meyering albert (26 risultati)

paperback. Condizione: Very Good. Albert Reyes (illustratore). Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condizione: Very Good. No Jacket. Albert Reyes (illustratore). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Condizione: Very Good. Albert Reyes (illustratore).

A farmer directs a hay cart pulled by two oxen to the right of this print, where we see a large column topped with a lion. A faint riverside town in the background. Etching on hand laid paper, sheet size 195 x 239 mm., engraved by Albert Meyering (or Meyeringh) after his own design, c. 1690. Albert Meyering (1645-1714) specialised in classical landscapes. In very good condition, cropped within platemark, a faint dampstain in the top right corner of the image. References: LeBlanc iii.23: 9; Bartsch v.211: 9.

Albert Meyering (illustratore). In a river, two men catch crayfish. Two people are watching from the shore.Made by Albert Meyering after own design.Medium: Etching on hand laid (verge) paper. Watermark: IHS.Sheet size: 32.7 x 22 cm (12.87 x 8.66 inch). Image size: 31.8 x 21 cm. (12.52 x 8.27 inch).CATCHING-ANIMALS-CRAYFISH-RIVER-LANDSCAPE | PCO-E17-27BACKGROUND INFORMATIONLandscapes (series title).Reference: Hollstein Dutch 20.Biography engraver: Albert Meyering, or Aelbert Meijeringh (1645, Amsterdam - July 17, 1714, Amsterdam), was a Dutch Golden Age landscape painter and etcher. Condition: good, given age. Losely attached to a carrier sheet. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

21 x 32 cm. Condizione: Gut. Originalradierung. Meyering, Albert. Albert Meyering, holl. Maler und Radierer, geb. in Amsterdam 1645, gest. 17.7. 1714 ebenda. Die fein ausgeführte Radierung zeigt eine schöne Landschaftsstaffage mit Personen und Häusern. Über den Plattenrand beschnitten. deu S 11|1739BG Sprache: Deutsch Gewicht in Gramm: 444.

Dimensions: 39.5 x 27.5 cm / engraving / overall very good condition / (96829). Albert Meijeringh (1645-1714) was a Dutch Golden Age landcape painter, known for painting Italianate landscapes.

21,5 x 32,5 cm. Plattenrand. Condizione: Gut. Originalradierung. Meyering, Albert. Albert Meyering, holl. Maler und Radierer, geb. in Amsterdam 1645, gest. 17.7. 1714 ebenda. Die fein ausgeführte Radierung zeigt eine schöne Landschaftsstaffage mit Personen und Häusern. Über den Plattenrand bis zu 12mm. Rand. deu S 11|1736BG Sprache: Deutsch Gewicht in Gramm: 444.

29,5 x 21,5 cm. Plattenrand. Condizione: Gut. Originalradierung. Meyering, Albert. Albert Meyering, holl. Maler und Radierer, geb. in Amsterdam 1645, gest. 17.7. 1714 ebenda. Die fein ausgeführte Radierung zeigt drei Fischer mit Netzen in einem Gebirgsfluß. Schöne Landschaftsstaffage. Über den Plattenrand ca. 5mm. Rändchen. deu S 11|1734BG Sprache: Deutsch Gewicht in Gramm: 444.

21,5 x 32,3 cm. Plattenrand. Condizione: Gut. Originalradierung. Meyering, Albert. Albert Meyering, holl. Maler und Radierer, geb. in Amsterdam 1645, gest. 17.7. 1714 ebenda. Die fein ausgeführte Radierung zeigt eine schöne Landschaftsstaffage mit Personen und Häusern. Über den Plattenrand bis zu 4mm. Rand. deu S 11|1737BG Sprache: Deutsch Gewicht in Gramm: 444.

21,5 x 32,3 cm. Plattenrand. Condizione: Gut. Originalradierung. Meyering, Albert. Albert Meyering, holl. Maler und Radierer, geb. in Amsterdam 1645, gest. 17.7. 1714 ebenda. Die fein ausgeführte Radierung zeigt eine schöne Landschaftsstaffage mit Personen und Häusern, ein Flötenspieler sitzt vor einem kleinem Monument. Über den Plattenrand bis zu 4mm. Rand. deu S 11|1738BG Sprache: Deutsch Gewicht in Gramm: 444.

