Michael anderegg (108 risultati)

Paperback. Condizione: Good. Anderegg considers Welles's influence as an interpreter of Shakespeare for twentieth-century American popular audiences, drawing on his knowledge of the abundant, lowbrow popularity of Shakespeare in nineteenth-century America. Welles's three film adaptations of Shakespeare, Macbeth, Othello, and Chimes at Midnight, are examined.…

Paperback. Condizione: Good. Anderegg considers Welles's influence as an interpreter of Shakespeare for twentieth-century American popular audiences, drawing on his knowledge of the abundant, lowbrow popularity of Shakespeare in nineteenth-century America. Welles's three film adaptations of Shakespeare, Macbeth, Othello, and Chimes at Midnight, are examined.…

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

paperback. Condizione: VeryGood. A copy that may have been read, very minimal wear and tear. May have a remainder mark.

Trade Paperback. Condizione: NF. First Printing. Wrappers. Green rear cover, green photographic spine and front cover are all clean, bright, and glossy. Book has a nearly unnoticable trace of rubbing at the head of the spine and at the extreme tips of a couple of the outside corners. Binding is straight and tight. Pages are all clean, white, and crisp. 315 pages.…

paperback. Condizione: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

Soft cover. Condizione: Very Good. No Jacket. 1st Edition. A clean unmarked copy in excellent condition. 225 pages.

Condizione: Very Good. 1 Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780877228622.

Paperback. Condizione: Very Good. Cinematic Shakespeare (Genre and Beyond: A Film Studies Series) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

paperback. Condizione: As New. Excellent condition. Pages are crisp and clean with no markings. Fast shipping with tracking number.

Softcover. Condizione: Very Good with no dust jacket. Binding is sound. Pages clean, off-white. Wrappers have fading at spine, address label on back, general light handling wear. Contents: Jorens, Laurence Olivier's Richard III. Litton, Glenn, Diseased Beauty in Tony Richardson's Hamlet. Mullin, Tony Richardson's Hamlet: script and screen. Wilds, On film: Maximillian Schell's most royal Hamlet. Duffy, ade, Olivier, Richardson: visual strategy in Hamlet adaptation. Welsh, To see it feelingly: King Lear through Russian eyes. WIlds, One King Lear for our time: a bleak film vision by Peter Brook. Anderegg, Shakespeare on film in the classroom. Homan, A cinema for Shakespeare. Reviews. Film notes and queries. 9.0" tall; 94 pages. …

Softcover. Condizione: Very Good with no dust jacket. Binding is sound. Pages clean, off-white. Wrappers have fading at spine, address label on back, general light handling wear. Contents: Sobchack, Genre film: a classical experience. Atkins, Agatha Christie and the etective film: a timetable for success. Anderegg, Conrad and Hitchcock: The Scret Agent inspires Sabotage. Simper, Poe, Hitchcock, and the well-wrought effect. McDougal, Mirth, sexuality and suspense: Alfred Hitchcock's adaptation of The Thirty-Nine steps. Oliver, The Long Goodbye and Chinatown: debunking the private eye tradition. McGInnis, Chinatown: Roman Polanski's contemporary Oedipus story. Documents of film theory: Ricciotto Canudo's "Manifesto of the Seven Arts." Eidsvik, Toward a "Politique des Adaptations." McWIlliams, The novelist as filmmaker, Maruerite Duras' Destroy, She Said. Fiore, The picaresque tradition in Midnight Cowboy. Jorgens, The opening scene of Polanski's Macbeth. Reviews. Film notes and queries. 9.0" tall; 94 pages.…

Condizione: Good. illustrated edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Paperback. Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Condizione: Very Good +. None as issued. Excellent, clean copy. No writing, highlighting, marks, or creased page corners to text. Cover is glossy with slight wear at corner tips, and a faint crease at top back corner. Binding tight and square; no creases to spine. We are unable to ship oversize books and multi-volume sets internationally.…

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780231112291.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hardcover. Condizione: Very Good +. Condizione sovraccoperta: Very Good. First Printing. Book is a clean tight unmarked copy in a mylar protected dusst jacket.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condizione: New. Cinematic Shakespeare takes the reader inside the making of a number of significant adaptations to illustrate how cinema transforms and re-imagines the dramatic form and style central to Shakespeare's imagination. Cinematic Shakespeare investigates how Shakespeare films constitute an exciting and ever-changing film genre. The challenges of adopting Shakespeare to cinema are like few other film genres. Anderegg looks closely at films by Laurence Olivier (Richard III), Orson Welles (Macbeth), and Kenneth Branagh (Hamlet) as well as topics like 'Postmodern Shakespeares' (Julie Taymor's Titus and Peter Greenaway's Prospero's Books) and multiple adaptations over the years of Romeo and Juliet. A chapter on television looks closely at American broadcasting in the 1950s (the Hallmark Hall of Fame Shakespeare adaptations) and the BBC/Time-Life Shakespeare Plays from the late 70s and early 80s.…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Paperback. Condizione: New. Lincoln Prize Finalist It was the measure of Shakespeare's poetic greatness, an early commentator remarked, that he thoroughly blended the ideal with the practical or realistic. "If this be so," Walt Whitman wrote, "I should say that what Shakespeare did in poetic expression, Abraham Lincoln essentially did in his personal and official life."Whitman was only one of many to note the affinity between these two iconic figures. Novelists, filmmakers, and playwrights have frequently shown Lincoln quoting Shakespeare. In Lincoln and Shakespeare, Michael Anderegg for the first time examines in detail Lincoln's fascination with and knowledge of Shakespeare's plays. Separated by centuries and extraordinary circumstances, the two men clearly shared a belief in the power of language and both at times held a fatalistic view of human nature. While citations from Shakespeare are few in his writings and speeches, Lincoln read deeply and quoted often from the Bard's work in company, a habit well documented in diaries, letters, and newspapers. Anderegg discusses Lincoln's particular interest in Macbeth and Hamlet and in Shakespeare's historical plays, where we see themes that resonated deeply with the president-the dangers of inordinate ambition, the horrors of civil war, and the corruptions of illegitimate rule.Anderegg winnows confirmed evidence from myth to explore how Lincoln came to know Shakespeare, which editions he read, and which plays he would have seen before he became president. Once in the White House, Lincoln had the opportunity of seeing the best Shakespearean actors in America. Anderegg details Lincoln's unexpected relationship with James H. Hackett, one of the most popular comic actors in America at the time: his letter to Hackett reveals his considerable enthusiasm for Shakespeare. Lincoln managed, in the midst of overwhelming matters of state, to see the actor's Falstaff on several occasions and to engage with him in discussions of how Shakespeare's plays should be performed, a topic on which he had decided views. Hackett's productions were only a few of those Lincoln enjoyed as president, and Anderegg documents his larger theatergoing experience, recreating the Shakespearean performances of Edwin Booth, Charlotte Cushman, Edwin Forrest, and others, as Lincoln saw them.…

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780877228622.