michel cardena (20 risultati)

Soft cover. Condizione: Fine. 1st Edition. 60 pages, illustrated in B&W. Text in Dutch and English; Wim Beeren (foreword) and Peter Rubin. Description of the video's Karel van den Eickhof, Rinus Bollebakker, Ren Scheeren and Andries Udink. - Cardena - Boymans Van Beuningen Rotterdam 2 - 31 Mei 1981 - Fine condition. Incerted a leaflet on cardena, kind of poster on a video called Somos Libres!? - enkele fragementen uit een gesprek met Aggy Smeets and Cardena (in Dutch and English)- Size: 298 x 220 Mm. Book.

Condizione: Very good +. Book. Michel Cardena, W.A.L. Beeren, Peter Rubin, Cardena: Boymans-van Beuningen, Rotterdam, 2-31 mei 1981, Boymans-van Beuningen, Rotterdam, 1981. 220 x 296mm. 60pp. Exhibition catalogue. Printed black and white with card stapled wraps, illustrated throughout. Text in Dutch and English. Catalogue for Cardena's exhibition in 1981 at the Boymans-van Beuningen museum, which focused on 'his video work, because it is there, in our opinion, the he comes most fully into his own and reveals great subtlety" A complete survey of Cardena's performances and visual works from 1969-1981 created in collaboration with the artist himself. Each work is given a single page with text in Dutch and accompanying photographic reproduction. Introduction in Dutch and English written by W.A.L. Beeren and an essay titled 'The video of Michel Cardena' in Dutch and English by Peter Rubin. No edition size given. Condition: some wear to covers, internally fine. Very good +.

60 S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. M00476 Sprache: Niederländisch Gewicht in Gramm: 1050.

Condizione: VG. Peter Van Beveren, Ernst Buchwalder, Michel Cardena, Ulises Carrion, Cavellini Guglielmo Achille, Albrecht D., Michael Druks, Filip Francis, Michael Gibbs, J. Van Geluwen, Klaus Groh, Marten Hendriks, Manja Krijin Herrebout, Luc Deleu, Raul Marroquin, Harry Mesterom, Yoshio Nakajima, Maurizio Nannucci, Marjo Schumans, Hans Seur, Ruedi Schill, Yves De Smet, Rod Summers, Nikolaus Urban, Wout Vercammen and Dick Wessels, Agora Studio Traveling Exposition 1975, Agora Studio, Maastricht, 1975. 160 x 160mm. 35pp. Printed black on white stock in stapled wraps. This catalogue is for the travelling exposition in Autumn 1975 of Agora Studio, through Centro di Arte y Communication, Buenos Aires; Estudio Actual, Carracas and Museo de Arte Contemporaneo, Sao Paulo. Cover design by Klaus Groh. Text by Willem K. Coumans, founder of the Institution of social photography. Includes an image of artwork and biography for each artist including Peter Van Beveren, Ernst Buchwalder, Michel Cardena, Ulises Carrion (no image), Cavellini Guglielmo Achille, Albrecht D., Michael Druks, Filip Francis, Michael Gibbs, J. Van Geluwen, Klaus Groh, Marten Hendriks, Manja Krijin Herrebout, Luc Deleu (no image), Raul Marroquin, Harry Mesterom, Yoshio Nakajima, Maurizio Nannucci, Marjo Schumans, Hans Seur (no image), Ruedi Schill, Yves De Smet, Rod Summers, Nikolaus Urban, Wout Vercammen and Dick Wessels. An important small catalogue of the conceptual art scene of artists based in the Netherlands who via connections with South America (Cayc, Buenos Aires, Raul Marroquin, Ulises Carrion etc) had this touring exhibition. Cayc in turn had exhibitions in Europe (including ICA London, ICC Antwerp and Agora Studios Maastricht). Many of the artists would also feature in Agora's Fandangos magazine. Condition: Some toning to wraps, some rust to staples, internal pages very good+. Overall VG.

Condizione: Very good +. 1st Edition. A4 photocopy broadsheet. Broadside made by the artist to advertise his video screening at Worldpool, 720 Queen St. W. Torronto, November 29th, 1978, 7.20 PM. Lists the videos to be shown which include 'Hand, ice, body'; ' I love you. I love you. and I think you love me too'; ' Un cube se transforme eu cercle par la chaleur de Cardena'; 'The soup is delicious'. The artist has used a photograph of himself setting up a video and combined this with collage elements which he has then photocopied to create the broadsheet. The Colombian artist Miguel Angel Cardenas moved to the Netherlands in the 1960s where he became known as Michel Cardena. Cardenas created the concept of the Warming Up etc, etc, etc. Company, where the Colombian artist set fire and roasted imitations of Mondrians as a statement about the cold northern philosophical art tradition prevalent at the time, among other conceptual activities. Condition: some handling marks, slight toning to bottom and right edge, no tears or creases, overall: very good+.