29,8 x 21,5 cm. Plattenrand. Condizione: Gut. Originalradierung. Meyering, Albert. Albert Meyering, holl. Maler und Radierer, geb. in Amsterdam 1645, gest. 17.7. 1714 ebenda. Die fein ausgeführte Radierung zeigt drei Personsn an einem Gebirgsfluß. Schöne Landschaftsstaffage. Über den Plattenrand ca. 5mm. Rändchen. deu S 11|1735BG Sprache: Deutsch Gewicht in Gramm: 444.

In a landscape, a cart with hay (hooi) is pulled by two oxen (ossen) and is driving past a column topped with a lion. In the background a city on a lake.Signed at bottom: 'A. Meyeringh in et fecit'.On verso collector's mark: Pim van Eekelen (Amsterdam 1923-1984), L. 5101.[NL] Landschap met wagen en monument. Etching and engraving on paper with margins; plate mark: 242 x 202 mm, total: 270 x 232 mm; traces of previous mounting on verso, light foxing at the top, otherwise in good condition. Hollstein 9.

Italianate landscape with a bridge over a river. A ruined tower next to the bridge. In the foreground two figures driving cows.Signed at bottom: 'A. Meyeringh in et fecit'.On verso collector's mark: Pim van Eekelen (Amsterdam 1923-1984), L. 5101.[NL] Landscap met ruïne. Etching on paper with margins; plate mark: 243 x 205 mm, total: 270 x 235 mm; traces of previous mounting on verso, light foxing at the top, some rubbing and light staining, otherwise in good condition. Hollstein 12.

Landscape with two lakes and a monument on the right. In the foreground two women with baskets picking flowers. A child stands beside one of them. A mountainous landscape in the background.Signed on the bottom left: 'A: Meyeringh Inv: et fec:'.From a set of various italianate landscapes. Etching on paper, trimmed within plate mark; total; 238 x 199 mm; state II (?)/2; two stains of glue remains at the top corners, some light brown stains and some dirt on the plate and on the verso; overall in good condition; Hollstein 1-27. Print made between 1650-1700.

In a landscape, a woman with a parasol walks in the foreground. Next to her a boy. In the background antique buildings and a bridge.Signed on the bottom left: 'A: Meyeringh Inv: et Fec.'.From a set of various italianate landscapes. Etching on paper trimmed within plate mark; total; 239 x 200 mm; state II (?)/2; two light stains of glue remains at the top corners, a light brown stain on the bottom margin, some rubbing; in good condition; Hollstein 1-27. Print made between 1650-1700.

An italianate landscape with an obelisk on the right. In the right foreground some figures sitting on a ruined column, beside a small stream of water.Signed on the bottom left: 'A: Meyeringh Inv: et fec:'. Etching on paper, trimmed within plate mark; total; 238 x 199 mm; state II/2; two stains of glue remains at the top corners, small tear on the top margin, some light brown stains and some dirt on the plate; overall in good condition; Hollstein 1-27. Print made between 1650-1700.

An italianate landscape with a man leaning on the edge of the fountain. The mule near a copse of wood to the left. Further back a woman leads a donkey on a path, and behind that a river and some structures. Etching on hand laid paper (with French lily watermark), sheet size 197 x 240 mm., etching by Albert Meyering (Amsterdam 1645-1714 Amsterdam) after his own design. In good condition, cropped within platemark. Some small stains in the right edge of the image, and a small stain in the top left. With the collection mark of Pim van Eekelen (Lugt 5101) stamped on the verso. References: Hollstein Dutch 25: 4 (ii/2); Weigel 4; Bartsch 4.

A landscape with a fountain and a statue without the head. A man walks towards the statue on the road. A seated man and a reclining woman along the way.Signed on the bottom left: 'A: Meyeringh Inv. et Fecit'.From a set of various italianate landscapes. Etching on paper with some margin; plate mark: 220 x 329 mm, total; 232 x 346 mm; state II (?)/2; two light stains of glue remains at the top corners; some stains within the plate; traces of folding on the top right corner; in good condition; Hollstein 1-27. Print made between 1650-1700.

