michael cristofer screenwriter (8 risultati)

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Condizione: Near Fine. A small mark on the front cover otherwise an extremely tight and unmarked copy-" One night in the Bronx a millionaire, Sherman McCoy, and his mistress have an accident. The next day a young Black is in hospital in a coma as McCoy heads for disaster. His humiliation is at the center of a satire on the decaying class, racial and political structure of New York in the 1980s. It's Tom Wolff, this book is EXACTLY applicable to today's environment in the most vivid detail. George Floyd, the wealthy versus the poor, Rodney King, and Breanna Taylor, this really just puts the divide into perspective and lets the reader really see these incidents from multiple perspectives. Compassion can be garnered for its many participants and scorn for those whose existence is predicated on stirring up lies and deception."-Alistair-.

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Two original screenplays for the 1990 film, one being a First Draft (1988), and the other a Second Revised Draft (1989). Brief annotations in manuscript ink on the title page of the second script. Director De Palma's unfortunate box-office flop, based on Tom Wolfe's first novel. Sherman McCoy (Hanks), the "master of the universe," is a shallow Wall Street investor who makes millions while enjoying the good life and the sexual favors of Maria Ruskin (Griffith). One day the two find themselves in the South Bronx, where Maria sees a black youth approaching so, frightened, she guns the engine and runs him over, killing him. The two drive away and decide not to report the accident to the police. Alcoholic journalist Peter Fallow (Willis), anxious for a story, hears about the incident through a local black community activist. Once the story is out, the end is inevitable for Sherman. Set in New York, shot on location there and in California. De Palma would return to independent filmmaking with his next effort, the creepy horror film, "Raising Cain" (1992), starring John Lithgow. First Draft script: White wrappers. Title page present, dated October 1, 1988, noted as FIRST DRAFT, with credits for screenwriter Cristofer and novelist Wolfe.163 leaves, with last page of text numbered 161. Xerographically reproduced. Pages and wrapper Near Fine, bound with two gold brads. Second Revised Draft script; Yellow wrappers. Title page present, dated October 12, 1989 (December 15, 1989, in manuscript ink just above the printed date), noted as SECOND REVISED FIRST DRAFT, with credits for screenwriter Cristofer and novelist Wolfe. 154 leaves, with last page of text numbered 152. Xerographic duplication, with pink, blue, green, and yellow revision pages throughout, dated variously between 10/17/89 and 10/27/89. Pages and wrapper Near Fine, bound with two gold brads.

Second Draft script for the 1984 film. Annotation in manuscript ink on the title page, noting copy No. 23. Six revision pages and 30-page location breakdown sheet laid in with the script. Through multiple twists of fate, two strangers in New York become friends, soon realizing they are developing romantic feelings for each other-although both are married with families. Loosely based on David Lean's 1945 film "Brief Encounter." Set and shot on location throughout New York City. Dark red titled Studio Duplicating Service wrappers, with credit for screenwriter Michael Cristofer on the front wrapper. Title page present, dated January 10, 1984, noted as Second Draft, with credit for Cristofer. 124 leaves, with last page of text numbered 117. Xerographic duplication, rectos only, with salmon revision pages laid in at the rear of the script, dated 4/7/84. Pages Very Good plus, wrapper Very Good plus, bound with two gold brads.