Maurice yvain (485 risultati)

Soft cover. Condizione: Very Good. ORIGINAL vintage sheet music with marvellous cover art. Minor edgewear and former owner's name on cover, interior clean. Piano accompaniment with both English and French lyrics.

Soft cover. Condizione: Very Good. ORIGINAL vintage sheet music with marvellous cover art. Minor edgewear and faint music shop stamp on cover, interior clean. Piano accompaniment with both English and French lyrics.

Condizione: Befriedigend. 4 S., an den Rändern etwas angefranst Da die Bücher aus Lettland verschickt werden, beträgt die Versandkostenpauschale unabhängig der Menge 6 EUR bis 30 kg nach Deutschland und 12 EUR innerhalb der EU-Länder! Erstausgabe etwas grösser A4.

Paperback. Condizione: Good. First Edition.. GOOD CONDITION .several edgetears to covers. ; black titles on YELLOW cover art.PAPERBACK showing reclining "flapper" girl drawing ; SHEET Music; 6pg thin pages; vocal & Piano music. Back cover advert sample "KING FOR A DAY.". Illustrated by Brice,FANNY 4x5" COVER PHOTO & lionel reass art (illustratore).…

Softbound. Condizione: Very Good-. Quarto, illustrated paper covers, 6 pp. Sheet music with a decorative cover which includes a b/w photo of Fanny Brice. On the inside front cover there is the music for two addtional songs, "Unneath Hawaiian Skies (Sous Le Ciel D'Hawai) Fox Trot Song," words and music by Ernie Erdman & Fred Rose and "Nestle In Your Daddy's Arms: A Lullaby Fox Trot," by Lou Hershcer and Joe Burke. With musci for two additional songs on the rear cover: "Cherie: An American Fox-trot song with a Parisian Twist," by Leo Wood and Irving Bibo and "I'm Nobody's Baby," by Benny Davis, Milton Ager and Lester Santly.…

Sheet Music. Condizione: Very Good.

Couverture souple. Condizione: Assez bon. Éditions Continental, 1942. 1 volume correct Partition état d'usage couv illustrée (Danielle Darrieux).

Condizione: Very Good. Bon état intérieur - marques sur couv. Gros in-8. 1940. broché - illustrations. 415 pages. Very Good.

Soft cover. Condizione: Good. Illustrated Edition. Good 9 by 11 sheet music. 5pp. Illustrated wraps. No names or markings. Light to moderate general wear. Corner crease at bottom outer corner.

Soft cover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Illus 4to wraps, approx 9.25 by 12", Sheet Music, Very Good, light wear, clean with no names or creases, 5 pages, illus color cover of deco flapper w inset photo image of Fanny Brice. Scan's too large for abe uploading but i can send one direct if you so desire. Nice early image of the singer/actress.…

Couverture souple. Condizione: Assez bon. Edition originale. LE LYS NOIR - Tango - Musique de Maurice YVAIN. Edition L. Maillochon 1920, broche, Grand Format 27*35 cm, 4 pages. COUVERTURE ILLUSTREE par Charles GIR PLIE EN 2, plats un peu salis et frottes aux marges et coins avec dechirures, autrement ASSEZ BON ETAT, IL S'AGIT BIEN DE LA PARTITION ORIGINALE DE 1920 et NON d'une reproduction recente PRIX EN L'ETAT ***** ATTENTION ! ! A PARTIR DU 1er JUILLET, LE TARIF ECONOMIQUE LIVRE ET BROCHURE N'EXISTE PLUS. ENVOI A L'INTERNATIONAL EN TARIF COURRIER OU COLISSIMO, BEAUCOUP PLUS ONEREUX. …

Folio. Original publisher's ivory wrappers illustrated in red, black, and blue. 1f. (recto dedication, verso blank), 1f. (recto title, verso blank), 1f. (recto notes on first performance and named cast list, verso blank), 1f. (recto contents, verso blank), 9-170 pp. Named cast list includes Gabrielle Ristori, Eliane de Creus, Suzanne Dehelly, Becky Rosanes, Germaine Vallée, Germaine Corty, Berthelot, Escola, Lily Remy, Ruth Felder, Milton, Robert Hasti, José Sergy, G. Champell, Numès Fils, and Andre Dupin. Wrappers slightly worn, soiled, and chipped; spine reinforced with paper tape. Slightly browned; some small tears; pp. 43-44 lacking, reproduced in photocopy; upper corner of pp. 45-46 lacking, completed in manuscript, with paper tape repair. [?]First Edition. First performed in Paris at the Théâtre des Nouveautés on 12 December 1929, under the direction of Benoit-Léon Deutsch.…

Condizione: Fair. Envoi rapide couverture ternie bords frottés intérieur globalement propre dos recollé. in8. 1935. broché. Fair.

4°. 3 S. Farbig illustrierte Original-Broschur (Titel mit hs. Eintrag, knapp beschnitten ).

