Mcmahon brendan c (26 risultati)

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Hardback. Condizione: New. At the turn of the seventeenth century, people in Spain and Mexico were fascinated by iridescence. Artists stretched the capacities of conventional media in attempts to capture its shifting hues, while others integrated iridescent materials directly into their work. At the same time, naturalists strove to convey the changing colors of these substances in printed texts, theologians and political commentators invoked them in tracts and treatises, and playwrights and poets wove them through the scripts of comedies and into the stanzas of sonnets.In Iridescence and the Image, Brendan C. McMahon explores this preoccupation with such materials-including shot fabric, hummingbird feathers, mother of pearl, and opals-in the early modern Spanish world. Taking the virtuosic renderings of tornasol (shot silk) by the Spanish painter Antonio de Pereda (1611-1678) as a point of departure, he shows that the ubiquity of these materials in a broad array of period cultural productions stemmed from the ways in which their unique properties undermined trust in visual perception-and in visual images themselves. Ultimately, McMahon argues, iridescence provided a way for people to grapple with profound questions about seeming and being, deception and revelation, and the nature of truth itself.…

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hardcover. Condizione: New.

Condizione: New. In English.

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Hardcover. Condizione: new. Hardcover. At the turn of the seventeenth century, people in Spain and Mexico were fascinated by iridescence. Artists stretched the capacities of conventional media in attempts to capture its shifting hues, while others integrated iridescent materials directly into their work. At the same time, naturalists strove to convey the changing colors of these substances in printed texts, theologians and political commentators invoked them in tracts and treatises, and playwrights and poets wove them through the scripts of comedies and into the stanzas of sonnets.In Iridescence and the Image, Brendan C. McMahon explores this preoccupation with such materialsincluding shot fabric, hummingbird feathers, mother of pearl, and opalsin the early modern Spanish world. Taking the virtuosic renderings of tornasol (shot silk) by the Spanish painter Antonio de Pereda (16111678) as a point of departure, he shows that the ubiquity of these materials in a broad array of period cultural productions stemmed from the ways in which their unique properties undermined trust in visual perceptionand in visual images themselves. Ultimately, McMahon argues, iridescence provided a way for people to grapple with profound questions about seeming and being, deception and revelation, and the nature of truth itself. "Explores how seventeenth-century Spanish painter Antonio de Pereda and his contemporaries used iridescent materials such as textiles, feathers, and shells to examine visual perception and cultural meaning. Traces transatlantic influences and reveals how these materials shaped debates on knowledge, empiricism, and belief in early modern Spain and Mexico"-- Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Hardcover. Condizione: Brand New. sew edition. 216 pages. 10.00x8.00x0.85 inches. In Stock.

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Hardcover. Condizione: new. Hardcover. At the turn of the seventeenth century, people in Spain and Mexico were fascinated by iridescence. Artists stretched the capacities of conventional media in attempts to capture its shifting hues, while others integrated iridescent materials directly into their work. At the same time, naturalists strove to convey the changing colors of these substances in printed texts, theologians and political commentators invoked them in tracts and treatises, and playwrights and poets wove them through the scripts of comedies and into the stanzas of sonnets.In Iridescence and the Image, Brendan C. McMahon explores this preoccupation with such materialsincluding shot fabric, hummingbird feathers, mother of pearl, and opalsin the early modern Spanish world. Taking the virtuosic renderings of tornasol (shot silk) by the Spanish painter Antonio de Pereda (16111678) as a point of departure, he shows that the ubiquity of these materials in a broad array of period cultural productions stemmed from the ways in which their unique properties undermined trust in visual perceptionand in visual images themselves. Ultimately, McMahon argues, iridescence provided a way for people to grapple with profound questions about seeming and being, deception and revelation, and the nature of truth itself. "Explores how seventeenth-century Spanish painter Antonio de Pereda and his contemporaries used iridescent materials such as textiles, feathers, and shells to examine visual perception and cultural meaning. Traces transatlantic influences and reveals how these materials shaped debates on knowledge, empiricism, and belief in early modern Spain and Mexico"-- Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Buch. Condizione: Neu. Neuware - At the turn of the seventeenth century, people in Spain and Mexico were fascinated by iridescence. Artists stretched the capacities of conventional media in attempts to capture its shifting hues, while others integrated iridescent materials directly into their work. At the same time, naturalists strove to convey the changing colors of these substances in printed texts, theologians and political commentators invoked them in tracts and treatises, and playwrights and poets wove them through the scripts of comedies and into the stanzas of sonnets.In Iridescence and the Image, Brendan C. McMahon explores this preoccupation with such materials--including shot fabric, hummingbird feathers, mother of pearl, and opals--in the early modern Spanish world. Taking the virtuosic renderings of tornasol (shot silk) by the Spanish painter Antonio de Pereda (1611-1678) as a point of departure, he shows that the ubiquity of these materials in a broad array of period cultural productions stemmed from the ways in which their unique properties undermined trust in visual perception--and in visual images themselves. Ultimately, McMahon argues, iridescence provided a way for people to grapple with profound questions about seeming and being, deception and revelation, and the nature of truth itself. …

