Michael cherlin (151 risultati)

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Paperback. Condizione: New. A personal voyage of discovery drawing on musicology, literary theory, Jewish studies, and philosophical phenomenology.As a work of musical theory, or meta-theory, Music's Making draws extensively on work done in philosophy and literary criticism in addition to the scholarship of musicologists and mus…ic theorists. Music's Making is divided into two large parts. The first half develops global attitudes toward music: emergence out of self and hearing through (drawing on Kabbalah and other sources), middle-voice (as discussed in philosophical phenomenology), liminal space (as discussed in literary theory), an ethics of intersubjectivity (drawing on Levinas), and character, canon, and metaleptic transformations (drawing chiefly on Harold Bloom). The second half embodies a search for metaphors, figurative language toward understanding music's endlessly variegated shaping of time-space. The musicians and scholars who inform this part of the book include Pierre Boulez, Gilles Deleuze, Anton Webern, Morton Feldman, and James Dillon. The book closes with an extended inquiry into the metaphors of horizontal and vertical experience and the spiritual qualities of musical experience expressed through those metaphors.
Altre immaginiEditore: New York: Berghahn Books, 2003, 2003
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Aggiungi al carrellolike new green and white hardcover with printed covers. CHERLIN, MICHAEL, ed. . The great tradition and its legacy: the evolution of dramatic and musical theater in Austria and Central Europe. Edited by Michael Cherlin, Halina Filipowicz, and Richard L. Rudolph. New York: Berghahn Books, 2003, xiii, 274pp., . Austrian history, c…ulture, and society ; v. 4 - "Both dramatic and musical theater are part of the tradition that has made Austria - especially Vienna - and the old Habsburg lands synonymous with high culture in Central Europe. Many works, often controversial originally but now considered as classics, are still performed regularly in Vienna, Prague, Budapest, or Krakow., This volume not only offers an overview of the theatrical history of the region, it is also a cross-disciplinary attempt to analyse the inner workings and dynamics of theater through a discussion of the interplay between society, the audience, and performing artists." - CONTENTS: Preface - Richard L. Rudolph - Notes on Contributors - DRAMATIC THEATER: Introduction: Rethinking Drama and Theater in Austria and Central Europe / Halina Filipowicz - Part I: The Enlightenment and the "New Beginning": Chapter 1. "By and By We Shall Have an Enlightened Populace": Moral Optimism and the Fine Arts in Late-Eighteenth-Century Austria / Ernst Wangermann - Chapter 2. Taming a Transgressive National Hero: Tadeusz Kosciuszko and Nineteenth-Century Polish Drama / Halina Filipowicz - Chapter 3. Nestroy and His Naughty Children: A Plebeian Tradition in the Austrian Theater / Carl Weber - Chapter 4. Pantomime, Dance, Sprachskepsis, and Physical Culture in German and Austrian Modernism / Harold B. Segel - Chapter 5. Populism versus Elitism in Max Reinhardt's Austrian Productions of the 1920s / Michael Patterson - Part Two: Post-Holocaust and Postmodern Theater: Chapter 6. Elfriede Jelinek's Nora Project; or, What Happens When Nora Meets the Capitalists / Christine Kiebuzinska - Chapter 7. George Tabori's Return to the Danube, 19871999 / Hans-Peter Bayerdörfer - Chapter 8. Thomas Bernhard's Heldenplatz: Artists and Societies beyond the Scandal / Alfred Pfabigan - Chapter 9. Pulling the Pants Off History: Politics and Postmodernism in Thomas Bernhard's Eve of Retirement / Jeanette R. Malkin - MUSICAL THEATER: Introduction: Conflict and Crosscurrents in Viennese Music / Michael Cherlin - Part III: The Emergence of the Classical Style: Chapter 10. Vienna as a Center of Ballet Reform in the Late Eighteenth Century / Sibylle Dahms - Chapter 11. The Viennese Singspiel, Haydn, and Mozart / Eva Badura-Skoda - Chapter 12. Displaying (Out)Rage: The Dilemma of Constancy in Mozart's Operas / Gretchen A. Wheelock - Part IV: Some Major Transformations of the Nineteenth and Twentieth Centuries: Chapter 13. Karl Goldmark's Operas during the Directorship of Gustav Mahler / Peter Revers - Chapter 14. A Break in the Scenic Traditions of the Vienna Court Opera: Alfred Roller and the Vienna Secession / Evan Baker - Chapter 15. Schoenberg's Music for the Theater / Michael Cherlin - References - Index. 9781571811738 ISBN 1571811737.

Lingua: Inglese
Editore: Berghahn Books, Incorporated, 2004
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Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

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paperback. Condizione: Very Good. Study of the music of Schoenberg, intended to connect his music and critical writings to a larger world of ideas; chapters on Dialectical opposition, Pelleas und Melisande, the First String Quartet, Moses und Aron, the String Trio; a volume in the Music in the Twentieth Century series; occasiona…l mild foxed spots, mild crease to original celoglaze to spine, o.w. Very Good. . 397pp. 8vo. Very Good.

