Mekas remy patrick ed (2 risultati)

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    Lingua: Inglese

    Editore: Steidl Publishers, 2000

    3882437235 / 9783882437232

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    Da: Moe's Books, Berkeley, CA, U.S.A.Moe's Books

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    Condizione: Usato - Buono

    EUR 82,48

    EUR 5,78 spedizione 
    Spedito in U.S.A.

    Quantità: 1 disponibile

    Hard cover. Condizione: Good. No jacket. Cover corners are lightly bumped and worn. Spine is cracked, but all pages remain attached to binding. Inside is clean and unmarked.

  • Lingua: Inglese

    Editore: Göttingen, Steidl, 2000

    3882437235 / 9783882437232

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    Da: Unterwegs Antiquariat M.-L. Surek-Becker, Berlin, GERMA, GermaniaUnterwegs Antiquariat M.-L. Surek-Becker

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    Condizione: Usato

    EUR 60,50

    EUR 50,00 spedizione 
    Spedito da Germania a U.S.A.

    Quantità: 1 disponibile

    1. edit. 28,5 x 21,5 cm. [174] S. mit sehr zahlr. Abb. Illustr. OPpbd. Film critic and experimental filmmaker Jonas Mekas has been a central figure in the New York avant-garde almost since arriving there from Lithuania soon after the end of World War II. He documented and was associated with the Fluxus movement, Warhol's Factory, and the Living Theater, and as the founder of the Filmmaker's Co-Op and Anthology Film Archives he has been a tireless and essential advocate of avant-garde film and performance. During all this time he has never been without his Bolex camera, which he has used to write a long, intimate film from which the photograms in Just Like a Shadow were extracted. As Mekas himself sees it: "The cinema is nothing but a photogram, one single photogram!" And indeed the cinematic quality of this collection is unmistakable. Journeying through Mekas' story, we encounter a great many of Mekas' fascinating friends, such as Andy Warhol, Nam June Paik, Robert Frank, the Kennedy family, Salvador Dali, Yoko Ono and John Lennon, Nico, Gerard Malanga, Allen Ginsberg, Henri Langlois, Stan Brakhage, Jack Kerouac, Lou Reed, Miles Davis, and many others, witnessing all those moments, happy or not, which he captured with his camera and his irreverent eye. (Editor's text).…