Mcnamara edward c (4 risultati)

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condizione: New.

paperback. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: Very Good. 2005 John Donald paperback edition. Light reading wear else very good condition. Contents: Sally Mapstone, 'Introduction: Older Scots and the Fifteenth Century'; Julia Boffey and A.S.G. Edwards, 'Bodleian MS Arch. Selden. B. 24: The Genesis and Evolution of a Scottish Poetical Anthology'; Alessandra Petrina, 'Donne Gentili and Courtly Ladies: A Comparison Between Dante's Beatrice and the Lady of the Kingis Quair'; Jonathan A. Glenn, 'The Manuscript History of Sir Gilbert Hay's Buke of the Law of Armys: A Study'; Rosemary Greentree, 'Literate in Love: Makyne's Lesson for Robene'; Klaus Bitterling, 'Insular and Continental Traditions Behind Robert Henryson's Fables'; R.J. Lyall, 'Henryson, the Hens and the Pelagian Fox: a Poet and the Intellectual Currents of his Age'; John McNamara, 'Folkloric Patterns in Henryson's Fables: A Sociolinguistic Approach'; John MacQueen, 'Lent and Henryson's 'The Fox, the Wolf, and the Cadger''; R.W. Smith, 'The Meaning of the 'Nekhering' in Henryson's Fable of 'The Fox, the Wolf, and the Cadger''; Edward W. Bradburn, ''Prolog' and 'Moralitie': Authorial Apostrophe in Robert Henryson's Fables'; Anne M. McKim, 'Henryson's Use of the Conjunctive Phrase 'with that' in the Moral Fables'; J. Derrick McClure, 'Blind Hary's Metrics'; Marace Dareau, Lorna Pike, and Harry D. Watson, 'DOST and Older Scots Scholarship'; Sally Mapstone, 'Introduction: Older Scots and the Sixteenth Century'; Priscilla Bawcutt, 'Manuscript Miscellanies in Scotland from the Fifteenth to the Seventeenth Century'; Ma. Nieves Rodriguez Ledesma, 'Linguistic Anglicisation in The Complaynt of Scotland: A Study of Further Diagnostic Variables'; A.A. MacDonald, 'On First Looking into the Gude and Godlie Ballatis (1565)'; Joanne Norman, 'William Dunbar and the Bakhtinian Construction of the Self'; Robert Drexler, 'Dunbar, Douglas, and the Art of Memory'; C. Marie Harker, 'Skirting the Issue: Misogyny and Gender in Lyndsay's Ane Supplication Directit - to the Kingis Grace, in Contemptioun of Syde Taillis'; Evelyn S. Newlyn, 'The Female Voice in Sixteenth-Century Scots Poetry'; Keely Fisher, 'Eldritch Comic Verse in Older Scots'; Theo van Heijnsbergen, 'Modes of Self-Representation in Older Scots Texts'; Janet Hadley Williams, ''We had the ky and thai gat bot the glaikis': Catching the Echoes in Duncan Laideus' Testament'; William Gillies, 'Gun ann ach an ceo 'Nothing Left but their Mist': Farewell and Elegy in Gaelic Poetry'; Michael Chesnutt, 'Otterburn Revisited: A Late Medieval Border Ballad and its Transmission'; Sally Mapstone, 'Introduction: Older Scots and the Sixteenth and Seventeenth Centuries'; Anneli Meurman-Solin, 'Women's Scots: Gender-Based Variation in Renaissance Letters'; Sarah M. Dunnigan, 'Feminising the Early Modern Erotic: Female-voiced Love Lyrics and Mary Queen of Scots'; Jamie Reid-Baxter, ''Judge and revenge my cause': the Earl of Morton, Andro Blackhall, Robert Sempill and the Fall of the House of Hamilton in 1579'; David J. Parkinson, 'Alexander Montgomerie: Scottish Author'; Regina Scheibe, 'The Function of the Animal Massacre in John Burel's Passage of the Pilgremer'; Daniel Fischlin, 'Like a Mercenary Poet': the Politics and Poetics of James VI's Lepanto'; Morna R. Fleming, ''The End of an Auld Sang'? Scottish Poetry of the English Reign of James VI and I'; Louise Yeoman, 'James Melville and the Covenant of Grace'; David W. Atkinson, 'More than One Voice: the Poetic Accomplishment of William Alexander'; David Reid, 'Hume of Godscroft on Kings and Subjects'; Margery Palmer McCulloch, 'Liz Lochhead, Mary Queen of Scots, and the Suppression of the Female Principle'.…