mesch claudia (96 risultati)

Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condizione: Fine. Connecting readers with great books since 1972! May contain remainder marks. We ship orders daily and Customer Service is our top priority!

Paperback. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condizione: Near Fine. 334 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. No remainder mark.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Condizione: good. Signs of wear and consistent use.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condizione: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.

Condizione: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condizione: New. Brand New.

Paperback. Condizione: New. Joseph Beuys is arguably the most important and most controversial German artist of the late twentieth century, not least because his persona is interwoven with Germany's fascist past. This book illuminates two defining threads in Beuys's life and art: the centrality of trauma, and his sustained investigation of the very notion of art itself.In addition to the materials of fat and felt that Beuys used widely in his oeuvre, numerous Beuys artworks are autobiogra­ph­ical in content. His self-woven legend of rescue and redemption still strikes many as a highly inappropriate fantasy, or even an outright lie, located as it is in the harrowing context of the Second World War as it was lived by a German soldier or 'Nazi'. Nevertheless, Beuys's self-mythology confronted the post-traumatic, foregrounding his struggle for psychic recovery. Perhaps most importantly, this led to his major efforts to expand Western art, freeing artists after him to work in a thoroughly interdisciplinary way and toembrace anthropological conclusions about art and culture. Beuys's lived experience determined a consistent commitment to peaceful change and positive transformation not only through his work, but in the discussions and institutions he initiated. His notion of activism-as-art has not only become a widespread practice, but is predominant in contemporary art of the twenty-first century.Exploring Beuys's expansive conception of art and following him into the realms of science, politics and spirituality, this book, in contrast to many other accounts of Beuys's life, attributes extraordinary importance to his own myth-making as a positive force in the post-war confrontation of Germany's past.

paperback. Condizione: Good. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Condizione: Como nuevo. : Este libro, 'Arte y Política: Una breve historia del arte para el cambio social desde 1945', explora la intersección entre el arte y la política desde la posguerra. Analiza cómo los artistas han utilizado su trabajo para interactuar con movimientos políticos y sociales importantes, abarcando temas como el poscolonialismo, el feminismo, el movimiento contra la guerra, el ecologismo, los derechos de los homosexuales y la antiglobalización. A través de estudios de caso, el libro ofrece una visión general de este complejo tema, desafiando a los lectores a considerar obras de arte políticas a menudo devaluadas como parte integral de la historia del arte moderno y contemporáneo. EAN: 9781848851108 Tipo: Libros Categoría: Arte y Cultura|Historia Título: Art and Politics Autor: Claudia Mesch Editorial: I.B. Tauris Idioma: en Páginas: 256 Formato: tapa blanda.

Paperback. Condizione: New. Joseph Beuys is arguably the most important and most controversial German artist of the late twentieth century, not least because his persona is interwoven with Germany's fascist past. This book illuminates two defining threads in Beuys's life and art: the centrality of trauma, and his sustained investigation of the very notion of art itself.In addition to the materials of fat and felt that Beuys used widely in his oeuvre, numerous Beuys artworks are autobiogra­ph­ical in content. His self-woven legend of rescue and redemption still strikes many as a highly inappropriate fantasy, or even an outright lie, located as it is in the harrowing context of the Second World War as it was lived by a German soldier or 'Nazi'. Nevertheless, Beuys's self-mythology confronted the post-traumatic, foregrounding his struggle for psychic recovery. Perhaps most importantly, this led to his major efforts to expand Western art, freeing artists after him to work in a thoroughly interdisciplinary way and toembrace anthropological conclusions about art and culture. Beuys's lived experience determined a consistent commitment to peaceful change and positive transformation not only through his work, but in the discussions and institutions he initiated. His notion of activism-as-art has not only become a widespread practice, but is predominant in contemporary art of the twenty-first century.Exploring Beuys's expansive conception of art and following him into the realms of science, politics and spirituality, this book, in contrast to many other accounts of Beuys's life, attributes extraordinary importance to his own myth-making as a positive force in the post-war confrontation of Germany's past.