Condizione: Very Good. Condizione sovraccoperta: near fine. 'Fandangos 8.9.10.11. Superb Issue!', Maastricht, 1978. 300x210mm. 180pp. No edition size given (500 copies). Printed black on white in blue, white and gold printed wraps. Published spring 1978, the last issue of this artists' periodical edited and published by Raul Marroquin. Stickers to front cover, artist stamps inside. Includes articles on 'Superbman', the 'nation's number one citizen', a character created by Raul Marroquin who, the article describes, was appointed as 'Friendship Ambassador to Europe'. The article is uniquely handsigned by Raul Marroquin as Superbman: "With love Fandangos - Superbman" in red marker pen. Peter Frank, Ulises Carrion, Maarten van Regteren Altena, Robert Filliou, Raul Marroquin, Paul Carter, Julia Hayward, Jana Haimsohn, Darcy Lange, Antonio Caro, Baladi, Angelika Schmid, Jonier Marin, Montadas, C. Garcia, Tobe Carey, Klaus Staek, Jan Patric, David Zack, J. Charlin, Eduard Bal, Sanja Ivekovic, Michel Cardena, Tony Morgan, Marjo Schumans, Ben D'Armagnac, Elsa Stansfield, Madieon Hooykaas, Jantje Tetelepta, I. Akel, Joshua Jansen, Relly Carlo, Nan Hoover, Tony Pegotti, Michael Krzyzanowski, Ger van Dijk, John Liggins, Bob Takes/Michiel Romeyn, Jorgos Chronis, Michael Gibbs, Marten Hendriks/ Ad Gerritsen, Marianne Heske, Kirsten Bates and Taki Bluesinger, Jenna Van Eegan, Richard Hefti, Yves de Smet, Nikolaus Urban, Jan Hendrix, Reindeer Werk, Martha Hawley, Charlemagne Palestine, Peter Hutchinson, Phillip Pearlman, Anne Tardos, Roger Cutforth, Willoughby Sharp, R Heyman, Douglas Davis, Jean Depuy, Scott Burton, Larry Miller, Jacki Apple, Laurie Anderson, Jeffrey Deitch, Dalibor Martinis, Marcia Resnick, Anna Banana, Rita Yokoi, Geurt Van Dijk, A Rainer, Dieter Rot, Luigi Ontani, Boltanski, Ad Gerritsen, Annette Messager, Jurgen Klauke, Yves de Smet, Nikolaus Urban, Jan Hendrix, Reindeer Werk, Martha Hawley. A Complete set of Fandangos is available on request. Condition: minor handling to covers, overall Near Fine.

Condizione: Fine. Miguel Angel Cardenas (Michel Cardena), Simultanious Action, Cardena Warming Up etc. etc. etc. company, Rotterdam, 1972. 143 x 105mm, 1pp. Artists' postcard documenting a performance by Cardenas. Text on verso reads 'In-Out Center presents: Simultanious Action. Equipo Movimiento: Young Tchong, Marroquin. Opwarmings Enz. Centrale: Cardena. Copyright: In-Out Center - Printed by Missiehuis Sittard'. Condition: slight toning, Fine.

Condizione: Fine. Miguel Angel Cardenas (Michel Cardena), Ontmoetingen? Recontres? Encounters?, Studio Anne Walsemann, The Hague 1975. 143 x 105mm, 1pp. Artists' postcard documenting performance 'Three video pieces'. Text on verso reads: 'Presents: 3 pieces for video cameras, wiper, fader and dancers by Cardena warming up etc. etc. etc. company. Sunday 21 December 1975 at 15.00h, equiptment by sony brandsteder electronics b.v. fotos by Laurens Schutter'. Condition: slight toning, Fine.

