Meyer russ director (35 risultati)

Editore: U.S.A.: Paramount Pictures; Winchester Film Productions; Nat. Screen Service., 1965
- Manoscritto/carta da collezione
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.Wittenborn Art Books
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Aggiungi al carrelloCondizione: Good. Two color prints. 8 x 10".

Editore: U.S.A.: Universal Pictures, Nat. Screen Service., 1967
- Manoscritto/carta da collezione
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.Wittenborn Art Books
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Aggiungi al carrelloCondizione: Good. Two black & white photo prints. 8 x 10". Movie stills featuring Debbie Watson, Frank McGrath. Printed in U.S.A. Very good.

Editore: U.S.A.: Goldstone Film Ent., Nat. Screen Service., 1967
- Manoscritto/carta da collezione
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.Wittenborn Art Books
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Aggiungi al carrelloCondizione: Good. Three black & white photo prints. 8 x 10". Movie stills featuring Stanley Baker, Mai Zetterling, Peter Cushing. Printed in U.S.A. Very good.

Editore: U.S.A.: Famous Players Corp., Nat. Screen Service., 1965
- Manoscritto/carta da collezione
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.Wittenborn Art Books
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Aggiungi al carrelloCondizione: Good. Four black & white photo prints. 8 x 10". Movie stills featuring Miriam Hopkins, Walter Giller, Alex D'Arcy. Printed in U.S.A. Very good.

Vixen (Original British photograph from the 1968 film)
Russ Meyer (director, producer); Robert Rudelson (screenwriter); Erica Gavin, Garth Pillsbury, Harrison Page, Jon Evans (starring)
Editore: Eve Productions Cinecenta, Middlesex, England, 1969
- Foto
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
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Aggiungi al carrelloVintage black-and-white double weight British still photograph from the 1968 US film. Rubber stamp on the verso of COLTMAN DISPLAYS LTD, a distributor in Middlesex, England. "Vixen!" was one of Meyer's best, sleaziest, and most commercially successful films, made at the peak of his independent productions (after "Faster Pussycat…! Kill! Kill!" in 1965 and before "Beyond the Valley of the Dolls" in 1970). What is less well known is that this film, by way of Ms. Gavin, marked a breakthrough in the onscreen portrayal of women in terms of sexual aggression, using the then-new platform of late 1960s American independent cinema and the aftermath of the Summer of Love as a canvas. Gavin's titular character is a married woman whose sexual boundaries are none, but instead of being a typical sex romp, the film heads off into areas that can be reasonably described as unexplored by sexploitation films, including communism, race relations, political debate, and terrorist activity. But also present in the film are many of the genre's more familiar themes (breast size, incest, nonstop sexual activity) and a generous dose of humor. 8 x 10 inches. Very Good plus, with edge creasing and a single short tear.

Lorna (Original photograph from the 1964 film)
Russ Meyer (director); James Griffith (screenwriter); Lorna Maitland, Mark Bradley, James Rucker, Hal Hopper (starring)
Editore: Eve Productions, N.p., 1964
- Foto
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
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Aggiungi al carrelloVintage studio still photograph from the 1964 sexploitation film. The first of Russ Meyer's "noir" cycle (1964-1965), sexploitation films shot in black-and-white, featuring powerful psycho-sexual female characters, male impotence, and a serious dramatic plot, involving less of the "nudie" filmmaking style so prominent in the dir…ector's early films. "Lorna," a voluptuous, sexually unfulfilled newlywed, becomes sexually awakened after being raped by an escaped convict while she is skinny-dipping in a river, and proceeds to invite the convict into her home while her husband is out working in the salt mines. 10 x 8 inches. Near Fine.

Europe in the Raw (Original photograph from the 1963 film)
Russ Meyer (director, screenwriter); Veronique Gabriel, Gigi La Touche, Abundavita (starring)
Editore: Eve Productions, N.p., 1963
- Foto
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
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Aggiungi al carrelloVintage studio still photograph from the 1963 film. Famed director Russ Meyer's documentary about the underground world of sex work in Europe. According to film critic Roger Ebert's article "Russ Meyer: King of the Nudies," published in the Jan/Feb 1973 issue of "Film Comment," Meyer "concealed a 16-mm camera in a suitcase and g…ot footage in the red-light districts of Paris, Amsterdam, and elsewhere." 8 x 10 inches. Near Fine.

