michael atwell (7 risultati)

Condizione: Very Good. Condizione sovraccoperta: Very Good. No Stock Photos! We photograph every item. nice condition DVD in original slim case; 6 hours. BBC 1985 Mini-Series. An orphan named Oliver Twist meets a pickpocket on the streets of London. From there, he joins a household of boys who are trained to steal for their master.

First Edition. First edition. Softcover. Introduction Kate Mothes. Features essays by Anthony Lovenheim Irwin and Wendy Weil Atwell and a conversation with Velliquette. Includes numerous color illustrations, artist biography and index of artworks. A fine copy in wrappers. Includes a laid in handwritten and signed note by Velliquette along with his business card.

Soft cover. Condizione: Good. Second Printing. 8.25 x 5.25 inches. 353 pp., with 96 page appendix. b/w illustrations throughout. Illustrated wraps.Creased along spine and front wrap corners, moderate rubbing with light edge wear, slight foxing to verso of front and rear wraps. Good or better.

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good+. First Edition; First Printing. B & W drawings; Large 8vo 9" - 10" tall; 353 pages; 1968 World Publishing Company. HC/DJ 1st edition, 1st printing. Snugly bound and very neat in original graphic pictorial dust jacket from a design by Paul Bacon, with publisher's $7.95 issue price intact to unclipped front flap. Prior owner name and purchase date in very small neat lettering to the verso of the balnk front endpage. Feels generally unread. Just a whisper of shelf evidence to jacket extremities. VG++/VG++ or better.

Card Covers. First Edition, First Printing. pp. 60. Square 8vo., measuring 6.75" x 8.5". Illustrated, twice-stapled, card covers. Black-and-white illustrations, drawings, etc. Bright, clean, and unmarked with firm stapled binding; fine. Corresponds to OCLC #65398554. "Essays and editorials commenting on the media response to the exhibition by Winnipeg artist Diana Thorneycroft held at the St. Norbert Arts Centre in 1999". In the fall of 1999 my installation Monstrance took place at St. Norbert Arts Centre in Winnipeg. The exhibition was about our fascination with and reverence for carnal remains, humankind's compulsion to leave behind physical evidence of our temporary existence, and nature's insistence on returning lifeless bodies to earth. Re/Monstrance presents twelve charcoal drawings of the rabbits that were once part of Monstrance and makes explicit my reverence towards their carnal remains.

Hard Cover. Condizione: Fine. Condizione sovraccoperta: Fine-. Allen Atwell and Michael Green. (illustratore). First printing. The first printing is stated, 353 pages, illustrated. "The events related in this history reflect the collective consciousness and collaborative behavior of several thousand people- spiritual researchers who have shared dark confusions and bright hopes, given their emotion, muscle, brain, and risked scorn and social isolation to puruse the psychedelic yoga." FINE HARDCOVER, FINE- DUST JACKET. Size: 8vo - over 7¾" - 9¾" tall.

Original art by Allen Atwell and Michael Green. (illustratore). First edition, first printing. "THINK FOR YOURSELF AND QUESTION AUTHORITY" Timothy Leary could have ended up an buttoned-up Harvard psychology professor. But Leary sought out psilocybin mushrooms in Mexico and his consciousness opened; "Your nerve endings, neural cameras, cellular memory banks, protein structures become broadcasting instruments for the timeless humming message of God located inside your body. The external world doesn't change, but your experience of it becomes drastically altered." High Priest is Leary's account of 1959 to 1962, as he tripped with literary figures like Aldous Huxley as guides and experimented on students and prisoners, brooding over the close-mindedness of Harvard sticklers and elated with hope for the application of psychedelics. Unevenly foxed edge, gentle presses to top corners, moderately sunned endpaper edges, still near fine, in near fine, price-clipped dust jacket, with small closed tear to bottom rear panel, several light scratches to front panel, gentle shelf wear, in mylar cover. Quarter black cloth over striped boards, in Paul Bacon dust jacket.