No Binding. Condizione: Fine. Artists' periodical. Fandangos - The Most Important European Art Scandalpaper - Fandangos isn't an art paper but an art piece. Large format Newsprint issue, with hand coloured (watercolour or gouache) front page (yellow, red & blue). Includes interview with Joseph Beuys (4pp on blue newsprint), interview with Iannis Xenakis, centre spread collage by Anna Banana, Bill Gaglione, Carlo G. Cicatelli and Tim Mancusi, with stamped colophon laid in "Fandangos - Nr.6". "Art in the Streets" , contemporary jazz piece. Also contributions by M.Druks, Thomas Niggl, Marjo Schumans, Michel Cardena, Anton Verhoeven, Jean Paul Trillot, Lizzy Dizzle, Jean Clarebout, J.C.Kocman, John Liggins, Philip K. Perkman, Nebrada, Banana Productions, H.B.Walker, Chuck Stake, Danielle Crivelli, Zbigniew Warpechowski, Filip Francis, Yves de Smet, Bertil Petersson et al. A complete set of Fandangos is available on request. Condition: fine.

Condizione: Near Fine. Peter Van Beveren, Ernst Buchwalder, Michel Cardena, Ulises Carrion, Cavellini Guglielmo Achille, Albrecht D., Michael Druks, Filip Francis, Michael Gibbs, J. Van Geluwen, Klaus Groh, Marten Hendriks, Manja Krijin Herrebout, Luc Deleu, Raul Marroquin, Harry Mesterom, Yoshio Nakajima, Maurizio Nannucci, Marjo Schumans, Hans Seur, Ruedi Schill, Yves De Smet, Rod Summers, Nikolaus Urban, Wout Vercammen and Dick Wessels, Agora Studio Traveling Exposition 1975, agora studio, Maastricht, 1975. 160 x 160mm. 35pp. Book printed black on white stock in stapled wraps. This catalogue is for the travelling exposition in Autumn 1975 of Agora Studio, through Centrodi Arte y Communication, Buenos Aires, Estudio Actual, Carracas and Museo de Arte Contemporaneo, Sao Paulo. Cover design by Klaus Groh. Text by Willem K. Coumans, founder of the Institution of social photography. Includes an image of artwork and biography for each artist including Peter Van Beveren, Ernst Buchwalder, Michel Cardena, Ulises Carrion (no image), Cavellini Guglielmo Achille, Albrecht D., Michael Druks, Filip Francis, Michael Gibbs, J. Van Geluwen, Klaus Groh, Marten Hendriks, Manja Krijin Herrebout, Luc Deleu (no image), Raul Marroquin, Harry Mesterom, Yoshio Nakajima, Maurizio Nannucci, Marjo Schumans, Hans Seur (no image), Ruedi Schill, Yves De Smet, Rod Summers, Nikolaus Urban, Wout Vercammen and Dick Wessels. Condition: Near FineTogether withKlaus Groh, North East South West, 1974. 250 x 333mm. White card with print and hand drawn elements in black ink. Signed and dated by the artist in pencil. Arrows within a grid point to North and South directions. Condition: Near Fine.

Condizione: Fine. Miguel Angel Cardenas (Michel Cardena), Smiling barefoot Cardena walks on burning coal , De Appel, Amsterdam, 1977. 143 x 105mm, 1pp. Artists' postcard documenting an event at the Dutch Art Fair Amsterdam, 1977. Text on verso reads: 'Smiling and barefoot Cardena walks on burning coal - published by De Appel A'Dam. Cardena warming up etc. etc. etc. co. druk: Jan Van Eyck academie'. Cardenas created the concept of the Warming Up etc, etc, etc. Company, where the Colombian artist set fire and roasted imitations of Mondrians as a statement about the cold northern philosophical art tradition prevalent at the time, among other conceptual activities. Condition: slight toning, Fine.

Condizione: Fine. Miguel Angel Cardenas (Michel Cardena), Correction of a Catachresis, De Appel, Amsterdam, 1977. 143 x 105mm, 1pp. Artists' postcard documenting a series of events by Cardenas. Text on verso reads ''Correction of a Catachresis' 1973 - 1976, 3 events in Amsterdam Saturday 6 November 1976, Central Station 2pm, Kalverstraat 3pm, Dam 4pm. Video-tapes of the events to be shown: De Appel Brouwersgracht 196, Wednesday 10 November 8-10pm. Bar Saloon Lijnbaansgracht 270-271, Sunday 14 November 8-12pm'. Cardenas created the concept of the Warming Up etc, etc, etc. Company, where the Colombian artist set fire and roasted imitations of Mondrians as a statement about the cold northern philosophical art tradition prevalent at the time, among other conceptual activities. Condition: slight toning, Fine.

