Mia locks (34 risultati)

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Very Good. Very Good condition. 2017 edition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: New. MoMA PS1 presents the fourth iteration of Greater New York. Recurring every five years, the exhibition has traditionally showcased the work of emerging artists living and working in the New York metropolitan area. Considering the "greater" aspect of its title in terms of both geography and time, Greater New York. begins roughly with the moment when MoMA PS1 was founded in 1976 as an alternative venue that took advantage of disused real estate, reaching back to artists who engaged the margins of the city. In conjunction with the exhibition, MoMA PS1 is publishing a series of readers that will be released throughout the run of the exhibition. These short volumes revisit older histories of New York while also inviting speculation about its future, highlighting certain works in the exhibition and engaging a range of subjects including disco, performance anxiety, real estate and newly unearthed historical documents. The series features contributions from Fia Backström, Mark Beasley, Gregg Bordowitz, Susan Cianciolo, Douglas Crimp, Catherine Damman, David Grubbs, Angie Keefer, Aidan Koch, Glenn Ligon, Gordon Matta-Clark, Claudia Rankine, Collier Schorr, and Sukhdev Sandhu, concluding with a round-table conversation with exhibition curators Peter Eleey, Douglas Crimp, Thomas J. Lax and Mia Locks. The series is edited by Jocelyn Miller, Curatorial Associate, MoMA PS1.…

Soft cover. Condizione: Very Good. Minor wear, otherwise an unmarked and undamaged copy.

Paperback. Condizione: Very Good. First Edition. 1st printing/edition, with complete number line. NOT ex-library. Interior appears free of markings. Spine is uncreased, binding tight and sturdy. Light wear to edges. Ships same or next business day from Dinkytown in Minneapolis, Minnesota.

Paperback. Condizione: Brand New. 50 pages. 8.50x5.50x0.25 inches. In Stock.

Paperback. Condizione: Very Good. Unmarked. Beautifully illustrated catalog for the 2017 Whitney Biennial curated by Christopher Y. Lew and Mia Locks. The 2017 Whitney Biennial highlighted artists challenging viewers to consider how racial tensions, economic inequities, and polarizing politics affect our senses of self and community. The Biennial features sixty-three individuals and collectives whose work takes a wide variety of forms, from painting and installation to activism and video-game design. Included 63 artists and collective, including Joe Baer, Robert Beavers, Larry Bell, KAYA, Leigh Ledare, Carrie Moyer, Tuan Andrew Nguyen, Asad Raza, Maya Stovall Kaari Upson, Kamasi Washington, Anicka Yi, and others. 256p. Measures 6.75x9.5 inches.…

Paperback. Condizione: Near Fine. 1st. 219 pages, illustrations (chiefly colour); 24 cm. Produced on the occasion of the 2017 Whitney Biennial, held at the Whitney Museum of American Art, New York, March 17 to June 11, 2017, and curated by Christopher Y. Lew and Mia Locks. Firm binding, clean inside copy. Light shelfwear to wraps. *** "Always highly anticipated and beautifully packaged, this book is an essential record of the current trends in contemporary art in America. Since its introduction by Gertrude Vanderbilt Whitney in 1932, the Whitney Biennial has charted new developments in art and brought emerging artists to light. The first to be held in the Whitney's critically acclaimed new building in Manhattan's meatpacking district, the 2017 Biennial is curated by Christopher Y. Lew and Mia Locks. Lew and Locks are working in collaboration with a small group of advisors, including Scott Rothkopf, Negar Azimi, Gean Moreno, Aily Nash, and Wendy Yao. With a history of exhibiting work by the most promising and influential artists and provoking debate, the Biennial (the Museum's signature exhibition) is the most important survey of the state of contemporary art in the United States." - Publisher. *** Includes: Zarouhie Abdalian - Basma Alsharif - Jo Baer - Eric Baudelaire - Robert Beavers - Larry Bell - Matt Browning - Susan Cianciolo - Mary Helena Clark - John Divola - Celeste Dupuy-Spencer - Rafa Esparza - Kevin Jerome Everson - GCC - Oto Gillen - Samara Golden - Casey Gollan and Victoria Sobel - Irena Haiduk - Lyle Ashton Harris - Tommy Hartung - Porpentine Charity Heartscape - Sky Hopinka - Shara Hughes - Aaron Flint Jamison - Kaya - Jon Kessler - James N. Kienitz Wilkins - Ajay Kurian - Deana Lawson - An-My Le - Leigh Ledare - Dani Leventhal - Tala Madani - Park McArthur - Harold Mendez - Carrie Moyer - Ulrike Muller - Julien Nguyen - Tuan Andrew Nguyen - Raul de Nieves - Aliza Nisenbaum - Occupy Museums - Pope L. aka William Pope L. - Postcommodity - Puppies Puppies - Asad Raza - Jessi Reaves - John Riepenhoff - Chemi Rosado-Seijo - Cameron Rowland - Beatriz Santiago Munoz - Dana Schutz - Cauleen Smith - Frances Stark - Maya Stovall - Henry Taylor - Leslie Thornton and James Richards - Torey Thornton - Kaari Upson - Kamasi Washington - Leilah Weinraub - Jordan Wolfson - Anicka Yi. Size: 8vo. Collectible.…