Editore: Pad-Ram Enterprises, Hollywood, 1961
- Brossura
- Manoscritto/carta da collezione
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
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Aggiungi al carrelloVintage pressbook for the 1961 film. With his fourth feature, a 68-minute quickie, Russ Meyer continued to market the "nudie" film genre he basically invented in 1959 with his first film, "The Immoral Mr. Teas." He also continues to advertise the "French" sensibility ("bon vivant") of his films-once described as "a narrated Play…boy magazine," with no real plot per se, just lots of buxom women shedding their clothing at every opportunity. One leaf, bi-fold. 8.5 x 11 inches. Near Fine.
Altre immaginiThe Seven Minutes (Original screenplay for the 1971 film)
Russ Meyer (director); Marianne McAndrew, Philip Carey, Wayne Maunder, Charles Napier (starring); Richard Warren Lewis, Manny Diez (screenwriters)
Editore: Twentieth Century-Fox, Los Angeles, 1970
- Brossura
- Manoscritto/carta da collezione
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Aggiungi al carrelloRevised Final script for the 1971 film. Based on the 1969 novel by Irving Wallace, about an unassuming bookstore clerk who is pulled into a highly publicized pornography trial. Red titled Twentieth Century-Fox wrappers, dated August 19, 1970, noted as copy No. 179 and REVISED FINAL on the front wrapper. Title page present, dated… August 19, 1970, noted as REVISED FINAL, with credits for screenwriters Richard Warren Lewis and Manny Diez, director Russ Meyer, and novelist Irving Wallace. 195 leaves, with last page of text numbered 190. Xerographic duplication on eye-rest green stock, rectos only, with blue revision pages throughout, dated 8/31/70 and 9/14/70. Pages Near Fine, wrapper Very Good plus, slightly yapped, bound internally with three gold brads.
Altre immaginiEditore: P.A. DeCenzie, Oakland, 1952
- Brossura
- Manoscritto/carta da collezione
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
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Aggiungi al carrelloVintage program for the 1952 short documentary film. Rare. A very early, 40-minute effort by sexploitation auteur Russ Meyer, presenting a burlesque show at the El Rey Theater in Oakland, California. Meyer served as director, editor, and cameraman on the film. Currently considered lost. 11 x 8.5 inches, saddle stapled. 18 leaves…, printed on rectos and versos. About Near Fine, with some light rubbing and creasing to the wrappers, and brief silverfish damage to the fore-edges.
Altre immaginiVixen (Two original photographs from the 1968 film)
Russ Meyer (director, producer); Robert Rudelson (screenwriter); Erica Gavin, Garth Pillsbury, Harrison Page, Jon Evans (starring)
Editore: Eve Productions, California, 1968
- Foto
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
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Aggiungi al carrelloTwo vintage black-and-white still photographs from the 1968 film. Seen in the stills is Erica Gavin (Vixen) and Jon Evans (Judd), and a split image with Erica Gavin and Harrison Page (Niles), the duo responsible for the film's thick racial tensions. "Vixen!" was one of Meyer's best, sleaziest, and most commercially successful fi…lms, made at the peak of his independent productions (after "Faster Pussycat! Kill! Kill!" in 1965 and before "Beyond the Valley of the Dolls" in 1970). What is less well known is that this film, by way of Ms. Gavin, marked a breakthrough in the onscreen portrayal of women in terms of sexual aggression, using the then-new platform of late 1960s American independent cinema and the aftermath of the Summer of Love as a canvas. Gavin's titular character is a married woman whose sexual boundaries are none, but instead of being a typical sex romp, the film heads off into areas that can be reasonably described as unexplored by sexploitation films, including communism, race relations, political debate, and terrorist activity. But also present in the film are many of the genre's more familiar themes (breast size, incest, nonstop sexual activity) and a generous dose of humor. 8 x 10 inches. One still with a faint tape ghost and two short tears, else Near Fine overall.
Altre immaginiThe Immoral Mr. Teas [Steam Heat] (Two original photographs from the 1959 film)
Russ Meyer (director, screenwriter); Bill Teas, Ann Peters, Enrico Banducci, Marilyn Wesley (starring)
Editore: N.p., N.p., 1959
- Foto
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
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Aggiungi al carrelloTwo vintage studio still photographs from the 1959 film, one photograph under the original release title "Steam Heat." Director Russ Meyer's first commercially successful film. Shot without sound, with a voice-over narration and a musical theme added, and noted for extensive female nudity. Mr. Teas is a door to door salesman sel…ling dentists' appliances who seems to encounter buxom nude women everywhere he goes. Set in and shot on location in Los Angeles and Malibu, California. 8 x 10 inches. Very Good plus, one with faint creasing, light edgewear, and four pinholes, and one with light edgewear, a half inch closed tear to the upper right side, and a small chip in the bottom margin.