Condizione: Fine. 71/74. Miguel Angel Cardenas (Michel Cardena), Cardena Warming Up etc. etc. etc. company is going to read hot passages from The Holy Bible and Pellaprat's Modern Cookery Book. Holland, 1974. 143 x 105mm, 1pp. Edition 71/74. Artists' postcard announcing performance, text on verso reads 'Cardena Warming Up etc. etc. etc. company Is going to read hot passages from The Holy Bible and Pellaprat's Modern Cookery Book. He will read 7 minutes every day in different places of Holland in the week of 11th March till and including 17th of March 1974'. Cardenas created the concept of the Warming Up etc, etc, etc. Company, where the Colombian artist set fire and roasted imitations of Mondrians as a statement about the cold northern philosophical art tradition prevalent at the time, among other conceptual activities. Condition: slight wear to corners, Fine.

Condizione: Near Fine. Undated, c. 1974. 445 x 290 mm. Printed black on blue large format newsprint paper. Subtitled 'The Most Important European Art Scandalpaper - Fandangos isn't an art paper but an art piece'. 'Title concept' is attributed to Michael Gibbs. Includes contribution by Ulises Carrion 'From Fandangos to you'; interview with Tony Pegotty; double-page spread of the 'The Contract' by Marroquin. Other contributors include Anna Banana, Michael Druk, Jacques Lizene, Giovanni Cicatelli, Michel Cardena, Ger Van Dijk, Bertil Petersson, Jean Claude Schauenberg, Gerald Minkoff, Achille Cavellini, Mad Enterprises Inc, Tony Pegotty, Nicolas Uriburu, Ana Kamien, Antonio Trotta, Jorge Natalio Silberman, Chiquito Gomez, Raul Marroquin, Jorge Caraballo, COUM, The Bay Area Daddaists, Theodoros, Ulises Carrion, Carlos Ginzburg, E. Buchwalder, Grupo Teatro del Encuentro. Large item, requires extra postage. A Complete set of Fandangos is available on request.

Condizione: Fine. [Agora O. C.; In - Out Productions] Equipo Movimiento (MARROQUIN, YOUNG TCHONG); Michel CARDENA; Ulises CARRIÓN Invite, 19,3×14,4 cm. Bifolium. Fine. Document for a group show presenting the activities of In-Out Productions. This was the first moniker under which the collective-like venue operated before opening up a physical space in November 1972 and rebranding itself as In - Out Center. Among the earliest activities of In - Out was the production of artists' books the first of which was Ulises Carrión's Sonnet(s) which was also his first bookwork - this exhibition most probably being the first ever public presentation of Carrión's bookworks. It is interesting to note also that Agora did not yet present itself with the later commonly used titles like 'Studio' or 'Stifting', but as 'Agora O.C.', where O.C. stood for ontmoetingscentrum [meeting center] an allusion to the networking character of these groups. (?) Marroquín and Ulises Carrión, a Mexican writer/linguist, knew each other through Cardena from before Carrión decided to definitively settle in Amsterdam - they met one or two times in England. Marroquín was the first to declare Carrión an artist, underlining his transition from literature to visual art, and Carrión was touched. "?un artista, qué digo, Artista, de mi categoria", he wrote on January 11, 1973 in response to Marroquín's reference to an exposition. The two collaborated in several domains. At the Theater de Lantaren in Rotterdam, they performed Simultaneous Actions together with Cardena's Warming Up etc. etc. etc. Company on September 30, 1972. This was already under the umbrella of In-Out Productions, weeks before the opening. In December of the same year, just after the inauguration of the In-Out Center, Carrión presented his very first artists' book, Sonnet(s) (1972), in Agora, Maastricht. The book is dedicated to Raúl Marroquín, and it is probable that it was printed at the Jan van Eyck Academie and received his mediation help. [Tineke Reijnders, 2017].

Condizione: Near Fine. 448 x 294 mm. 12pp. Printed black on white newsprint. Subtitled 'Fandangos The First European Art Newspaper'. Title concept by Klaus Groh. Contributors include Peter Hutchinson, Nikolaus Urban, Janos Urban, E. Buchwalder, John M. Armleder, Yoshia Nakajima, Carlo Giovanni Cicatelli, Anna Banana, H. B Reeskamp, F. Pezolo, Michael Gibbs, Marjo Schumans, Rod Summers, Raul Marroquin, Filip Francis, Michael Druks, Ruedi Schill, W. Vazan, Robin Crozier, Anton Verhoeven, H. Dekker, K. Benning, H. B Walker, W. Cuvelier, Groupe Cap, L Coppers, John Liggins, L. Walz, Michel Cardena, Johan Van Geluwe, Maurizio Nanucci, Hans Werneg Kalkmann, Massimo Nannucci, Allen Fisher and others. A Complete set of Fandangos is available on request.