Seated under a monument, a shepherd playing a flute. In the background a hilly landscape and a city. Sheep resting beside the path.Signed on the bottom right: 'A: Meyeringh Inv. et Fecit'.From a set of various italianate landscapes. Etching on paper with some margin; plate mark: 213 x 326 mm, total; 229 x 341 mm; state II (?)/2; two light stains of glue remains at the top corners; in good condition; Hollstein 1-27. Print made between 1650-1700.

An italianate landscape with an obelisk on the right. In the right foreground some figures sitting on a ruined column, beside a small stream of water.Signed on the bottom left: 'A: Meyeringh Inv: et fec:'.On verso stamp of the Cabinet des Estampes du Musée Grand-Ducal, Schwerin (Mecklembourg) [L. 2273]. Possibly sold in the 1926 sale (18-20 November) among the other XVIII century impressions. Etching on paper, trimmed close to plate mark; total; 247 x 205 mm; state II/2; staining along the margins, especially on the top corners; some light foxing; watermark (lettered countermark); Hollstein 1-27. Print made between 1650-1700.

River landscape featuring a rocky valley, with a wooden bridge on the right.Signed on the bottom right: 'A: Meyeringh Inv: et Fecit:'.On verso collectors' marks: Pieter Willem van Doorne (L.4731); Museum Boijmans Van Beuningen (L.700a); Pim van Eekelen (L.5101); unidentified mark. Etching on paper, trimmed to plate; total; 208 x 318 mm; some staining on verso, nice contrast, in good condition; Hollstein 23. Period made between 1650-1700.

Landscape with a central river with two fishermen, a villa in the background. On the right side of the image, near the forest's edge, is a memorial monument with a man pointing at the inscription and explaining it to the lady with a parasol at his side. Two children with a dog are close by. Etching on hand laid paper, sheet size 346 x 235 mm., platemark 327 x 208 mm., engraved by Albert Meyering (or Meyeringh) after his own design, c. 1690. Albert Meyering (1645-1714) specialised in classical landscapes. In very good condition, minimal soiling in the margins. Left edge cropped within the platemark, and later extended with a strip of contemporary paper. With the collection mark of Pim van Eekelen (Lugt 5101) stamped on the verso. References: LeBlanc iii.24: 24; Bartsch v.216: 24.

To the right a burial monument flanked with cedar trees. A woman carrying a flat basket of flowers on her head approaches the monument. In the foreground are two more women occupied with gathering and carrying flowers, one of the women with a young boy at het side. Etching on hand laid paper, sheet size 204 x 241 mm., engraved by Albert Meyering (or Meyeringh) after his own design, c. 1690. Albert Meyering (1645-1714) specialised in classical landscapes. In good condition, cropped to the platemark, a faint, but quite large, stain in the right edge, a small stain in the lower edge. Collection mark verso: Pim van Eekelen (Lugt 5101). References: LeBlanc iii.23: 11; Bartsch v.212: 11.

Landscape with a central river with two fishermen, a villa in the background. On the right side of the image, near the forest's edge, is a memorial monument with a man pointing at the inscription and explaining it to the lady with a parasol at his side. Two children with a dog are close by. Etching on hand laid paper, sheet size 336 x 221 mm., platemark 327 x 208 mm., engraved by Albert Meyering (or Meyeringh) after his own design, c. 1690. Albert Meyering (1645-1714) specialised in classical landscapes. In very good condition, some light soiling in the margins, a small dark stain in the left edge. References: LeBlanc iii.24: 24; Bartsch v.216: 24.

Two wide river landscapes, one with high mountains on both sides (Hollstein 23), the other with classical ruins and a bridge (Hollstein 20). Signed at bottom: "A. Meyeringh inv. et f.". The second impression especially reminds of Italian-Roman landscapes. From a series of twenty-seven prints showing classical landscapes. Etching on paper with some margin; plate mark: ca. 220 x 325 mm ; total: ca. 230 x 340 mm; Hollstein 23 presents a brownish stain on the bottom left corner and some smudges along the margins, nevertheless in good condition; Hollstein 20 was mounted on another sheet of paper, though the left margin is now loose as some portions of paper are torn from the mount. These tears affect the left margin, and slightly the plate; some other minor staining on the rest of the plate. Published in Amsterdam around 1665.