meehan norman (31 risultati)

Condizione: New.

Paperback. Condizione: new. Paperback. Drawing on 39 interviews with leading New Zealand jazz musicians, New Zealand Jazz Life is a ground-breaking survey of the vibrant local scene. In best jazz style, eight solos - first-person portraits of major musicians - alternate with ensemble passages that enlarge on the key themes: discovering jazz learning to play starting a career living and working as a musician overseas what it means to play black American music in New Zealand the emergence of a New Zealand sound the state of jazz in contemporary New Zealand what jazz in New Zealand needs to go forward New Zealand Jazz Life is essential and inspiring reading for musicians and fans, and a fascinating insight into the opportunities and predicaments encountered by practitioners of any art form in New Zealand. Drawing on 39 interviews with leading New Zealand jazz musicians, New Zealand Jazz Life is a ground-breaking survey of the vibrant local scene Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. The music of the 'father of New Zealand composition', Douglas Lilburn, formed the subject of a ninth address by pianist Margaret Nielsen. Finding Language collects together all the Massey Composer Addresses for the first time. The addresses show some of our most prominent musical practitioners reflecting, in their own words, upon their creative practices, formative influences, the role of composers in New Zealand society, and other concerns close to their hearts. The results are a fascinating compendium of views on New Zealand art composition in the twentieth century and beyond. Included in Finding Language: The Massey Composer Addresses are the original overviews of each composer's work by series convenor Robert Hoskins, together with new afterwords, bibliographic resources, and an introduction. An essential sourcebook for all students and aficionados of New Zealand art music, as well as those interested in the development of the arts in this country. From 1995 to 2006, eight New Zealand composers were invited to give an annual public address at Massey University: John Ritchie, Edwin Carr, David Farquhar, Jack Body, Lyell Cresswell, John Cousins, John Rimmer and Chris Cree Brown. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: New. Jenny McLeod was the sensation of New Zealand music.Born in 1941, at age five she discovered she could read music fluently. After a childhood in Timaru and Levin, she went on to study music with Douglas Lilburn and Frederick Page at Victoria University College, and in Europe with two imposing figures of mid-twentieth century modernism: Olivier Messiaen and Karlheinz Stockhausen. In 1967 she joined Victoria University's music department and was soon appointed New Zealand's youngest full professor. Two large public works for orchestra and children's choirs - Earth and Sky (1968) and Under the Sun (1971) - were seen by thousands and made her famous. In 1976 her devotion to Maharaj Ji's Divine Light Mission led to her early retirement from the university. However, her retirement from musical life was short-lived, and she was a prolific composer until her death in 2022. As well as many compositions based on Tone Clock Theory, her major works include music for the film The Silent One, song cycles based on poems by Janet Frame, and the opera Hohepa, which premiered at the New Zealand International Arts Festival in 2012.Drawing on his many conversations with Jenny McLeod, as well as her writings, letters and works, Norman Meehan brings the story of this remarkable composer to life.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: new. Paperback. Jenny McLeod was the sensation of New Zealand music. Born in 1941, at age five she discovered she could read music fluently. After a childhood in Timaru and Levin, she went on to study music with Douglas Lilburn and Frederick Page at Victoria University College, and in Europe with two imposing figures of mid-twentieth century modernism: Olivier Messiaen and Karlheinz Stockhausen. In 1967 she joined Victoria University's music department and was soon appointed New Zealand's youngest full professor. Two large public works for orchestra and children's choirs - Earth and Sky (1968) and Under the Sun (1971) - were seen by thousands and made her famous. In 1976 her devotion to Maharaj Ji's Divine Light Mission led to her early retirement from the university. However, her retirement from musical life was short-lived, and she was a prolific composer until her death in 2022. As well as many compositions based on Tone Clock Theory, her major works include music for the film The Silent One, song cycles based on poems by Janet Frame, and the opera Hohepa, which premiered at the New Zealand International Arts Festival in 2012. Drawing on his many conversations with Jenny McLeod, as well as her writings, letters and works, Norman Meehan brings the story of this remarkable composer to life. Jenny McLeod was the sensation of New Zealand music. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: New. From 1995 to 2006, eight New Zealand composers were invited to give an annual public address at Massey University: John Ritchie, Edwin Carr, David Farquhar, Jack Body, Lyell Cresswell, John Cousins, John Rimmer and Chris Cree Brown. The music of the 'father of New Zealand composition', Douglas Lilburn, formed the subject of a ninth address by pianist Margaret Nielsen. Finding Language collects together all the Massey Composer Addresses for the first time. The addresses show some of our most prominent musical practitioners reflecting, in their own words, upon their creative practices, formative influences, the role of composers in New Zealand society, and other concerns close to their hearts. The results are a fascinating compendium of views on New Zealand art composition in the twentieth century and beyond. Included in Finding Language: The Massey Composer Addresses are the original overviews of each composer's work by series convenor Robert Hoskins, together with new afterwords, bibliographic resources, and an introduction. An essential sourcebook for all students and aficionados of New Zealand art music, as well as those interested in the development of the arts in this country.