Condizione: Near Fine. Miguel Angel Cardenas (Michel Cardena), black and white and sometimes colourful no. 2, Warming Up etc. etc. etc. / AKI, Amsterdam, Netherlands. 203 x 203mm, 31pp. Black on white stock pages interleved with translucent sheets with blue and red designs by the artist. Transparent dust jacket with white and red print. The black and white reproductions show the set up, related video works and dancers performing. Introduction by Dr Rebeca Galera de Toro. The work consisted of 'live-video-performance for 2 dancers, 1 musician, 12 cameras, 3 faders, 1 wiper etc. etc. etc.'. Performed at Galerie de appel. Published by the artists 'Warming Up etc. etc. etc.' company, which took its name from Cardena's proposal that the art in the Netherlands and Europe was too 'cold' and logical, and needed to be warmed up. Cardena exemplified this in works such as rolling a canvas with a Mondrian painting (reproduced) on it, round the skewer of a spit roast machine, and cooking it, and also burning installations of 'Mondrian' canvases. Condition: Minor handling marks but overall Near Fine, a fresh beautiful copy.

Condizione: Very Good. [Agora O. C.; In - Out Productions] Equipo Movimiento (MARROQUIN, YOUNG TCHONG); Michel CARDENA; Ulises CARRIÓN Silkscreen, poster, 49,3×35 cm. Previously folded. Excellent. Poster for a group show presenting the activities of In-Out Productions. This was the first moniker under which the collective-like venue operated before opening up a physical space in November 1972 and rebranding itself as In - Out Center. Among the earliest activities of In - Out was the production of artists' books the first of which was Ulises Carrión's Sonnet(s) which was also his first bookwork - this exhibition most probably being the first ever public presentation of Carrión's bookworks. It is interesting to note also that Agora did not yet present itself with the later commonly used titles like 'Studio' or 'Stifting', but as 'Agora O.C.', where O.C. stood for ontmoetingscentrum [meeting center] an allusion to the networking character of these groups. (?) Marroquín and Ulises Carrión, a Mexican writer/linguist, knew each other through Cardena from before Carrión decided to definitively settle in Amsterdam - they met one or two times in England. Marroquín was the first to declare Carrión an artist, underlining his transition from literature to visual art, and Carrión was touched. "?un artista, qué digo, Artista, de mi categoria", he wrote on January 11, 1973 in response to Marroquín's reference to an exposition. The two collaborated in several domains. At the Theater de Lantaren in Rotterdam, they performed Simultaneous Actions together with Cardena's Warming Up etc. etc. etc. Company on September 30, 1972. This was already under the umbrella of In-Out Productions, weeks before the opening. In December of the same year, just after the inauguration of the In-Out Center, Carrión presented his very first artists' book, Sonnet(s) (1972), in Agora, Maastricht. The book is dedicated to Raúl Marroquín, and it is probable that it was printed at the Jan van Eyck Academie and received his mediation help. [Tineke Reijnders, 2017].