Supervixens [Super Vixens] (Original photograph from the 1975 film)
Russ Meyer (director, screenwriter); Shari Eubank, Charles Napier, Uschi Digard (starring)
Editore: N.p., N.p., 1975
- Foto
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
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Aggiungi al carrelloVintage reference photograph from the 1975 film, showing actress Shari Eubank. After his wife is murdered, a gas station attendant at a remote desert station finds himself sexually pursued by several different (but equally buxom) women. Shot on location in New Mexico, Arizona, and California. 10 x 8 inches. Very Good plus, light…ly toned on the right edge.

Beyond the Valley of the Dolls (Original photograph of Erica Gavin and a model from the 1970 film)
Russ Meyer (director, screenwriter); Roger Ebert (screenwriter); Erica Gavin, Cynthia Myers, Dolly Read, Marcia McBroom, John Lazar (starring)
Editore: N.p., N.p., 1975
- Foto
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
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Aggiungi al carrelloVintage oversize borderless reference photograph from the set of the 1970 film, showing actresses Erica Gavin and an uncredited model, with cinematographer Fred J. Koenekamp behind the camera at the far left. With the film's French 1975 release title, "Orgissimo" at the bottom right. After nearly a decade as one of America's mos…t successful independent filmmakers, sexploitation auteur Russ Meyer first reached out for the brass ring of major studio success with this frantic and most entertaining cult favorite, once described by Meyer and screenwriter Roger Ebert as "the first exploitation-horror-camp-musical." The film follows three members of an all-girl rock band called The Kelly Affair who relocate to Hollywood in search of fame and fortune. Their success comes at the price of their friendship and integrity, however, and the girls eventually succumb to a nonstop train of decadence, drugs, and betrayal. Featuring one-hit wonders the Strawberry Alarm Clock, supporting performances by Meyer regulars Charles Napier and Haji, and a bit part from future Blaxploitation icon Pam Grier, "Beyond the Valley of the Dolls" proved to be Meyer's biggest box-office success. Set and shot on location in Hollywood. 12 x 9.5 inches. Near Fine, with light wear to the corners. Criterion Collection 836.