Paperback. Condizione: new. Paperback. Serious Fun is the vibrant and accessible life story of one of New Zealand's greatest musicians. Mike Nock's childhood in 1940s Ngaruawahia and Nelson, and his adventures as a young teenager on the road with the Fabulous Flamingoes, and Maori rock'n'roll pioneer Johnny Cooper, are the stuff of Kiwi legend. In the magic years of 1958 and 1959, still a teenager, he was in Sydney playing with Australia's best in The El Rocco nightclub, touring with artists of the stature of Coleman Hawkins, and recording his first LP. A Down Beat scholarship to the world's premiere jazz school, Berklee in Boston, brought him gigs with musicians such Sam Rivers and Tony Williams, and eventually long stints with Yusef Lateef, Dionne Warwick and John Handy. Further highlights of Nock's stellar international career included the founding in 1968 of pioneering fusion band The Fourth Way, and the classic ECM album Ondas in 1981. Mike Nock moved back south in the mid 1980s, to teach in the jazz programme at the Sydney Conservatorium, and has continued to extend his playing, composing and recording, working solo and with a wide range of jazz combos and classical ensembles.Norman Meehan, a musician himself, gives us a compelling account of the life of this volatile and creative man through a dramatic period in western culture. His responsive and accessible accounts of Nock's compositions and recordings provide rich insights for musicians and music fans alike. Norman Meehan, a musician himself, gives us a compelling account of the life of this volatile and creative man through a dramatic period in western culture. His responsive and accessible accounts of Nock's compositions and recordings provide rich insights for musicians and music fans alike. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: New. Jenny McLeod was the sensation of New Zealand music.Born in 1941, at age five she discovered she could read music fluently. After a childhood in Timaru and Levin, she went on to study music with Douglas Lilburn and Frederick Page at Victoria University College, and in Europe with two imposing figures of mid-twentieth century modernism: Olivier Messiaen and Karlheinz Stockhausen. In 1967 she joined Victoria University's music department and was soon appointed New Zealand's youngest full professor. Two large public works for orchestra and children's choirs - Earth and Sky (1968) and Under the Sun (1971) - were seen by thousands and made her famous. In 1976 her devotion to Maharaj Ji's Divine Light Mission led to her early retirement from the university. However, her retirement from musical life was short-lived, and she was a prolific composer until her death in 2022. As well as many compositions based on Tone Clock Theory, her major works include music for the film The Silent One, song cycles based on poems by Janet Frame, and the opera Hohepa, which premiered at the New Zealand International Arts Festival in 2012.Drawing on his many conversations with Jenny McLeod, as well as her writings, letters and works, Norman Meehan brings the story of this remarkable composer to life.

Soft Covers. Condizione: Very Good. Condizione sovraccoperta: None. First Edition. 24 cm, 336 pp, b&w and colour photo plates, soft covers. DVD in pocket at rear. VG copy. Accompanied by DVD Mike Nock : a film / directed by Geoff Cawthorn ; produced by Richard Riddiford. Zee Films, c1993.

Condizione: New.

Condizione: New.

Super octavo softcover (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copIes, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage costs.

Super octavo softcover (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book may reduce your overall postage costs.

FIRST EDITION, CD IN REAR POCKET, octavo hardcover (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book may reduce your overall postage costs.

Condizione: New. Brand New.

Wide super octavo hardcover (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage costs.

Soft Copy. Condizione: VG. Condizione sovraccoperta: None. First Edition. Includes CD. Clean b/w illustrated cover with soft rubbing and light scratches and a small patch of text impression. Edges: light dusting of soiling. Just two pages with a couple of sentences with short penciled underlines and notes otherwise clean content. Colour & b/w illustrations. Binding is As New. 336p.

Soft cover. Condizione: Near Fine. First Edition. 238p With illustrations, celebrating the lives and music of some of the jazz musicians active in New Zealand during the past 40-odd years.

Paperback. Condizione: new. Paperback. Drawing on 39 interviews with leading New Zealand jazz musicians, New Zealand Jazz Life is a ground-breaking survey of the vibrant local scene. In best jazz style, eight solos - first-person portraits of major musicians - alternate with ensemble passages that enlarge on the key themes: discovering jazz learning to play starting a career living and working as a musician overseas what it means to play black American music in New Zealand the emergence of a New Zealand sound the state of jazz in contemporary New Zealand what jazz in New Zealand needs to go forward New Zealand Jazz Life is essential and inspiring reading for musicians and fans, and a fascinating insight into the opportunities and predicaments encountered by practitioners of any art form in New Zealand. Drawing on 39 interviews with leading New Zealand jazz musicians, New Zealand Jazz Life is a ground-breaking survey of the vibrant local scene Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condizione: new. Paperback. The music of the 'father of New Zealand composition', Douglas Lilburn, formed the subject of a ninth address by pianist Margaret Nielsen. Finding Language collects together all the Massey Composer Addresses for the first time. The addresses show some of our most prominent musical practitioners reflecting, in their own words, upon their creative practices, formative influences, the role of composers in New Zealand society, and other concerns close to their hearts. The results are a fascinating compendium of views on New Zealand art composition in the twentieth century and beyond. Included in Finding Language: The Massey Composer Addresses are the original overviews of each composer's work by series convenor Robert Hoskins, together with new afterwords, bibliographic resources, and an introduction. An essential sourcebook for all students and aficionados of New Zealand art music, as well as those interested in the development of the arts in this country. From 1995 to 2006, eight New Zealand composers were invited to give an annual public address at Massey University: John Ritchie, Edwin Carr, David Farquhar, Jack Body, Lyell Cresswell, John Cousins, John Rimmer and Chris Cree Brown. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condizione: new. Paperback. The music of the 'father of New Zealand composition', Douglas Lilburn, formed the subject of a ninth address by pianist Margaret Nielsen. Finding Language collects together all the Massey Composer Addresses for the first time. The addresses show some of our most prominent musical practitioners reflecting, in their own words, upon their creative practices, formative influences, the role of composers in New Zealand society, and other concerns close to their hearts. The results are a fascinating compendium of views on New Zealand art composition in the twentieth century and beyond. Included in Finding Language: The Massey Composer Addresses are the original overviews of each composer's work by series convenor Robert Hoskins, together with new afterwords, bibliographic resources, and an introduction. An essential sourcebook for all students and aficionados of New Zealand art music, as well as those interested in the development of the arts in this country. From 1995 to 2006, eight New Zealand composers were invited to give an annual public address at Massey University: John Ritchie, Edwin Carr, David Farquhar, Jack Body, Lyell Cresswell, John Cousins, John Rimmer and Chris Cree Brown. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condizione: new. Paperback. Drawing on 39 interviews with leading New Zealand jazz musicians, New Zealand Jazz Life is a ground-breaking survey of the vibrant local scene. In best jazz style, eight solos - first-person portraits of major musicians - alternate with ensemble passages that enlarge on the key themes: discovering jazz learning to play starting a career living and working as a musician overseas what it means to play black American music in New Zealand the emergence of a New Zealand sound the state of jazz in contemporary New Zealand what jazz in New Zealand needs to go forward New Zealand Jazz Life is essential and inspiring reading for musicians and fans, and a fascinating insight into the opportunities and predicaments encountered by practitioners of any art form in New Zealand. Drawing on 39 interviews with leading New Zealand jazz musicians, New Zealand Jazz Life is a ground-breaking survey of the vibrant local scene Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condizione: new. Paperback. Serious Fun is the vibrant and accessible life story of one of New Zealand's greatest musicians. Mike Nock's childhood in 1940s Ngaruawahia and Nelson, and his adventures as a young teenager on the road with the Fabulous Flamingoes, and Maori rock'n'roll pioneer Johnny Cooper, are the stuff of Kiwi legend. In the magic years of 1958 and 1959, still a teenager, he was in Sydney playing with Australia's best in The El Rocco nightclub, touring with artists of the stature of Coleman Hawkins, and recording his first LP. A Down Beat scholarship to the world's premiere jazz school, Berklee in Boston, brought him gigs with musicians such Sam Rivers and Tony Williams, and eventually long stints with Yusef Lateef, Dionne Warwick and John Handy. Further highlights of Nock's stellar international career included the founding in 1968 of pioneering fusion band The Fourth Way, and the classic ECM album Ondas in 1981. Mike Nock moved back south in the mid 1980s, to teach in the jazz programme at the Sydney Conservatorium, and has continued to extend his playing, composing and recording, working solo and with a wide range of jazz combos and classical ensembles.Norman Meehan, a musician himself, gives us a compelling account of the life of this volatile and creative man through a dramatic period in western culture. His responsive and accessible accounts of Nock's compositions and recordings provide rich insights for musicians and music fans alike. Norman Meehan, a musician himself, gives us a compelling account of the life of this volatile and creative man through a dramatic period in western culture. His responsive and accessible accounts of Nock's compositions and recordings provide rich insights for musicians and music fans alike. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condizione: new. Paperback. Jenny McLeod was the sensation of New Zealand music. Born in 1941, at age five she discovered she could read music fluently. After a childhood in Timaru and Levin, she went on to study music with Douglas Lilburn and Frederick Page at Victoria University College, and in Europe with two imposing figures of mid-twentieth century modernism: Olivier Messiaen and Karlheinz Stockhausen. In 1967 she joined Victoria University's music department and was soon appointed New Zealand's youngest full professor. Two large public works for orchestra and children's choirs - Earth and Sky (1968) and Under the Sun (1971) - were seen by thousands and made her famous. In 1976 her devotion to Maharaj Ji's Divine Light Mission led to her early retirement from the university. However, her retirement from musical life was short-lived, and she was a prolific composer until her death in 2022. As well as many compositions based on Tone Clock Theory, her major works include music for the film The Silent One, song cycles based on poems by Janet Frame, and the opera Hohepa, which premiered at the New Zealand International Arts Festival in 2012. Drawing on his many conversations with Jenny McLeod, as well as her writings, letters and works, Norman Meehan brings the story of this remarkable composer to life. Jenny McLeod was the sensation of New Zealand music. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condizione: new. Paperback. Serious Fun is the vibrant and accessible life story of one of New Zealand's greatest musicians. Mike Nock's childhood in 1940s Ngaruawahia and Nelson, and his adventures as a young teenager on the road with the Fabulous Flamingoes, and Maori rock'n'roll pioneer Johnny Cooper, are the stuff of Kiwi legend. In the magic years of 1958 and 1959, still a teenager, he was in Sydney playing with Australia's best in The El Rocco nightclub, touring with artists of the stature of Coleman Hawkins, and recording his first LP. A Down Beat scholarship to the world's premiere jazz school, Berklee in Boston, brought him gigs with musicians such Sam Rivers and Tony Williams, and eventually long stints with Yusef Lateef, Dionne Warwick and John Handy. Further highlights of Nock's stellar international career included the founding in 1968 of pioneering fusion band The Fourth Way, and the classic ECM album Ondas in 1981. Mike Nock moved back south in the mid 1980s, to teach in the jazz programme at the Sydney Conservatorium, and has continued to extend his playing, composing and recording, working solo and with a wide range of jazz combos and classical ensembles.Norman Meehan, a musician himself, gives us a compelling account of the life of this volatile and creative man through a dramatic period in western culture. His responsive and accessible accounts of Nock's compositions and recordings provide rich insights for musicians and music fans alike. Norman Meehan, a musician himself, gives us a compelling account of the life of this volatile and creative man through a dramatic period in western culture. His responsive and accessible accounts of Nock's compositions and recordings provide rich insights for musicians and music fans alike. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condizione: New. From 1995 to 2006, eight New Zealand composers were invited to give an annual public address at Massey University: John Ritchie, Edwin Carr, David Farquhar, Jack Body, Lyell Cresswell, John Cousins, John Rimmer and Chris Cree Brown. The music of the 'father of New Zealand composition', Douglas Lilburn, formed the subject of a ninth address by pianist Margaret Nielsen. Finding Language collects together all the Massey Composer Addresses for the first time. The addresses show some of our most prominent musical practitioners reflecting, in their own words, upon their creative practices, formative influences, the role of composers in New Zealand society, and other concerns close to their hearts. The results are a fascinating compendium of views on New Zealand art composition in the twentieth century and beyond. Included in Finding Language: The Massey Composer Addresses are the original overviews of each composer's work by series convenor Robert Hoskins, together with new afterwords, bibliographic resources, and an introduction. An essential sourcebook for all students and aficionados of New Zealand art music, as well as those interested in the development of the arts in this country.

Paperback. Condizione: new. Paperback. Jenny McLeod was the sensation of New Zealand music. Born in 1941, at age five she discovered she could read music fluently. After a childhood in Timaru and Levin, she went on to study music with Douglas Lilburn and Frederick Page at Victoria University College, and in Europe with two imposing figures of mid-twentieth century modernism: Olivier Messiaen and Karlheinz Stockhausen. In 1967 she joined Victoria University's music department and was soon appointed New Zealand's youngest full professor. Two large public works for orchestra and children's choirs - Earth and Sky (1968) and Under the Sun (1971) - were seen by thousands and made her famous. In 1976 her devotion to Maharaj Ji's Divine Light Mission led to her early retirement from the university. However, her retirement from musical life was short-lived, and she was a prolific composer until her death in 2022. As well as many compositions based on Tone Clock Theory, her major works include music for the film The Silent One, song cycles based on poems by Janet Frame, and the opera Hohepa, which premiered at the New Zealand International Arts Festival in 2012. Drawing on his many conversations with Jenny McLeod, as well as her writings, letters and works, Norman Meehan brings the story of this remarkable composer to life. Jenny McLeod was the sensation of New Zealand music. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condizione: New. Jenny McLeod was the sensation of New Zealand music.Born in 1941, at age five she discovered she could read music fluently. After a childhood in Timaru and Levin, she went on to study music with Douglas Lilburn and Frederick Page at Victoria University College, and in Europe with two imposing figures of mid-twentieth century modernism: Olivier Messiaen and Karlheinz Stockhausen. In 1967 she joined Victoria University's music department and was soon appointed New Zealand's youngest full professor. Two large public works for orchestra and children's choirs - Earth and Sky (1968) and Under the Sun (1971) - were seen by thousands and made her famous. In 1976 her devotion to Maharaj Ji's Divine Light Mission led to her early retirement from the university. However, her retirement from musical life was short-lived, and she was a prolific composer until her death in 2022. As well as many compositions based on Tone Clock Theory, her major works include music for the film The Silent One, song cycles based on poems by Janet Frame, and the opera Hohepa, which premiered at the New Zealand International Arts Festival in 2012.Drawing on his many conversations with Jenny McLeod, as well as her writings, letters and works, Norman Meehan brings the story of this remarkable composer to life.

Super octavo, illus light card covers, frontispiece, 336pp, illus + DVD in pocket to rear, previous owner's name & inscription to title page, VG+.