Michele hannoosh (81 risultati)

Hardcover. Condizione: Very Good. Very good or better jacket. First Edition. Hardcover in jacket. Approaching fine condition. Purple cloth book lightly bumped at top corners else fine and unmarked. Jacket lightly worn at corners else fine and unclipped. 275pp -Quality Counts! All books shipped in Cardboard and all books with dust jackets have mylar jacket protectors..…

Hardcover. Condizione: New. New copy.

Hardcover. Condizione: Fine. 1st. Pictorial boards, 165 pages, illustrations (some colour); 30 cm. Firm binding, clean inside copy. A fine copy. Richly illustrated with colour plates. *** "This groundbreaking publication centers on a previously unknown variation of Eugene Delacroix's (1798-1863) dramatic masterpiece The Last Words of the Emperor Marcus Aurelius, published here for the first time. This book offers a compelling reassessment of the relationship of the artist, widely consider a primary exemplar of Romanticism, to Neoclassical themes, as demonstrated by his life-long fascination with the death of Marcus Aurelius. Through this investigation, the authors reinterpret Delacroix's lineage to such fellow artists as Jean-Auguste Dominique Ingres (1780-1867) and Jacques-Louis David (1748-1825). Playing on the various interpretations of the word 'finish,' the book also offers a fascinating account of Delacroix's famously troubled collaboration with his studio assistants, his conflicted feelings about pedagogy, and his preoccupation with the fate of civilizations." - Publisher. *** CONTENTS: Delacroix and the Matter of Finish, by Eik Kahng; Delacroix's pedagogical desire, by Marc Gotlieb; Delacroix and the ends of civilizations, by Michele Hannoosh. Size: 4to. Collectible. …

Paperback. Condizione: Good+. 4to - over 9¾ - 12" tall.

Paperback. Condizione: new. Paperback. Jules Michelet, one of Frances most influential historians and a founder of modern historical practice, was a passionate viewer and relentless interpreter of the visual arts. In this book, Michele Hannoosh examines the crucial role that art writing played in Michelets work and shows how it decisively influenced his theory of history and his view of the practice of the historian.The visual arts were at the very center of Michelets conception of historiography. He filled his private notes, public lectures, and printed books with discussions of artworks, which, for him, embodied the character of particular historical moments. Michelet believed that painting, sculpture, architecture, and engraving bore witness to histories that frequently went untold; that they expressed key ideas standing behind events; and that they articulated concepts that would come to fruition only later.This groundbreaking reevaluation of Michelets approach to history elucidates how writing about art provided a model for the historians relation to, and interpretation of, the past, and thus for a new type of historiographyone that acknowledges and enacts the historians own implication in the history he or she tells. Demonstrates the crucial role that art-writing played as a tool of historical analysis in the work of the Romantic historian Jules Michelets work, decisively influencing his most important historical concepts, his idea of history, and his view of the practice of the historian. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Soft cover. Condizione: Fine. 1st Edition. Impressions of French Modernity: Art and Literature in France 1850-1900, edited by Richard Hobbs, is a scholarly volume published by Manchester University Press in 1998. It explores the concept of modernité in French art and literature during the second half of the 19th century, a period marked by rapid urban transformation, industrialization, and cultural shifts. The book brings together contributions from international specialists to examine how modernity shaped artistic and literary expressions through painting, sculpture, novels, diaries, dance, poetry, criticism, and theory. It spans the Second Empire to the fin de siècle, focusing on how artists and writers responded to the changing social and cultural landscape.…

Hardcover. Condizione: New. No Jacket. 1st Edition. New Haven: Yale University Press / Santa Barbara Museum of Art, 2013. First edition. First printing. Hardcover. Very Fine, issued without a dust jacket. A pristine unread copy, still in publisher's original shrink-wrap. Publisher's original dark color-illustrated boards with white lettering. Octavo, 165 pages on heavy stock, with 45 color plates. DELACROIX AND THE MATTER OF FINISH accompanied exhibitions of the same title held in Santa Barbara, California, and Birmingham, Alabama, between October 2013 and May 2014. The catalogue presents the discovery of a major painting by Eugène Delacroix an easel-size variation of The Last Words of Marcus Aurelius, authenticated and curated by Eik Kahng. The book also examines the artist's lifelong struggle with the idea of "finish." Critics often charged that Delacroix was incapable of bringing his canvases to full completion, but Kahng's study reconsiders that claim by asking whether smaller versions of known monumental works were preparatory, retrospective, or commemorative. A complex and beautifully illustrated catalogue that redefines the painter's technique and artistic legacy. YALE.…

Hardcover. Condizione: As New. Columbus, 1989; purple cloth covered boards; minimal shelf wear; glossy illustrated jacket; 8vo, 7 3/4" to 9 3/4" tall; interior is clean and unmarked; 275 pages.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Hardback book (348 pages) illustrated with b/w reproductions. Dust jacket shows moderate rubbing/scuffing. Bookseller since 1995 (LL-15A-Middle-L) rareviewbooks.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Like New. Factory sealed. Groundbreaking publication centers on a previously unknown variation of Eugene Delacroix?s (1798?1863) dramatic masterpiece The Last Words of the Emperor Marcus Aurelius. Covers his contemporaries, a fascinating account of Delacroix?s famously troubled collaboration with his studio assistants, his conflicted feelings about pedagogy, and his preoccupation with the fate of civilizations. Color plates. 168p.…

Hardcover. Condizione: Very good. Condizione sovraccoperta: very good. First edition. Octavo (standard size). Slight wear to edges and corners of boards and dust jacket. A couple impressions on the ront board xii, 348 p/ w/ footnotes, illus., selected bibliography, index. A study on Baudelaire's esays on caricature as a seripus art and of great importantance to his ideas of modernity. section b.…

Hardcover. Condizione: Clean & Unmarked. Like New. A very clean and straight copy in like dust jacket. 348 pp.

