rear as usual. The binding is loosening in places, particularly between the half-title and page 2. Very Good. book.

4ff., 20 original lithographs, tipped onto mounts, as issued. Contents loose, as issued. Oblong folio. Portfolio (marbled boards, ties). One of 170 copies on Arches, signed and numbered in the justification by the artist and publisher, from the limited edition of 210 in all. Title-page somewhat browned.

1 S. auf Doppelblatt. 8vo. In französischer Sprache an einen namentlich nicht genannten Adressaten mit der Bitte um eine Anzahlung von 500 Francs: [.] Trotz des anhaltend schlechten Wetters konnte ich arbeiten und kann Ihnen zumindest einige Bilder schicken [.]" (Übers.). Auf Briefpapier mit schwarzem Trauerrand.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1908 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 142 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 142 Language: French.

1 lettre autographe signée 4 pp. In-8 2 septembre 1898 Bon Belle lettre de Maxime Maufra évoquantson grand ami, lepeintre et graveurbreton ÉmileDezaunay. "J'ai vu l'annuaire que tu m'as adressé. J'étais bien certain que Dezaunay avait suivant son habitude fait confusion. Je n'ai jamais été de cette sociétédu Baron Taylor, mais suis de celle des Artistes Français, ce qui est tout autre chose.Que devenez-vous dans votre Loctudy. Les bigoudens rougissent ils toujours sous lepinceau violent et tumultueux [?]du brave Émile [Dezaunay]. Ici, c'est plus calme. Je fais des matins brumeux, j'arriveau marché, par une routequi descends à la ville encore endormie dans le fond de la vallée et que la montagne(bretonne) éclaire de ses premiers reflets - vice versa pour le soir, retour, hommes soûls, je pense. C'est un pays superbequi mérite de longs efforts. [.] J'ai vu Pont-de-Buis, épatant. [.]Jean notre garçon se marie le 12 mai [.].Cet isolement me fait fort bien, je me ranimedans la nature, tout seul en lutte avec elle seule. C'est ça la vraie lutte [.]". Maufrava séjourner dans plusieurs endroits dont dans la presqu'île de Crozon, ou à Crozon même pour "peindre de la mer, de la grosse mer et desrochers puissants, la lutte du liquide et du solide[.]". Maxime Maufra peignit tableau Crépuscule jaune sur les vasières, à Loctudy, en 1898 (conservé aumusée des Beaux-arts de Quimper). Peintre, graveur et lithographe français.

1 lettre autographe signée 4 pp. In-8 6 février 1899 Bon Très belle lettre du peintre Maxime Maufra sur les sensations provoquées par la puissance des tempêtes bretonne qui interagissentsur sa peinture. "[.] Je voudrais que tu aies pu voir les grandioses spectacles que j'ai vu. La mer est démontée depuis samedi matin - elle est terrible et grandiosement belle[.] ces montagnes d'eau s'élançant les unes sur les autres, s'entrechoquant [.].Ces visions montrent l'impossibilité absolue d'essayer derendre réellement les phénomènes de la nature. On voit que seulement par interprétations,sensationnelles,instinctives [.]. Cela m'a amené à de nombreuses réflexions. J'ai vu aussi que les regards généralement tournésvers la partie lumineuse éclairée par le soleil, croyaient y découvrir une grande intensité colorée, qui n'existe que d'aspect et qu'alors à contre jour les tonalités deviennent extraordinaires, féeriques [.]. Cela m' explique lesmerveilleux Claude Lorrain et les Turner, cela m'a montré toute la fantaisie que la nature offre et que par là on peut monter dans les hautes régionsde l'art toutes visionnaires et imaginaires [.]. Donc c'est par l'exagération du mouvement, l'intensité voulue de la coloration inexistante, que l'on peut arriver à éreinter les sensations [?]. Si le levier a son point d'appui sur terre, le bras s'élève bien haut chercher sa proie dans le cerveau humain qui sait l'activer [.]". Maufra s'enquiert de la situation de son ami "Quand vont paraitre tes volumes, tu sais il faut rentrer dans une période active et toute de lutte [.]". Peintre, graveur et lithographe français.

Leather Bound. Condizione: New. Language: French. Language: French. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1908. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French, Vol: - , Pages: - 142, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 142 142.