Hardcover. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Softcover; 222 pages, as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: new. Hardcover. Los Angelesbased artist Samara Golden (born 1973) creates immersive installations that explore what she calls the sixth dimension, where a multitude of pasts, presents and futures exist concurrently. For The Flat Side of the Knife, curated by Mia Locks and organized by MoMA PS1, Golden presented her largest installation to date, filling the double height of MoMA PS1s Duplex Gallery with staircases, beds, couches, lamps, musical instruments, video and sound. The Flat Side of the Knife combines physical spaces with illusory spaces that appear only in mirrors, akin to psychological and hallucinatory spaces in the mind. Her use of mirrors in conjunction with sculptural elements made from a silvery insulation board allows the illusion of space to expand in multiple directions. This catalogue includes documentation of this exhibition alongside the artists major works to date. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New.

Softcover, 44 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardback. Condizione: New. Los Angeles-based artist Samara Golden (born 1973) creates immersive installations that explore what she calls the sixth dimension, where a multitude of pasts, presents and futures exist concurrently. For The Flat Side of the Knife, curated by Mia Locks and organized by MoMA PS1, Golden presented her largest installation to date, filling the double height of MoMA PS1's Duplex Gallery with staircases, beds, couches, lamps, musical instruments, video and sound. The Flat Side of the Knife combines physical spaces with illusory spaces that appear only in mirrors, akin to psychological and hallucinatory spaces in the mind. Her use of mirrors in conjunction with sculptural elements made from a silvery insulation board allows the illusion of space to expand in multiple directions. This catalogue includes documentation of this exhibition alongside the artist's major works to date.…

Hardcover. Condizione: Brand New. 88 pages. 10.00x7.75x0.50 inches. In Stock.

Hard cover. Condizione: Fine. First edition. 10 1/4'' x 8''. Unpaginated. With Notes. Signed and dated by Samara Golden on the title-page. Without dust jacket, as issued. Signed.

Buch. Condizione: Neu. Neuware - Los Angeles-based artist Samara Golden (born 1973) creates immersive installations that explore what she calls the sixth dimension, where a multitude of pasts, presents and futures exist concurrently. For The Flat Side of the Knife, curated by Mia Locks and organized by MoMA PS1, Golden presented her largest installation to date, filling the double height of MoMA PS1's Duplex Gallery with staircases, beds, couches, lamps, musical instruments, video and sound. The Flat Side of the Knife combines physical spaces with illusory spaces that appear only in mirrors, akin to psychological and hallucinatory spaces in the mind. Her use of mirrors in conjunction with sculptural elements made from a silvery insulation board allows the illusion of space to expand in multiple directions. This catalogue includes documentation of this exhibition alongside the artist's major works to date.…

Condizione: New.

Paperback. Condizione: New. MoMA PS1 presents the fourth iteration of Greater New York. Recurring every five years, the exhibition has traditionally showcased the work of emerging artists living and working in the New York metropolitan area. Considering the "greater" aspect of its title in terms of both geography and time, Greater New York. begins roughly with the moment when MoMA PS1 was founded in 1976 as an alternative venue that took advantage of disused real estate, reaching back to artists who engaged the margins of the city. In conjunction with the exhibition, MoMA PS1 is publishing a series of readers that will be released throughout the run of the exhibition. These short volumes revisit older histories of New York while also inviting speculation about its future, highlighting certain works in the exhibition and engaging a range of subjects including disco, performance anxiety, real estate and newly unearthed historical documents. The series features contributions from Fia Backström, Mark Beasley, Gregg Bordowitz, Susan Cianciolo, Douglas Crimp, Catherine Damman, David Grubbs, Angie Keefer, Aidan Koch, Glenn Ligon, Gordon Matta-Clark, Claudia Rankine, Collier Schorr, and Sukhdev Sandhu, concluding with a round-table conversation with exhibition curators Peter Eleey, Douglas Crimp, Thomas J. Lax and Mia Locks. The series is edited by Jocelyn Miller, Curatorial Associate, MoMA PS1.…

Hardback. Condizione: New. Los Angeles-based artist Samara Golden (born 1973) creates immersive installations that explore what she calls the sixth dimension, where a multitude of pasts, presents and futures exist concurrently. For The Flat Side of the Knife, curated by Mia Locks and organized by MoMA PS1, Golden presented her largest installation to date, filling the double height of MoMA PS1's Duplex Gallery with staircases, beds, couches, lamps, musical instruments, video and sound. The Flat Side of the Knife combines physical spaces with illusory spaces that appear only in mirrors, akin to psychological and hallucinatory spaces in the mind. Her use of mirrors in conjunction with sculptural elements made from a silvery insulation board allows the illusion of space to expand in multiple directions. This catalogue includes documentation of this exhibition alongside the artist's major works to date.…