Condizione: MOLTO BUONO. NOTA:sopracoperta con lievi strappetti. / Ohio State University Press cm.14x22, pp.X,276, legatura editoriale cartonata con sopraccoperta figurata.

Condizione: As New. Unread book in perfect condition.

Condizione: Very Good. 348 pages. Hardcover with dust jacket. Baudelaire's illustrations throughout. Minor dust jacket edge wear, otherwise, very clean, bright and tight copy. Record # 457439.

Paperback. Condizione: Brand New. 248 pages. 9.00x6.00x0.69 inches. In Stock.

Original publisher's sewn black paperback, pictorial frontcover, 8vo: 256pp., 21 contributions with illustrations - tables - notes - references, table of contents. Very fine copy - as new. Volume 50: Textxet. Studies in Comparative Literature.

Condizione: New.

Condizione: New. 2020. Illustrated. Paperback. . . . . . Books ship from the US and Ireland.

Hardcover. Condizione: As New. Dark, color-illus. boards with white lettering. 165 pp. with 45 color plates. Very nice, thick paper. Catalogue which accompanied the exhibitions of the same title in Santa Barbara, California and Birmingham, Alabama, between October 2013 and May 2014. A complex catalogue/exhibition with two purposes: first, the discovery and viewing of a major painting by Delacroix, an easel-size variation of The Last Words of Marcus Aurelius, of which Dr. Kahng was both authenticator and curator. Second, the matter of the finishing of Delacroix's paintings. Critics maintained that he was "incapable of bringing his canvases to a sufficient state of finish. His ideas, while often engaging and original, were therefore just that - ideas that he was technically incapable of realizing through the painter's usual illusionistic meanns.But how are we to to classify smaller-scale versions of known, monumental canvases? How are we to determine if they are preparatory, and, therefore, predate their monumental, finished counterparts? Or are such smaller versions aide-memoires, done, perhaps, to record beloved subjects once they departed the studio. Does the degree of finish enable us to make this determination for an artist who famously eluded normative notions of finish?" A compelling catalogue, beautifully illustrated.…

Condizione: Near Fine. dj. First Edition. 8vo, lilac buckram cloth, silver titles, 275pp. First edition. Unpriced dust jacket with fading and rubbing to panels, crease and chip to top edge of front panel. Contents clean, binding sharp and firm. Critical study of the short story collection Moralites legendaires by the French Decadent and symbolist writer Jules Laforgue. The stories recycle dramatic and literary archetypes in a parodical style and classical concentration typical of the 1880s Decadent movement. From the personal library of Television frontman Tom Verlaine, songwriter, guitarist and book collector. A nice copy.…

hardbound. Study of Baudelaire's essays on Caricature, with focus on their significance for Baudelaire's conception of modernity, and on his wider theory of the comic; references Daumier, Hogarth, Pigal, Grandville, Bruegel, etc; numerous b&w illustrations. Dustwrapper. 348pp. 8vo. Very Good tight and clean in Very Good dustwrapper Very Good tight and clean in Very Good dustwrapper. b&w illustrations (illustratore).…

paperback. Condizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Soft cover. Condizione: New. Summary:A comprehensive, annotated English translation of Eugène Delacroix's most significant writings during his travels in Morocco, Algeria, and southern Spain, recording his observations of places, people, costume, landscapes, and architecture.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. A Lovely Clean Tight Book, No Marks Or Inscriptions. Blue Cloth Covered Boards With Bright Gilt Title On The Spine. The Dj Is Complete, Not Price Clipped, Blue With Caricature Inset On The Front Cover. White Titles On The Front And Spine. Very Minor Shelf Wear Bumping To The Spine Ends Otherwise Pristine.…

Paperback. Condizione: New.

Condizione: New. In English.

Hardcover. Condizione: new. Hardcover. Jules Michelet, one of Frances most influential historians and a founder of modern historical practice, was a passionate viewer and relentless interpreter of the visual arts. In this book, Michele Hannoosh examines the crucial role that art writing played in Michelets work and shows how it decisively influenced his theory of history and his view of the practice of the historian.The visual arts were at the very center of Michelets conception of historiography. He filled his private notes, public lectures, and printed books with discussions of artworks, which, for him, embodied the character of particular historical moments. Michelet believed that painting, sculpture, architecture, and engraving bore witness to histories that frequently went untold; that they expressed key ideas standing behind events; and that they articulated concepts that would come to fruition only later.This groundbreaking reevaluation of Michelets approach to history elucidates how writing about art provided a model for the historians relation to, and interpretation of, the past, and thus for a new type of historiographyone that acknowledges and enacts the historians own implication in the history he or she tells. Demonstrates the crucial role that art-writing played as a tool of historical analysis in the work of the Romantic historian Jules Michelets work, decisively influencing his most important historical concepts, his idea of history, and his view of the practice of the historian. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condizione: Very Good. No dust jacket as issued No dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized.