EUR 23,00
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Neuf.
Editore: Mardaga, 1985
Da: la petite boutique de bea, Tonnay-charente, Francia
EUR 25,00
Quantità: 1 disponibili
Aggiungi al carrelloCouverture souple. Condizione: Très bon. In 4 carré. 141 pages.
Lingua: Inglese
Editore: Boydell and Brewer Ltd, US, 2017
ISBN 10: 1580465625 ISBN 13: 9781580465625
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 120,95
Quantità: 5 disponibili
Aggiungi al carrelloHardback. Condizione: New. Showcases the energy and diversity of the young field of music semiology, appealing to readers who want to explore the meaning of music in our lives.The Dawn of Music Semiology showcases the work of nine leading musicologists, inspired by the work of Jean-Jacques Nattiez, the founding father of music semiology. Now entering its fifth decade as Nattiez enters his eighth,music semiology, or music semiotics, is still a young, vibrant field, and this book reflects its energy and diversity. It appeals to readers wanting to explore the meaning of music in our lives and to understand the ways of appreciating the complexities that lie behind its simple beauty and direct impact on us. Following a preface by Pierre Boulez and an introduction by the editors, nine chapters discuss the latest thinking about general considerations such as music and gesture, the psychology of music, and the role of ethnotheory. The volume offers new research on topics as diverse as modeling folk polyphony, spatialization in the Darmstadt repertoire, Schenker's theory of musical content, compositional modernism from Wagner to Boulez, current music theory terminology, and Maderna's use of folk music in serial composition. CONTRIBUTORS: Kofi Agawu, Simha Arom, Rossana Dalmonte, Irène Deliège, Jonathan Dunsby, Jonathan Goldman, Nicolas Meeùs, Jean Molino, Arnold Whittall Jonathan Dunsby is Professor of Music Theory at the Eastman School of Music, University of Rochester. Jonathan Goldman is Professor of Musicology at the University of Montreal.
Lingua: Inglese
Editore: Boydell and Brewer Ltd, US, 2017
ISBN 10: 1580465625 ISBN 13: 9781580465625
Da: Rarewaves.com UK, London, Regno Unito
EUR 114,17
Quantità: 5 disponibili
Aggiungi al carrelloHardback. Condizione: New. Showcases the energy and diversity of the young field of music semiology, appealing to readers who want to explore the meaning of music in our lives.The Dawn of Music Semiology showcases the work of nine leading musicologists, inspired by the work of Jean-Jacques Nattiez, the founding father of music semiology. Now entering its fifth decade as Nattiez enters his eighth,music semiology, or music semiotics, is still a young, vibrant field, and this book reflects its energy and diversity. It appeals to readers wanting to explore the meaning of music in our lives and to understand the ways of appreciating the complexities that lie behind its simple beauty and direct impact on us. Following a preface by Pierre Boulez and an introduction by the editors, nine chapters discuss the latest thinking about general considerations such as music and gesture, the psychology of music, and the role of ethnotheory. The volume offers new research on topics as diverse as modeling folk polyphony, spatialization in the Darmstadt repertoire, Schenker's theory of musical content, compositional modernism from Wagner to Boulez, current music theory terminology, and Maderna's use of folk music in serial composition. CONTRIBUTORS: Kofi Agawu, Simha Arom, Rossana Dalmonte, Irène Deliège, Jonathan Dunsby, Jonathan Goldman, Nicolas Meeùs, Jean Molino, Arnold Whittall Jonathan Dunsby is Professor of Music Theory at the Eastman School of Music, University of Rochester. Jonathan Goldman is Professor of Musicology at the University of Montreal.
EUR 12,27
Quantità: 1 disponibili
Aggiungi al carrellopaperback. Condizione: Gut. 170 Seiten; 9782840508540.3 Gewicht in Gramm: 500.
Da: Untje.com, Roeselare, Belgio
EUR 78,40
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Very Good. Condizione sovraccoperta: Not present. 1. French Ce catalogue d?exposition, organisé à Bruxelles au Botanique du 4 décembre 1985 au 1?? janvier 1986, présente les instruments de musique anciens de la Région de Bruxelles et de la Wallonie du XVII? au XX? siècle [exposé par les collections du Musée instrumental du Conservatoire royal de musique de Bruxelles]. Il décrit des instruments à vent, à cordes pincées, frottées ou frappées, des parfais pédagogiques et des ?uvres mécaniques, en examinant leur facture, les ateliers luthiers, les styles historiques et les usages musicaux locaux. Il met en valeur les collections publiques et privées, analyse les innovations techniques, les esthétiques instrumentales, et le rôle des facteurs et musiciens dans le patrimoine musical belge.