Beyond the Valley of the Dolls (Original photograph from the 1970 film)
Russ Meyer (director, story); Roger Ebert (screenwriter); Dolly Read, Cynthia Myers, Marcia McBroom (starring)
Editore: Twentieth Century-Fox, Los Angeles, 1970
- Foto
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
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Aggiungi al carrelloVintage studio still photograph of Edy Williams and David Gurian from the 1970 film. Based on an original story by Roger Ebert, who also helped write the screenplay. Three girls come to Hollywood to make it big with their rock band, "The Kelly Affair," stopping first to visit Kelly MacNamara's (1966 Playboy Playmate, Dolly Read)… estranged aunt. Kelly's aunt introduces the band, comprised of Kelly (Read), Casey Anderson (1968 Playboy Playmate, Cynthia Myers), and Petronella Danforth (Marcia McBroom), to a flamboyant producer named Ronnie "Z-Man" Barzell (John LaZar), who changes their name to "The Carrie Nations" and has them perform at one of his orgiastic parties after a set by Strawberry Alarm Clock. Throughout the success of the new band, the girls use drugs and alcohol, attempt to maintain romantic relationships (even a lesbian tryst with Erica Gavin, director Meyer's "Vixen"), and find "Z-Man" to be a murderous transsexual. The film proved to be sexploitation and exploitation to its psychedelic limits at the time, was Meyer's biggest box-office draw to date, and gave the director a new audience: mainstream filmgoers in mainstream cinemas. Originally intended as a sequel to "Valley of the Dolls" (1967), with an original screenplay by Jacqueline Susann, Twentieth Century-Fox found the script unsatisfactory and sought new material. The film was released, as part of a settlement with Susann, with the disclaimer "This is not a sequel to VALLEY OF THE DOLLS." One of few X-rated films released by Twentieth Century-Fox, another being "Myra Breckenridge" (1970). Pam Grier got her start in this film, as an uncredited party attendant. Meyer regulars like Charles Napier, Lavelle Roby, and Haji, all make appearances. Set in Los Angeles. 8 x 10 inches. CONDITION. Criterion Collection 836. Meyer US.
Altre immaginiEditore: N.p., N.p., 1970
- Foto
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
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Aggiungi al carrelloVintage photograph of director Russ Meyer in 1970 on the set of the 1970 film. Date stamp and stamp of "The Inquirer" newspaper on the verso, along with newspaper clippings and annotations in manuscript ink and pencil. Meyer is best known for his campy, satirical sexploitation films, including "Faster, Pussycat! Kill! Kill!" (19…65) and "Beyond the Valley of the Dolls" (1970). 8 x 10 inches. Very Good plus.
Altre immaginiBeyond the Valley of the Dolls (Original photograph from the 1970 film)
Russ Meyer (director, screenwriter); Roger Ebert (screenwriter); Erica Gavin, Cynthia Myers, Dolly Read, Marcia McBroom, John Lazar (starring)
Editore: N.p., N.p., 1970
- Foto
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
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Aggiungi al carrelloVintage reference photograph from the 1970 film, showing actors Cynthia Myers and Erica Gavin. Dealer label adhered to the verso. After nearly a decade as one of America's most successful independent filmmakers, sexploitation auteur Russ Meyer first reached out for the brass ring of major studio success with this frantic and mos…t entertaining cult favorite, once described by Meyer and screenwriter Roger Ebert as "the first exploitation-horror-camp-musical." The film follows three members of an all-girl rock band called The Kelly Affair who relocate to Hollywood in search of fame and fortune. Their success comes at the price of their friendship and integrity, however, and the girls eventually succumb to a nonstop train of decadence, drugs, and betrayal. Featuring one-hit wonders the Strawberry Alarm Clock, supporting performances by Meyer regulars Charles Napier and Haji, and a bit part from future Blaxploitation icon Pam Grier, the film proved to be Meyer's biggest box-office success. Set and shot on location in Hollywood. 10 x 8 inches. Near Fine. Criterion Collection 836.
Altre immaginiThe Seven Minutes (Original photograph of Russ Meyer and Charles Napier on the set of the 1971 film)
Russ Meyer (director); Marianne McAndrew, Philip Carey, Wayne Maunder, Charles Napier (starring); Richard Warren Lewis, Manny Diez (screenwriters)
Editore: N.p., N.p., 1971
- Foto
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
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Aggiungi al carrelloVintage reference photograph of director Russ Meyer and actor Charles Napier looking through Irving Wallace's 1969 source novel on the set of the 1971 film. Provenance label on the verso. Based on the 1969 novel by Irving Wallace, about an unassuming bookstore clerk who is pulled into a highly publicized pornography trial. 8 x 1…0 inches. Near Fine.

