mcrobert laurie (27 risultati)

Condizione: As New. Unread book in perfect condition.

Single Issue Magazine. Condizione: Very Good. ***please read*** name inside cover with light pencil - no marks on text - a small speck on the right edge - my shelf location we-c-43*.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Softcover. Condizione: Very Good. Signed by Laurie McRobert on title page. Excellent condition, one crease on bottom front cover. Signed by author.

Condizione: FINE. 2013. SIGNED by the author to title page. Trade paperback. 440pp. Index. FINE.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Condizione: new.

Condizione: New. x 190 32 of lates Illus.

Condizione: Muy Bueno. Createspace Independent Publishing Platform, 2013, 428pp, tapa blanda, muy buen estado//// Nota de la librería: Si no se especifica en la descripción anterior, los libros no tienen subrayados, anotaciones, firmas o defectos reseñables. ATENCIÓN: EL ENVÍO GRATUITO ES ORDINARIO SIN NÚMERO DE SEGUIMIENTO, y puede sufrir retrasos de varios días. Le dejarán un aviso en el buzón PARA LA RECOGIDA EN OFICINA. PRIORITARIO/CERTIFICADO CON ENTREGA A DOMICILIO POR SOLO 2,90 euros. AS2747.

Condizione: New. This original study provides us with an important exposition of two of Char Davies? acclaimed projects and an exploration of the future impact of digital virtual art on our worldviews. Num Pages: 290 pages, 17 halftones, 16 colour plates. BIC Classification: 1KBC; ACXJ; AGB. Category: (P) Professional & Vocational. Dimension: 250 x 181 x 18. Weight in Grams: 650. . 2006. Illustrated. hardcover. . . . .

Hardcover. Condizione: Brand New. 1st edition. 290 pages. 10.00x7.00x0.75 inches. In Stock.

Condizione: New. x 190 32 of lates.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New. This original study provides us with an important exposition of two of Char Davies? acclaimed projects and an exploration of the future impact of digital virtual art on our worldviews. Num Pages: 290 pages, 17 halftones, 16 colour plates. BIC Classification: 1KBC; ACXJ; AGB. Category: (P) Professional & Vocational. Dimension: 250 x 181 x 18. Weight in Grams: 650. . 2006. Illustrated. hardcover. . . . . Books ship from the US and Ireland.

Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Paperback. Condizione: new. Paperback. In Appearances: Genetic Mythology and Cosmic Instincts Laurie McRobert argues that the theoretical physicists' concepts of the cosmos need to be replaced by a biological cosmology. This revolutionary perspective brings with it the claim that embedded in our genome are cosmic instincts which have played a key role in our scientific evolution. It proffers that our historical preoccupation with the heavens, God, other spiritual visions, UFOs and abductees have surreptitiously inspired humankind to discover ever new scientific frontiers. It follows that attention needs to be paid to what "Appearances" are telling us: that our mythological history is deeply embedded in our genome which holds valuable information inviting us to uncover further mysteries as to why the cosmos exists at all. A multi-dimensional perspective, integrating philosophy, physics, biology, cosmology, astronomy and popular science fiction material, is employed in contending that our inherited cosmic instincts are the ground of a dialogue between the cosmos and human beings. The possible relation between our cosmic genes and holographic projections suggest that our visual systems are tuned into a greater cosmic electromagnetic dynamic which enables us to see holographic phenomena from other spacetimes. Challenging the firewall of Einsteinian spacetime and the speed of light, the author argues that cosmic travel by human beings can only be possible through teleportation as holographic images. This, she claims, is the method that beings (Appearances) from other worlds have used to communicate with us. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Paperback. Condizione: new. Paperback. Do you have an image of heaven? Most people have a vague notion of billowy clouds and singing angels, but, when pressed, they have little idea about what awaits them in the afterlife. When asked for more details, many people are evasive-they don't want to think about it, because thinking of heaven inevitably means thinking about death. Author and religious philosopher Laurie McRobert argues this is a mistake. Those who develop a clear image of heaven and sustain it throughout life can meet death in peace. Individuals and the medical community alike are more and more concerned with dying well-of meeting and fully experiencing dying as a final, moving part of life. Having a clear image of heaven helps you face the dying experience lucidly and without fear, living life to the fullest extent, even at the end. McRobert doesn't claim to prove heaven exists-each of us must choose whether to not to believe. Nor does she claim the image of heaven you create will match reality. Instead, she offers a series of moving shorts stories and tales to show how a deeply personal idea of heaven comforts and prepares us for our final moments on earth. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Buch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -In this first book-length study of the internationally renowned Canadian artist Char Davies, Laurie McRobert examines the digital installations Osmose and Ephémère in the context of Davies' artistic and conceptual inspirations. Davies, originally a painter, turned to technology in an effort to create the effect of osmosis between self and world. By donning a head-mounted display unit and a body vest to monitor breathing and balance, participants are immersed in 3D-virtual space where they interact with abstract images of nature while manoeuvring in an artificial spatial environment.Char Davies' Immersive Virtual Art and the Essence of Spatiality explores spatiality through a broad scope of disciplines, including philosophy, mythology, biology, and visual studies, in order to familiarize the reader with virtual reality art - how it differs from traditional artistic media and why immersive virtual art promises to expand our imaginative horizons. This original study provides us with an important exposition of two of Char Davies' acclaimed projects and an exploration of the future impact of digital virtual art on our worldviews. 290 pp. Englisch.

