Mel klein (18 risultati)

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condizione: New.

Paperback. Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

DVD. Condizione: Used - Good.

DVD. Condizione: Used - Good.

Condizione: Gut. Erstauflage / First publication. Bll. + 448 S. inkl. Anhang mit u.a. Designers, Manufacturers a. Index, u. mit zahlr. farb. Abb. von Tische, Stühle, Sesseln, Leuchter u. a. Objekte der 80er u. 90er Jahre, u. s/w. Umrisse-Zeichnungen. Papier sauber nur minimal nach- od. randvergilbt. +++++ Bestellungen, die zwischen Donnerstag, dem 8. Oktober, und Sonntag, dem 11. Oktober, aufgegeben werden, werden am Montag, dem 11. Oktober, bearbeitet und versandt. Orders placed from Thursday, Oct. 8 to Sunday, Oct. 11 will be processed and shipped on Monday, Oct. 11. +++++ Sprache: Englisch Gewicht in Gramm: 2045 4°, O(Azurblau)-GanzKarton/Lnw. mit schwarzgepr.-Rückentitel (Einband unten leicht bestossen - Hinterdeckel mit 1 kl. lädierte Druckstelle), u. mit OIll.-Umschlag (Umschlag mit kl. Gebrauchsspuren und etwas nach- oder randvergilbt). Gut erhalten insges. aber nicht perfekt. …

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Buch. Condizione: Neu. Neuware - Everyday wisdom is everywhere, if you know how to listen.In Lessons With Lambo, a boy and his dog turn ordinary moments into unexpected lessons about growth, resilience, relationships, curiosity, joy, and love. Through playful conversations, surprising arguments, and the occasional piece of questionable dog logic, B and Lambo discover that some of life's best lessons are hiding in plain sight.Each chapter stands on its own, so you can read one whenever you need a little wisdom, a little laughter, or just a reminder to keep moving forward.And once you get a taste, you'll just want to keep biting.…

SOFTCOVER. Condizione: Fine. 1st Edition. Large landscape 4to. in colour printed stiff glossy card covers, unpaginated, approx. 60pp on thick glossy art paper, colour plates, etc . [CONDITION: A well preserved almost AS NEW unmarked copy (minute speck of shelf rub to cover corner tips) ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Paperback. Condizione: new. Paperback. Written in the style of Bernard Malamud, the ten stories in this collection are distinctive and cover a wide range of human drama. They include: a nostalgic coming-of-age tale set in the '50s; a shoe store owner who saves an illegal alien to repay a family debt; a cynical politician with a dark secret; a wrongfully convicted boxer's comeback fight; a steamy story with two twists at the very end that change everything twice; a life in descent after the death of a child; an X-rated New York art show; a riches to rags story with an uplifting ending set in Silicon Valley; a hilarious short-short story of a man's plan to spite his overbearing mother in law; and the title piece, a tragic mysterious love story set in the midst of a revolution. _______________ (Wet Shoes excerpt) The wind had shifted earlier in the afternoon, and now blew from the north, carrying with it sleet and fine dust particles that etched any exposed skin. The sidewalk was crowded. People, slowed down by icy patches, pushed their way to the subway entrance and shelter from the bitter cold. Their heads bowed to shield their faces, coats pulled tight and scarves wound around their necks, they shoved their gloved hands in their coat pockets and leaned into the wind. They were headed to their drafty apartments in Brooklyn, their tiny houses in Queens, their waterfront condos in Jersey City, yearning for respite from the wind and the cold and the sleet. A thermometer on a bank building read seventeen degrees, but they did not see it because that would have required raising their heads from their bosoms. The subway steps were treacherous; they juggled briefcases and purses and shopping bags and packages to free up their right hands to grasp the freezing iron handrail. The warm air pumped forward by trains rushing through the tunnels sent drafts up the stairwell thawing them as they descended. Consuela stood in the doorway of a shoe store, sheltered from the sleet, partly out of the wind but not of the cold. Her cotton blouse had short sleeves. She wore a red zippered nylon warm-up jacket that a Spanish- speaking restroom attendant at the library had given her from the lost and found box. On her head she wore a kerchief she'd bought in Guadalajara years ago. Her cotton skirt was soaking wet and frozen in places. She had no stockings. On her feet were green Keds high top sneakers at least two sizes too large, caked with ice, that she had bought in the Saint Vincent DePaul thrift store for a dollar after her sandals had disintegrated. Consuela watched as the people walked past; no one looked up at her. ______________ (Nu Yu excerpt) Sarah Kessner knew brassieres. Since she was fourteen years old she had sat at a sewing machine stitching together the cups that shaped the bosoms of other women, women she sometimes pictured in her mind. The factory occupied a converted apartment house on Livonia Avenue under the IRT elevated New Lots line, but Sarah rarely heard the trains passing overhead because the train noise was drowned out by the sixty- eight sewing machines on the second floor of Nu-Yu Foundations. The girls in the cutting room on the third floor listened to the radio between trains, but in the sewing room that was impossible. So for nine hours a day, with thirty minutes for lunch and two ten minute breaks, Sarah occupied her head with her own variations on the stories she read in the Yiddish newspaper riding the same IRT train home. _____________ (Fazoozle excerpt) "How do you know it's a grandson? There's a fifty-fifty chance it's a girl." "If it's a girl you'll call her Bess." "Why should I name my daughter after your mother?" "Because she's a dead relative." "What about Dad's parents? They're dead." "They're not relatives." "They're my relatives. You divorced Daddy, I didn't." "My mother doesn't have anybody else to carry her name." "We'll se Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Condizione: New. Print on Demand.