Russ Meyer's Lorna [Lorna] (Original program from the 1964 film)
Russ Meyer (director, story); James Griffith (screenwriter); Lorna Maitland, Mark Bradley, James Rucker, Hal Hopper (starring)
Editore: Art Theatre Guild / Eve Productions, California, 1964
- Manoscritto/carta da collezione
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
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Aggiungi al carrelloOriginal black-and-white program for the 1964 film, printed for the Art Theatre Guild. The Art Theatre Guild (ATG) began in 1961 as an independent agency distributing films (mostly Japanese) rejected by major studios. The company operated until the 1980s, with theaters in Arizona, California, Colorado, Illinois, Kentucky, Massac…husetts, Missouri, New Mexico, Ohio, and Tennessee. The first of Meyer's "noir" cycle (1964-1965), or "Gothic" period as Meyer puts it, a series of sexploitation films shot in black-and-white, powerful psycho-sexual female characters, male impotence, and a serious dramatic plot involving less of the "nudie" filmmaking style so prominent in the director's early films. Other films in his "Gothic" period include "Mudhoney" (1965), "Motorpsycho!" (1965), and the epic and legendary, "Faster, Pussycat! Kill! Kill! " (1965). "Fanny Hill" (1964) snuck in right after "Lorna," although that film is generally left out of the "Gothic" period. "Lorna" was written by James Griffith, who stars as the Preacher narrator of the film, and stars Lorna Maitland as a voluptuous, sexually unfulfilled newlywed. Her husband, Jim (Rucker), works in a salt mine all day and studies all night, giving Lorna too much time to herself. One day, while Lorna skinny-dips in a nearby river, an escaped convict (Bradley) rapes her in the reeds. The vile act could otherwise have been exploited, perhaps comically, by Meyer, but here the scene acts as a catalyst for one repressed woman's sexual awakening. Lorna invites the convict into her home while her husband is gone, prompting Jim's coworkers (among them the underrated Hal Hopper) to tease him about Lorna's infidelity. Things take a bitter, fatal turn when Jim returns home to discover Lorna and her object of desire. 5.5 x 8.5 inches, folded once as issued. Two horizontal creases and faint foxing, else Near Fine.