Lingua: Inglese
Editore: Berghahn Books, 2004
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Lingua: Inglese
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Lingua: Inglese
Editore: Berghahn Books 10/1/2004, 2004
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Paperback or Softback. Condizione: New. The Great Tradition and Its Legacy: The Evolution of Dramatic and Musical Theater in Austria and Central Europe. Book.

Lingua: Inglese
Editore: State University of New York Press, Albany, NY, 2025
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Paperback. Condizione: new. Paperback. A personal voyage of discovery drawing on musicology, literary theory, Jewish studies, and philosophical phenomenology.As a work of musical theory, or meta-theory, Music's Making draws extensively on work done in philosophy and literary criticism in addition to the scholarship of musicologi…sts and music theorists. Music's Making is divided into two large parts. The first half develops global attitudes toward music: emergence out of self and hearing through (drawing on Kabbalah and other sources), middle-voice (as discussed in philosophical phenomenology), liminal space (as discussed in literary theory), an ethics of intersubjectivity (drawing on Levinas), and character, canon, and metaleptic transformations (drawing chiefly on Harold Bloom). The second half embodies a search for metaphors, figurative language toward understanding music's endlessly variegated shaping of time-space. The musicians and scholars who inform this part of the book include Pierre Boulez, Gilles Deleuze, Anton Webern, Morton Feldman, and James Dillon. The book closes with an extended inquiry into the metaphors of horizontal and vertical experience and the spiritual qualities of musical experience expressed through those metaphors. A personal voyage of discovery drawing on musicology, literary theory, Jewish studies, and philosophical phenomenology. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Lingua: Inglese
Editore: Berghahn Books, Incorporated, US, 2004
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Paperback. Condizione: New. Both dramatic and musical theater are part of the tradition that has made Austria - especially Vienna - and the old Habsburg lands synonymous with high culture in Central Europe. Many works, often controversial originally but now considered as classics, are still performed regularly in Vienna, Prague,… Budapest, or Krakow. This volume not only offers an excellent overview of the theatrical history of the region, it is also an innovative, cross-disciplinary attempt to analyse the inner workings and dynamics of theater through a discussion of the interplay between society, the audience, and performing artists.

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Paperback or Softback. Condizione: New. Music's Making: The Poetry of Music, the Music of Poetry. Book.

Lingua: Inglese
Editore: Berghahn Books, Incorporated, US, 2004
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Paperback. Condizione: New. Both dramatic and musical theater are part of the tradition that has made Austria - especially Vienna - and the old Habsburg lands synonymous with high culture in Central Europe. Many works, often controversial originally but now considered as classics, are still performed regularly in Vienna, Prague,… Budapest, or Krakow. This volume not only offers an excellent overview of the theatrical history of the region, it is also an innovative, cross-disciplinary attempt to analyse the inner workings and dynamics of theater through a discussion of the interplay between society, the audience, and performing artists.

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Glossy Pictorial Cover. Condizione: near fine/near fine. First edition. Octavo. 10' x 7". 397pp. Inscriptions on front free endpapers. A very nice copy in dust jacket.

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Lingua: Inglese
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Paperback. Condizione: new. Paperback. Both dramatic and musical theater are part of the tradition that has made Austria - especially Vienna - and the old Habsburg lands synonymous with high culture in Central Europe. Many works, often controversial originally but now considered as classics, are still performed regularly in Vien…na, Prague, Budapest, or Krakow. This volume not only offers an excellent overview of the theatrical history of the region; it must also be seen as an innovative, cross-disciplinary attempt to analyse the inner workings and dynamics of theater through a discussion of the interplay between society, the audience, and performing artists Both dramatic and musical theater are part of the tradition that has made Austria - especially Vienna - and the old Habsburg lands synonymous with high culture in Central Europe. Many works, often controversial originally but now considered as classics, are still performed regularly in Vienna, Prague, Budapest, or Krakow. This volume not only offers an excellent overview of the theatrical history of the region, it is also an innovative, cross-disciplinary attempt to analyse the inner workings and dynamics of theater through a discussion of the interplay between society, the audience, and performing artists. Michael Cherlin is Professor of Music Theory, University of Minnesota. Halina Filipowicz is Professor of Slavic Literatures, University of Wisconsin, Madison. Richard L. Rudolph is Professor Emeritus, University of Minnesota. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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hardcover. Condizione: Fine.

Lingua: Inglese
Editore: Berghahn Books, 2004
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Lingua: Inglese
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Lingua: Inglese
Editore: Berghahn Books, 2003
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Original Cloth. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. 'Damaged' stamp to publication details page and bumping to the top and bottom of the spine and the corners but other than that the book has no faults. Light surface scratching and edge creasing to the jacket. First printing.

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