Condizione: Very good +. A set of this important and highly sought-after artist periodical edited by the Colombian-born artist Raul Marroquin, Ger van Dijck, Marjo Schumans, Ulises Carrion and others. Published by Agora Studios and the Jan Van Eyck Academy Maastricht. This is a complete set of 8 magazines representing 11 issues; including two copies of issue 3 as each cover has a unique collage element. Some issues are subtitled 'Fandangos - The Most Important European Art Scandalpaper - Fandangos isn't an art paper but an art piece'. Indeed, Fandangos is seen as one of the most important conceptual art magazines from the Netherlands, which shows the importance of South American avant-garde artists to the conceptual art scene of The Netherlands in the 1970s. Issues included are as follows 'Vandangos (aka Fandangos no. 1)', Maastricht, December 1973. 610 x 430 mm. Poster/sheet printed black on white paper stock. Subtitled 'Vandangos is publishing projects, documentations, ideas, commentaries, activities with the aim of an overall communication'. Contributions included: Antonio Caro ('Imperialism is a Paper Tiger'), Ulises Carrion ('Why plagiarisms? because'), Guglielmo Achille Cavellini, Felipe Ehrenberg ('The Informer 1957, 1968, 1972: Short Story in Five Parts, September 1973'), Robert Filliou, Hreinn Fridfinnsson ('The Dream'), Sigurdur Gudmundsson, Raul Marroquin, Pieter Laurens Mol, Marjo Schumans, Rod Summers ('Hands'), Cecilia Vecuna, Anton Verhoeven. Condition: toning as seen, no tears. Very good+;'Fandangos 2', Maastricht, January 1974. 109 x 79.5 cm. Sheet printed green on white paper with red rubber-stamps. Contributors include a glued card by Cavellini, Marjo Schumans, Robert Filliou, Thomas Niggl, Jonathan Ellender, Yoshio Nakajima, David Mayor, Hreinn Fridfinnsson and others. Condition: folded as issued. Very good+/near fine;'Phandangos 3! (aka Fandangos no. 3)', Agora/Jan van Eyck Academy, Maastricht. Undated (c.1972). 520 x 395 mm. Two issues supplied in this set, each with a unique collage element to cover. Printed black on large format newsprint with numerous unique collages and cut-out interventions throughout. On each issue the cover includes a unique collage element (magazine cut-out glued to the page) as well as 'Blue Landscape' by Dick Wessels, a blue acetate square stapled to the cover. Contributors include: Thomas Niggl, Herbert Walker, Dick Wessels, Bernardo Salcedo, Karina Raeck, G. J de Rook, Michael Gibbs, Jacques Lizene, Davi Det Hompson, Jorgos Chronis, Ovum, Cayc, Ad Gerritsen, Marten Hendrix, peter Hutchinson, Marjo Schumans, Peter Adamski Etiquette, Christiane Berndes, Jochen Gerz, Michel Druks, Anton Verhoeven, Geza Perneczsky (with rubberstamp in red), Beverly Parke, Klaus Groh, Guillermo Duarte, Jan Tomaschoff and others. Condition: slight toning, very good+/near fine;'Van Tangos (aka Fandangos no. 4)', Agora, Maastricht. Autumn/Winter 1974. 448 x 294 mm. 12pp. Printed black on white newsprint. Subtitled 'Fandangos The First European Art Newspaper'. Title concept by Klaus Groh. Contributors include: Peter Hutchinson, Nikolaus Urban, Janos Urban, E. Buchwalder, John M. Armleder, Yoshia Nakajima, Carlo Giovanni Cicatelli, Anna Banana, H. B Reeskamp, F. Pezolo, Michael Gibbs, Marjo Schumans, Rod Summers, Raul Marroquin, Filip Francis, Michael Druks, Ruedi Schill, W. Vazan, Robin Crozier, Anton Verhoeven, H. Dekker, K. Benning, H. B Walker, W. Cuvelier, Groupe Cap, L Coppers, John Liggins, L. Walz, Michel Cardena, Johan Van Geluwe, Maurizio Nanucci, Hans Werneg Kalkmann, Maurizio Nannucci, Allen Fisher and others. Condition: Near fine;'Fun-Dangos 5 (aka Fandangos no. 5)', Maastricht. Undated (1975). 445 x 290 mm. Printed black on blue large format newsprint paper. Subtitled 'The Most Important European Art Scandalpaper - Fandangos isn't an art paper but an art piece'. 'Title concept' is attributed to Michael Gibbs. Includes contribution by Ulises Carrion 'From Fandangos to you'; interview with Tony Pegotty; double-p.

Condizione: Fine. 298 x 210 mm. Printed document with rubber stamp, small silver gelatin photograph of the artist, signed by the artist. A certificate issued by Cardenas certifying that the artwork features in the attached folder by two of his students Hans Mellendijk and Herman ter Beek is approved by cardenas as part of the 1,000,001th year birthday of art. The idea of this birthday and such certification belonged to the fluxus artist Robert Filliou. The work feaured in the booklet (text in Dutch) is a portable fire in a suitcase. A suitable artwork shown in different situations. Cardenas created the concept of the Warming Up etc, etc, etc. Company, where the Colombian artist set fire and roasted imitations of Mondrians as a statement about the cold northern philosophical art tradition prevalent at the time, among other conceptual activities. No edition size give, but though less that 25 copies printed. Conditio: slight rust marks to left margin from where the document was placed inside the folder with its metal hinges. Folder: fine.