Sheet Music. Condizione: Fine. First Edition. J'en ai Marre (I've Had Enough) Maurice Yvain. Ascherberg / Hopwood & crew Ltd, London. Sheet Music 1922 5pp. This copy is in fine condition. Laid in is a supplement to 'The Last Word' being a sheet of brown linen finished card with a sepia photo tipped in of Alice Delysia in a scene from 'Mayfair and Montmartre'Alice Henriette Lapize (3 March 1889 - 10 February 1979), better known by her stage name, Alice Delysia, was a French actress and singer who made her career in English musical theatre. After performing in the chorus at the Moulin Rouge and other theatres in Paris from the age of 14, she became a chorus girl in Edwardian musical comedies, briefly on Broadway in 1905, then in London for several years and back in Paris in 1912. She got her big break in 1913, when she was offered a leading role in a revue presented by the impresario C B Cochran. The show was a hit and established Delysia as a star. During World War I, she starred in a string of West End revues and an operetta, all of which consolidated her success. In the star vehicle Afgar, from 1919 to 1921, first in London, then New York and on tour in the U.S., Delysia's fame was at its height, and her lively performance was celebrated by the critics. Delysia remained on the stage, returning to London for Cochran's 1922 revue Mayfair and Montmartre. The show had a mixed reception, and it suffered a fatal blow when Delysia lost her voice with a throat infection and had to withdraw from the cast six weeks into the run. She was ordered by a throat specialist to rest her voice for three months. Without its star, the show failed to attract the public, and Cochran closed it after less than two months, suffering a loss of £20,000. From 1924, she was again starring in revues, including the successful 1925 London show On With the Dance, which helped to establish Noël Coward's fame. Another highlight, in 1926, was Princess Charming. In the later 1920s and the 1930s she played in a range of musical theatre and, increasingly, in non-musical comic plays in London, earning further critical accolades. During the Second World War she abandoned the West End and devoted herself to entertaining British and allied troops, marrying a naval officer in the Free French Forces. After the war, she retired completely, accompanying her diplomat husband on various overseas postings. She returned to England in her last years. This music score came from an extensive library amassed by Viola Tree (17 July 1884 15 November 1938) She was an English actress, singer, playwright and author. Daughter of the actor Herbert Beerbohm Tree, she made many of her early appearances with his company at His Majesty's Theatre. Later she appeared in opera, variety, straight theatre and film. Tree was born in London, the eldest of three daughters of Herbert Beerbohm Tree and his wife, the actress Helen Maud Tree, née Holt. Her aunt was author Constance Beerbohm and an uncle was Max Beerbohm. She was educated privately in London and in Europe. Her sisters were Felicity Tree and Iris Tree. She also had seven illegitimate half-siblings, the products of her father's many infidelities, among them the director Carol Reed and Peter Reed, whose son became the actor Oliver Reed. It is believed that after her death the music collection came into the posession of her younger sister Lady Felicity Cory-Wright (née Felicity Constance Tree: 1895 1978) She was an English baronetess, the daughter of the actor Sir Herbert Beerbohm Tree and his wife, the actress Helen Maud Holt. She was the sister of Viola Tree and Iris Tree, and the niece of author Constance Beerbohm, caricaturist and parodist Max Beerbohm, and the engineer and explorer Julius Beerbohm. This is just one of many music scores from this collection that I will be selling on this site. Ref Y1 Size: 5pp.…

Condizione: Good. Etat correct. 1935. Ouvrage pédagogique de Maurice Emmanuel destiné à initier les débutants aux fondamentaux de la musique probablement à travers des explications théoriques et pratiques adaptées aux novices. Good.

Condizione: Good. Etat correct. Sans date. Ouvrage pédagogique de Maurice Emmanuel destiné à initier les débutants aux fondamentaux de la musique probablement à travers des explications théoriques et pratiques adaptées aux novices. Good.

Condizione: Very Good. Bon état. Sans date. Very Good.

3 p. Sprache: Französisch Gewicht in Gramm: 300 Gr.-4°. Marges un peu roignées.

3 S. Sprache: Französisch Gewicht in Gramm: 300 Gr.-4°. Stärker beschnitten, Verlust Illustration.

8°. Partie de chant. 3 p. Sprache: Französisch Gewicht in Gramm: 300.

21x14. 503 pags. Muy ilustrado, fotos. Tela editorial con sobrecubierta ilustrada.

Soft cover. Condizione: Good. Age-toned, scuffed and lightly soiled covers. A few markings on front cover. Light wear along extremities. Interior is age-toned and lightly soiled.

Folio. Original publisher's red printed wrappers. 1f. (recto title, verso copyright statement), 1f. (recto notes on first performance and named cast list, verso contents), 219, [i] (blank) pp. Slightly soiled. [?]First Edition. First performed in Paris at the Théâtre de la Gaîté Lyrique on 13 December 1946.…

Broché. Condizione: Etat moyen. in-8 Description :415 pp. Couverture tachée et frottée, avec des pliures. Langue : français Nb de volumes : 1.

3 p. Texte française. Sprache: Französisch Gewicht in Gramm: 300 Gr.-4°. Marges rognées. Dos abîmé.

Gr.-4°. Marges un peu rognées. 3 p. Texte française et allemande. Sprache: Französisch Gewicht in Gramm: 300.

Condizione: Gut. Jahr: c1921. Einband: Heft. Beschreibung: Deutscher Text von Wilhelm Sterk. VN/Pl. no. E. K. B 844. Papierbedingt etwas gebräunt. Namenseintrag auf dem Titel. Gut erhalten. Sprache: de. 3 S.

Couverture souple. Condizione: Bon. Dimensions : 27 cm, larg 35 cm, 2 feuillets de partition musicale.

11 x 15, 152 pp., broché, bon état. Musique de Maurice Yvain.