Supervixens (Original Spanish poster for the 1975 film)
Russ Meyer (director, screenwriter); Shari Eubank, Charles Napier, Uschi Digard, Charles Pitts (starring)
Editore: RM Films International, Madrid, Spain, 1986
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
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Aggiungi al carrelloOriginal Spanish one sheet poster for the 1986 release of the 1975 US film. Features buxom Christy Hartburg, who starred as SuperLorna. Hartburg, along with Kitten Natividad and Uschi Digard, has become one of the more recognizable faces of Russ Meyer filmdom, even though this was her only film. Meyer's successful return to inde…pendent filmmaking, after the big-budget "Beyond the Valley of the Dolls" (1970) and the unfortunate films, "The Seven Minutes" (1971) and "Black Snake" (1973). Arguably the most entertaining Meyer project, with all the trademarks present: strong sexual women, impotent men, and healthy doses of sex, violence, and nudity, with a nod to the desert violence of Italian Euro Westerns of the 1960s. Shot on location in Arizona, California, and New Mexico. 27 x 41 inches, folded as issued. Near Fine. Scarce.
Altre immaginiThe Immoral Mr. Teas [Mr. Teas and His Playthings] (Eight original still photographs from the 1959 film)
Russ Meyer (director, screenwriter); Ken Parker (photographer); Bill Teas, Ann Peters, Marilyn Wesley, Michele Roberts, Dawn Danielle (starring)
Editore: Pad-Ram Enterprises, Los Angeles, 1959
- Foto
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
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Aggiungi al carrelloA Eight vintage still photographs from the 1959 film. Included are 4 stills from the US release, and 4 stills from the UK release under the title "Mr. Teas and His Playthings." From a cursory glance, one can immediately see the differences with regard to nudity paid by both US and UK publicists, the UK stills decidedly more libe…ral with regard to the "forbidden flesh." The US stills were taken directly from scenes of the film, and the UK stills appear to be from either a deleted scene or a mock setup designed for foreign publicity, with Mr. Teas seen in a bathhouse with the "Buxom Bath House Beauties" (Baby Dahl, Chicky Fricase, Frenchie Tost, Teri Clawthe) that were not seen in the final cut. The UK stills purport "Monstrous Murder!" and "Sizzling Suspense!" taglines, however the final cut features neither murder nor suspense. The story finds the shy Mr. Teas, played by William Ellis Teas, a door-to-door dental appliance salesman who has a chemical reaction with an anesthetic that allows him to have X-ray vision, as in "seeing through women's clothes." He also overcomes all of his inhibitions, leading to ribald encounters with his dental nurse, his therapist, his secretary, a girl in a bar, etc. Russ Meyer's first feature, produced by Pad-Ram Enterprises (a monogram using the initials of director Russell Albion Meyer and producer Peter A. DeCenzie), and the film that basically launched the lighthearted "nudie" pictures of the early 1960s. The film was immediately touted as "ribald" and "Frenchy," with regard to the "genuinely sexy sequences with generous expanses of attractive flesh" that used to be seen strictly in foreign films. At a time when Hollywood moguls were losing audiences to the comfort of in-home cinema through television, Meyer and DeCenzie (who spent years on the burlesque and night club circuits) released an independent, naturally sexy endeavor in the tradition of the great Chaplin films. The bigger productions companies would never have made a film as far overboard on sex. For his debut, Russ Meyer did even more of the crew work than usual, shooting in four days during the spring of 1958 with a budget of $24,000, ultimately making over $1.5 million worldwide. The film was marketed as a "nudist" film, with a "French" sensibility, but exhibited all the distinctive traits for which Meyer would soon become known, including large bosoms, insane plots, a somewhat feminist perspective, campy dialogue, and guerilla cinematography. Shot on location in various California destinations, including Malibu Lagoon State Beach. Meyer even shot various scenes at his beach-front home in Los Angeles. All stills 8 x 10 inches, some differ slightly in size. Two US stills Very Good plus, others Near Fine. UK stills Near Fine.
Altre immaginiThe Immoral Mr. Teas (Two original pressbooks for the 1961 re-releases of the 1959 film)
Russ Meyer (director, screenwriter); Bill Teas, Ann Peters, Marilyn Wesley, Michele Roberts, Dawn Danielle (starring)
Editore: Pad-Ram Enterprises, Los Angeles, 1961
- Manoscritto/carta da collezione
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
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Aggiungi al carrelloOriginal pressbooks (two variants) for 1961 re-releases of the 1959 film. Featured are the two most commonly seen layouts used for publicity: the full-color illustrated "hat" variant, and the other with Mr. Teas surrounded by a bevy of well-developed women, the female leads of the film (from left to right: Ann Peters, Michele Ro…berts, Dawn Danielle, and Marilyn Wesley). The story finds the shy Mr. Teas, played by William Ellis Teas, a door-to-door dental appliance salesman who has a chemical reaction with an anesthetic that allows him to have X-ray vision, as in "seeing through women's clothes." He also overcomes all of his inhibitions, leading to ribald encounters with his dental nurse, his therapist, his secretary, a girl in a bar, etc. Russ Meyer's first feature, produced by Pad-Ram Enterprises (a monogram using the initials of director Russell Albion Meyer and producer Peter A. DeCenzie), and the film that basically launched the lighthearted "nudie" pictures of the early 1960s. The film was immediately touted as "ribald" and "Frenchy," with regard to the "genuinely sexy sequences with generous expanses of attractive flesh" that used to be seen strictly in foreign films. At a time when Hollywood moguls were losing audiences to the comfort of in-home cinema through television, Meyer and DeCenzie (who spent years on the burlesque and night club circuits) released an independent, naturally sexy endeavor in the tradition of the great Chaplin films. The bigger productions companies would never have made a film as far overboard on sex. For his debut, Russ Meyer did even more of the crew work than usual, shooting in four days during the spring of 1958 with a budget of $24,000, ultimately making over $1.5 million worldwide. The film was marketed as a "nudist" film, with a "French" sensibility, but exhibited all the distinctive traits for which Meyer would soon become known, including large bosoms, insane plots, a somewhat feminist perspective, campy dialogue, and guerilla cinematography. Shot on location in various California destinations, including Malibu Lagoon State Beach. Meyer even shot various scenes at his beach-front home in Los Angeles. Both pressbooks 11 x 17 inches, folded horizontally. "Hat" variant includes a 9 x 12 ad mat dated "Fri., Aug. 18, 1961." Light rubbing overall, rubber stamps from "Sack Amusement Enterprises" in Dallas, Texas, and a few light creases and tiny closed tears, else Near Fine.