Hardcover. Condizione: New.

597 pp.; 28.7 x 21.5 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Fondazione Prada, ca'' Corner della Regina, Venice, Italy, June 1 ? November 3, 2013. Exhibition was based on the original 1969 show--"Live in Your Head : When Attitudes Become Form : Works, Concepts, Processes, Situations, Information / wenn Attitüden Form werden : Werke, Konzepte, Vorgänge, Situationen, Information / quand les attitudes deviennent forme : oeuvres, concepts, processus, situations, information / quando attitudini diventano forma : opere, concetti, processi, situazioni, informazione"--held at Kunsthalle Bern, Bern, Switzerland, March 22 - April 27, 1969, curated by Harold Szeemann. The 2013 exhibition, curated by Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, was a physical reconstruction of the original show transported to a palazzo in Venice. This 2023 catalogue includes texts by Germano Celant, Dieter Roelstraete, Claire Bishop, Piere Bal-Blanc, Francesco Stocchi, Boris Groys, Mary Anne Staniszewski, Charles Esche, Christian Rattemeyer, Anne Rorimer, Jens Hoffmann, Benjamin H.D. Buchloh, Gwen L. Allen, Chus Martínez, Terry Smith, Jan Verwoert, and Glenn Phillips. Artists include Carl Andre, Giovanni Anselmo, Richard Artschwager, Thomas Bang, Jared Bark, Robert Barry, Joseph Beuys, Mel Bochner, Alighiero Boetti, Marinus Boezem, Bill Bollinger, Michael Buthe, Pier Paolo Calzolari, Paul Cotton, Hanne Darboven, Walter de Maria, Jan Dibbets, Ger van Elk, Rafael Ferrer, Barry Flanagan, Ted Glass, Hans Haacke, Michael Heizer, Eva Hesse, Douglas Huebler, Paolo Icaro, Alain Jacquet, Neil Jenney, Stephen Kaltenbach, Jo Ann Kaplan, Edward Kienholz, Yves Klein, Joseph Kosuth, Jannis Kounellis, Gary B. Kuehn, Sol LeWitt, Bernd Lohaus, Richard Long, Roelof Louw, Bruce McLean, David Medalla, Mario Merz, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Panamarenko, Pino Pascali, Paul Pechter, Michelangelo Pistoletto, Emilio Prini, Markus Raetz, Allen Ruppersberg, Reiner Ruthenbeck, Robert Ryman, Frederick Lane Sandback, Alan Saret, Sarkis, Jean-Frederic Schnyder, Richard Serra, Robert Smithson, Keith Sonnier, Richard Tuttle, Frank Lincoln Viner, Franz Erhard Walther, William Wegman, Lawrence Weiner, William T. Wiley, Gilberto Zorio, and an interview with Germano Celant. Includes a "Register" (list of works, documents, and objects related to both exhibitions) and a selected bibliography. NEW. As issued in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.…

Paperback. Condizione: Brand New. 256 pages. 9.00x6.00x0.64 inches. This item is printed on demand.

248 pp.; 27.5 x 23 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 22, 1989 - February 18, 1990. Preface by Suzanne Pagé. Essays by Claude Gintz, Benjamin H.D. Buchloh, Charles Harrison, Gabriele Guercio, and Seth Siegelaub. Includes bibliography. Illustrated in black-and-white. First edition includes text, in English, by Joseph Kosuth in response to Buchloh's essay printed on sticker and affixed to page 54. Artists include: Art & Language, Michael Asher, John Baldessari, Robert Barry, Mel Bochner, Alighiero e Boetti, Marcel Broodthaers, Stanley Brouwn, Daniel Buren, Victor Burgin, Andre Cadere, Hanne Darboven, Jan Dibbets, Marcel Duchamp, Dan Flavin, Dan Graham, Hans Haacke, Eva Hesse, Douglas Huebler, Jasper Johns, On Kawara, Yves Klein, Joseph Kosuth, Sol LeWitt, Piero Manzoni, Robert Morris, Bruce Nauman, Claes Oldenburg, Roman Opalka, Adrian Piper, Robert Rauschenberg, Edward Ruscha, Robert Smithson, Bernar Venet, Lawrence Weiner, Ian Wilson, and Art & Project. Texts in English and French. Good. Bumping of corners and cover edges with adjacent creasing. Yellowing and dust soiling of covers with additional 4.2 cm. area of soiling to verso. Light bumping of page corners. Contents clean and unmarked. Includes "compliments of" card from the Musée d'Art Moderne de la Ville de Paris, in French. This copy includes the tipped-in text by Joseph Kosuth, "Joseph Kosuth Responds to Benjamin Buchloh" [in English], affixed to page 54. Due to large size and weight additional shipping charges will be required for international orders.…

dvd. Condizione: Sehr gut. Auflage: Standard Version. Altersfreigabe FSK ab 16 Jahre Wir verkaufen nur, was wir auch selbst lesen würden. Sprache: Deutsch Gewicht in Gramm: 79.

Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.