Paperback. Condizione: new. Paperback. Emil Fackenheim's Quest: From Philosophy to Prophetic Theology constitutes a comprehensive study of the Jewish thinker Emil L. Fackenheim who lived between 1916 and 2003. The study begins with extracts of letters and articles which he wrote as early as 1939 and ends with his writing of To Mend the World published in 1982. It starts with the new thinking movement in Judaism, considers the mediaeval responses to prophecy and philosophy and includes the prophetic experience as described by modern Jewish thinkers. This sets the stage for Fackenheim's quest. His writings clearly track the important philosophical and theological questions that preoccupy him during this time. These questions reveal his subjective concerns which focus on what becomes a pivotal question for him: Has God revealed Himself once more in history? One of the ways that Fackenheim responds to what he believes to be a revelation from God is in a prophetic way with the 614th commandment to Jews "Thou shalt not give Hitler Posthumous victories". The book's themes deal primarily with the Holocaust. The Holocaust is the firewall that neither traditional philosophy nor Christianity can transcend unless they put aside their grandiose theories of a perennial philosophical Truth, and of the Christ conquering event of death and thus evil. The Christ event, Fackenheim argues can no longer be seen as an overcoming of death (evil) since Christ never had to encounter the radical evil of the Holocaust. What would Christ a Jew have done during the Holocaust-save his people from the gas chambers, or die with them? Fackenheim is concerned for the Jewish people's homeland Israel. His epiphany during the six day War includes the fact that Israel as a state is fragile and that Jews, religious or secular, whether they believe or not in God must join forces to protect it. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In this first book-length study of the internationally renowned Canadian artist Char Davies, Laurie McRobert examines the digital installations Osmose and Ephémère in the context of Davies' artistic and conceptual inspirations. Davies, originally a painter, turned to technology in an effort to create the effect of osmosis between self and world. By donning a head-mounted display unit and a body vest to monitor breathing and balance, participants are immersed in 3D-virtual space where they interact with abstract images of nature while manoeuvring in an artificial spatial environment.Char Davies' Immersive Virtual Art and the Essence of Spatiality explores spatiality through a broad scope of disciplines, including philosophy, mythology, biology, and visual studies, in order to familiarize the reader with virtual reality art - how it differs from traditional artistic media and why immersive virtual art promises to expand our imaginative horizons. This original study provides us with an important exposition of two of Char Davies' acclaimed projects and an exploration of the future impact of digital virtual art on our worldviews.