Supervixens [Super Vixens] (Original photograph of Uschi Digard from the 1975 film)
Russ Meyer (director, screenwriter); Charles Napier, Uschi Digard, Colleen Brennan, Haji, John Lazar (starring)
Editore: Russ Meyer, N.p., 1975
- Foto
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 264,50
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Aggiungi al carrelloVintage studio still photograph from the 1975 film, showing actress Uschi Digard. From the archive of film historian and author Joel Finler. After his wife is murdered, a gas station attendant at a remote desert station finds himself sexually pursued by several different (but equally buxom) women. Shot on location in New Mexico,… Arizona, and California. 10 x 8 inches. Near Fine.

Finders Keepers, Lovers Weepers! (Original pressbook for the 1968 film)
Russ Meyer (director); Richard Zachary (screenwriter); Anne Chapman, Paul Lockwood, Gordon Westcourt, Duncan McLeod (starring)
Editore: Eve Productions, California, 1968
- Manoscritto/carta da collezione
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 286,55
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Aggiungi al carrelloVintage pressbook for the 1968 film. The owner of a strip club on the Sunset Strip is knocked out and robbed by his girlfriend, the mistress of a brothel. One leaf, bi-fold. 8.5 x 11 inches. Very Good plus, lightly creased and toned.
Altre immaginiBeyond the Valley of the Dolls (Original photograph of Edy Williams from the 1970 film)
Russ Meyer (director, screenwriter); Roger Ebert (screenwriter); Erica Gavin, Cynthia Myers, Dolly Read, Marcia McBroom, John Lazar (starring)
Editore: N.p., N.p., 1970
- Foto
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 308,59
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Aggiungi al carrelloVintage oversize borderless reference photograph from the 1970 film, showing a near-nude Edy Williams. With the stamp of still photographer Willy Rizzo on the verso. After nearly a decade as one of America's most successful independent filmmakers, sexploitation auteur Russ Meyer first reached out for the brass ring of major stud…io success with this frantic and most entertaining cult favorite, once described by Meyer and screenwriter Roger Ebert as "the first exploitation-horror-camp-musical." The film follows three members of an all-girl rock band called The Kelly Affair who relocate to Hollywood in search of fame and fortune. Their success comes at the price of their friendship and integrity, however, and the girls eventually succumb to a nonstop train of decadence, drugs, and betrayal. Featuring one-hit wonders the Strawberry Alarm Clock, supporting performances by Meyer regulars Charles Napier and Haji, and a bit part from future Blaxploitation icon Pam Grier, the film proved to be Meyer's biggest box-office success. Set and shot on location in Hollywood. 8 x 12 inches. Near Fine. Criterion Collection 836.