Condizione: New. 2025. hardcover. . . . . .

Condizione: New.

Hardcover. Condizione: Brand New. sew edition. 216 pages. 10.00x8.00x0.85 inches. In Stock.

Condizione: New. 2025. hardcover. . . . . . Books ship from the US and Ireland.

Hardback. Condizione: New. At the turn of the seventeenth century, people in Spain and Mexico were fascinated by iridescence. Artists stretched the capacities of conventional media in attempts to capture its shifting hues, while others integrated iridescent materials directly into their work. At the same time, naturalists strove to convey the changing colors of these substances in printed texts, theologians and political commentators invoked them in tracts and treatises, and playwrights and poets wove them through the scripts of comedies and into the stanzas of sonnets.In Iridescence and the Image, Brendan C. McMahon explores this preoccupation with such materials-including shot fabric, hummingbird feathers, mother of pearl, and opals-in the early modern Spanish world. Taking the virtuosic renderings of tornasol (shot silk) by the Spanish painter Antonio de Pereda (1611-1678) as a point of departure, he shows that the ubiquity of these materials in a broad array of period cultural productions stemmed from the ways in which their unique properties undermined trust in visual perception-and in visual images themselves. Ultimately, McMahon argues, iridescence provided a way for people to grapple with profound questions about seeming and being, deception and revelation, and the nature of truth itself.…

Buch. Condizione: Neu. Iridescence and the Image | Material Thinking in the Early Modern Spanish World | Brendan C. McMahon | Buch | Einband - fest (Hardcover) | Englisch | 2025 | Pennsylvania State University Press | EAN 9780271099699 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu. …

Hardcover. Condizione: new. Hardcover. At the turn of the seventeenth century, people in Spain and Mexico were fascinated by iridescence. Artists stretched the capacities of conventional media in attempts to capture its shifting hues, while others integrated iridescent materials directly into their work. At the same time, naturalists strove to convey the changing colors of these substances in printed texts, theologians and political commentators invoked them in tracts and treatises, and playwrights and poets wove them through the scripts of comedies and into the stanzas of sonnets.In Iridescence and the Image, Brendan C. McMahon explores this preoccupation with such materialsincluding shot fabric, hummingbird feathers, mother of pearl, and opalsin the early modern Spanish world. Taking the virtuosic renderings of tornasol (shot silk) by the Spanish painter Antonio de Pereda (16111678) as a point of departure, he shows that the ubiquity of these materials in a broad array of period cultural productions stemmed from the ways in which their unique properties undermined trust in visual perceptionand in visual images themselves. Ultimately, McMahon argues, iridescence provided a way for people to grapple with profound questions about seeming and being, deception and revelation, and the nature of truth itself. "Explores how seventeenth-century Spanish painter Antonio de Pereda and his contemporaries used iridescent materials such as textiles, feathers, and shells to examine visual perception and cultural meaning. Traces transatlantic influences and reveals how these materials shaped debates on knowledge, empiricism, and belief in early modern Spain and Mexico"-- Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…