Paperback. Condizione: New. Essential texts on a legendary twentieth-century artist, including key essays by Benjamin H. D. Buchloh, Rosalind Krauss, Peter Bürger, Thierry de Duve, and others. Twentieth-century artist Joseph Beuys (1921-1986)â"legendary and self-mythologizing, enigmatic and controversialâ"remains an important influence on artists today. Beuys embraced radically democratic artistic and political ideas, proclaiming âEveryone is an artist,â and advocating direct democracy through referenda. He famously worked with such nontraditional materials as felt, fat, and plants and animals both alive and dead. Beuys and his workâ"performance art, drawing, painting, sculpture, installationâ"received perhaps the most contentious reception of any postwar artist. This reader brings together the crucial writings on Beuys and his work, presenting key essays by prominent artists and critics from North America and Europe. With a foreword by Arthur C. Danto, âStyle and Salvation in the Art of Beuys,â Benjamin H. D. Buchloh's now classic 1980 essay, âBeuys, Twilight of the Idol,â and influential texts by Vera Frenkel, Thierry de Duve, Rosalind Krauss, Peter Bürger, Irit Rogoff, and others, Joseph Beuys: The Reader is the most significant gathering of critical texts on this challenging artist that has ever been assembled. It will be essential reading for any student of Beuys and for all those interested in postwar art, the cult of the artist, and art's engagement with politics and society. Contributors Joseph Beuys, Eugen Blume, Benjamin H. D. Buchloh, Peter Bürger, Jean-François Chevrier, Catherine David, Thierry de Duve, Vera Frenkel, Stefan Germer, Rosalind Krauss, Barbara Lange, Dirk Luckow, Claudia Mesch, Viola Michely, Irit Rogoff, Gregory Ulmer, Theodora Vischer, Antje von Graevenitz, Dorothea Zwirner.

Paperback. Condizione: new. Paperback. Joseph Beuys is arguably the most important and most controversial German artist of the late twentieth century, not least because his persona is interwoven with Germany's fascist past. This book illuminates two defining threads in Beuys's life and art: the centrality of trauma, and his sustained investigation of the very notion of art itself. Joseph Beuys is arguably the most important and most controversial German artist of the late twentieth century, not least because his persona is interwoven with Germany's fascist past. This book illuminates two defining threads in Beuys's life and art: the centrality of trauma, and his sustained investigation of the very notion of art itself. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: Fine. 1st. xviii, 334 pages, illustrations; 24 cm. Additional translation by Nickolas Decarlo, Kayvan Rouhani and Heidi Zimmerman. Tight, clean copy. *** "Joseph Beuys is one of the most legendary figures of 20th century art and his work and ideas continue to impact on artists today. This reader brings together the crucial texts on Beuys to look at the most contentious reception ever accorded a postwar artist." - Publisher. *** CONTENTS: List of Illustrations; Acknowledgements; Foreword: Style and Salvation in the Art of Beuys; Editors' Introduction; I; BEUYS AND HIS 'CHALLENGERS'; 1. Breaking the Silence: Joseph Beuys on his 'Challenger', Marcel Duchamp (1995); 2. Beuys, Haacke, Broodthaers (1988); 3: Beuys and Broodthaers: Dialectics of Modernity between 'Analytic Geometry and the Belief in an Unbelieving God' (2001); 4. Letters as Works of Art: Beuys and James Lee Byars (2000, excerpt); II: CRITICS' PERSPECTIVES: 5. Beuys: The Twilight of the Idol (1980); 6. Discontinuous Notes on and after a Meeting of Critics, by One of the Artists Present (1981, excerpt); 7. Joseph Beuys, or the Last of the Proletarians (1988); III: BEUYS AND THE LIMITS OF ICONOGRAPHY: 8. Beuys and Romanticism (1986, excerpt); 9. No to. Joseph Beuys (1997); IV: BEUYS, ART AND POLITICS; 10. 'Questions? You have Questions?' Joseph Beuys' Artistic Self-Presentation in Fat Transformation Piece/Four Blackboards, 1972 (1996); 11. Every Man an Artist: Talks at Documenta V by Joseph Beuys (1972, excerpt); 12. Institutionalizing Social Sculpture: Beuys' Office for Direct Democracy through Referendum Installation, 1972 (1997, excerpt);13. U berblick Series on the Parliamentary Election (1983, excerpt); V. BEUYS AND POSTMODERNISM; 14. Performance: Joseph Beuys (1985, excerpt); 15. In the Shadow of Joseph Beuys: Remarks on the Subject of Art and Philosophy Today (1987); 16. Letter to Jean-Franc ois Chevrier (1997, excerpt); 17. The Aesthetics of Post-History: A German Perspective (1995, excerpts); VI: ISSUES OF RECEPTION: 18. The Reception of Joseph Beuys in the USA, and Some of its Cultural/Political and Artistic Assumptions (1998, excerpt); 19. Joseph Beuys and the GDR: The Individual as Political (1992); 20. Joseph Beuys and Surrealism (1997) Roundtable; Appendix: Key Dates and Exhibitions; Index. Size: 8vo.

paperback. Condizione: fine. Beuys, Joseph (illustratore). Foreword by Arthur C. Danto. xviii + 334 pages, 8vo, printed wrappers. New York: W.B. Tauris & Co., (2007). Bookseller label on rear cover, else a fine copy.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: NEW.

Paperback. Condizione: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Softcover, 334 pages; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

8vo, 1526pp, illustrated. As new paperback copy.

1. Auflage. 352 Seiten. OBr., Groß-Oktav, XVIII S. / 334 S.; Strich auf Unterschnitt, sonst sehr gut erhaltenes Exemplar. Softcover.