Mondo Topless (Original pressbook for the 1966 film)
Russ Meyer (director, screenwriter); Babette Bardot, Pat Barrington, Darlene Gray (starring)
Editore: Eve Productions, California, 1966
- Manoscritto/carta da collezione
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 308,59
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Aggiungi al carrelloVintage pressbook for the 1966 film. A sexploitation "documentary" following several buxom strippers as they discuss their lives in 1960s San Francisco. One leaf, bi-fold. 11 x 17 inches. Folded once horizontally. Very Good plus overall.
Altre immaginiEurope in the Raw (Two original photographs from the 1963 film)
Russ Meyer (director, screenwriter); Veronique Gabriel, Gigi La Touche, Abundavita, Denise Du Vall (starring)
Editore: N.p., N.p., 1963
- Foto
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 308,59
EUR 8,56 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloTwo vintage borderless reference photographs from the 1963 film. Included is a distributor's pamphlet. A mondo documentary following the sexual exploits of buxom women across Europe. Photographs 7 x 9.5 inches. Near Fine. Pamphlet bi-fold, 8.5 x 11 inches. Very Good, moderately chipped and soiled.
Altre immaginiBeyond the Valley of the Dolls (Five original photographs from the 1970 film)
Russ Meyer (director, screenwriter); Roger Ebert (screenwriter); Erica Gavin, Cynthia Myers, Dolly Read, Marcia McBroom, John Lazar (starring)
Editore: N.p., N.p., 1970
- Foto
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 330,63
EUR 8,56 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloFive vintage borderless reference photographs from the 1970 film. Four with printed mimeo snipes affixed to the versos. After nearly a decade as one of America's most successful independent filmmakers, sexploitation auteur Russ Meyer first reached out for the brass ring of major studio success with this frantic and most entertai…ning cult favorite, once described by Meyer and screenwriter Roger Ebert as "the first exploitation-horror-camp-musical." The film follows three members of an all-girl rock band called The Kelly Affair who relocate to Hollywood in search of fame and fortune. Their success comes at the price of their friendship and integrity, however, and the girls eventually succumb to a nonstop train of decadence, drugs, and betrayal. Featuring one-hit wonders the Strawberry Alarm Clock, supporting performances by Meyer regulars Charles Napier and Haji, and a bit part from future Blaxploitation icon Pam Grier, the film proved to be Meyer's biggest box-office success. Set and shot on location in Hollywood. 9.5 x 7 inches. Near Fine. Criterion Collection 836.

Motorpsycho! (Original pressbook for the 1965 film)
Russ Meyer (director, screenwriter); James Griffith, Hal Hopper (screenwriters); Haji, Alex Rocco, Steve Oliver, Holie K. Winters (starring)
Editore: Eve Productions, California, 1965
- Manoscritto/carta da collezione
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 330,63
EUR 8,56 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloVintage pressbook for the 1965 film. The final film in Russ Meyer's "noir" cycle (1964-1965), or "Gothic" period, as Meyer puts it, a series of sexploitation films shot in black and white, with powerful and vengeful female characters, male impotence, and a serious dramatic plot involving less of the "nudie" filmmaking style so p…rominent in the director's early films. One of the first films to discuss post-traumatic stress disorder in a Vietnam War veteran. Six pages, saddle stitched, 11 x 17 inches. Folded once horizontally. Very Good plus overall.

The Immoral Mr. Teas (Original pressbook for the 1959 film)
Russ Meyer (director, screenwriter); Bill Teas, Ann Peters, Marilyn Wesley, Michele Roberts, Dawn Danielle (starring)
Editore: Pad-Ram Enterprises, Hollywood, 1959
- Manoscritto/carta da collezione
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 330,63
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Aggiungi al carrelloVintage pressbook for the 1959 film. A door-to-door dental appliance salesman has a chemical reaction to an anesthetic which grants him X-ray vision, as in "seeing through women's clothes." He subsequently overcomes all of his inhibitions, leading to ribald encounters with his dental nurse, his therapist, his secretary, a girl i…n a bar, etc. Russ Meyer's first feature, produced by Pad-Ram Enterprises (a monogram using the initials of director Russell Albion Meyer and producer Peter A. DeCenzie), the film that basically launched the lighthearted nudie pictures of the early 1960s. At a time when Hollywood moguls were losing audiences to the comfort of in-home cinema through television, Meyer and DeCenzie (who spent years on the burlesque and nightclub circuits) released an independent, naturally sexy endeavor in the tradition of the great Chaplin films. For his debut, Meyer did even more of the crew work than usual, shooting in four days during the spring of 1958 with a budget of $24,000, ultimately making over $1.5 million worldwide. The film was marketed as a "Frenchy," "nudist" film, but exhibited all the distinctive traits for which Meyer would soon become known, including large bosoms, insane plots, an arguably feminist perspective, campy dialogue, and guerilla cinematography. Shot on location in various California destinations, including Malibu Lagoon State Beach. One leaf, bi-fold. 11 x 17 inches. Very Good plus overall.