Michele mascitti (18 risultati)

Condizione: As New. Unbenutztes und ungelesenes Exemplar aus einem Messestand, jedoch auf dem Vorblatt als 'Mängelexemplar/Antiquarisch' gekennzeichnet. Versand aus Deutschland innerhalb von 24 Stunden. Zustellung in 3-5 Werktagen. Rechnung mit ausgewiesener MwSt.-.

Condizione: Fine. Unbenutztes und ungelesenes Exemplar aus einem Messestand, jedoch auf dem Vorblatt als \'Mängelexemplar/Antiquarisch\' gekennzeichnet. Deckblatt weist Minimale Lagerspuren auf. Versand aus Deutschland innerhalb von 24 Stunden als Büchersendung. Zustellung in 3-5 Werktagen. Rechnung mit ausgewiesener MwSt.- ! Bestellen Sie mehrere Artikel bei uns, können wir Ihnen auf Anfrage einen Teil des Portos erstatten .…

Condizione: new. Expédition le jour même. Libraire depuis 26 ans. Envoi soigné avec suivi.

Noten. Condizione: Neu. Neuware - Ordinary violin sonatas formed the backbone of the series of ten collections that the Italian violinist Michel Mascitti (1663/41760), born in southern Italy but permanently resident in Paris from 1703, committed to print between 1704 and 1738. His Op. 7 (1727) opens with eight such sonatas but ends with four concertos for strings in six parts that, alongside a collection of concertos for five flutes (!) by J.B. de Boismortier published in the same year, inaugurate the proud tradition of concertos created on French soil. Amazingly, Mascitti's concertos have been neglected not merely by publishers and performers but also by commentators. In particular, the first two concertos display great musical merit in an original idiom that combines Italian and French influences in a very personal way. Further, their Italianate elements juxtapose features familiar from the concertos of Corelli, Mascitti's reputed teacher, with ones more usually associated with Vivaldi. Both concertos are laden with emotion, albeit never at the expense of the polish and attention to detail that are the hallmark of Mascitti's craft.…

Softcover/paperback. o.A. 21, 6, 6, 6 Seiten Leichte Lager- und Gebrauchsspuren, mit drei Stimmheften, Stücke jeweils mit kleinen Handzeichen des Vorbesitzers, Kanten leicht berieben und bestoßen, innen wie außen ein sehr gutes Exemplar. Die Seiten sind sauber und ohne Knicke. Sprache: Deutsch Gewicht in Gramm: 200.…

Condizione: New. Violine und Basso continuo. Partitur und Stimme .

Condizione: New. 2 Violinen und Basso continuo. Partitur und Stimmen .

Condizione: New. 2 Violinen, Streichorchester, Basso continuo. Partitur .

Condizione: New. 2 Violinen und Basso Continuo. Partitur und Stimmen .

Condizione: New. 2 Violinen und Basso Continuo. Partitur und Stimmen .

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1731 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 66 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 66 Language: zxx.…

Oblong folio. Early 20th century flexible marbled boards. 1f. (recto title in early manuscript facsimile, verso blank), 59, [i] (privilege) pp. Engraved. Boards worn, rubbed, bumped, and partially detached; spine lacking. Slightly worn; moderately browned; minor tears, stains, and soiling; occasional dampstaining; some signatures detached. Lacking title, dedication, pp. 5-6 (all supplied in manuscript facsimile), and separately-issued second violin part. First Edition. Lesure p. 422. RISM M1212 (1 copy only in both the U.S. and the U.K.). Mascitti settled in Paris in 1704, where all nine of his published collections were issued between that year and 1739. "[He] became a figurehead of Italian instrumental music in France and was regarded as the peer of Corelli [who had been his teacher in Rome] and Albinoni. . Mascitti enjoyed enormous popularity with the French public." TNG Vol. 11, p. 746. "The success of his sonatas in his own day is evidenced by their several reprints throughout the century . and the high praise for them to be found in the writings of Daquin, Le Blanc, and La Borde, among others." Newman: The Sonata in the Baroque Era, pp. 368-369. …

Oblong folio. Modern quarter gray paper with marbled boards, paper title label gilt to spine. 1f. (recto title, verso blank), 31, [i] (blank) pp. Engraved throughout. Occasional small stains and moderate soiling to blank margins. Second edition. BUC p. 659. RISM M1213 (2 copies in the US, at NYPL Lincoln Center and the Library of Congress, the first with plate number 124, the second without plate number, as in the present copy. Mascitti, originally from Naples, settled in Paris in 1704, where all nine of his published collections were issued between that year and 1739. "[He] became a figurehead of Italian instrumental music in France and was regarded as the peer of Corelli [who had been his teacher in Rome] and Albinoni. . Mascitti enjoyed enormous popularity with the French public." TNG Vol. 11, p. 746. "The success of his sonatas in his own day is evidenced by their several reprints throughout the century . and the high praise for them to be found in the writings of Daquin, Le Blanc, and la Borde, among others." Newman: The Sonata in the Baroque Era, pp. 368-369.…

1f. (recto title, verso dedication), 58, [i] (blank), [i] (Privilege du Roy dated April 24, 1714) pp. With catalogue to foot of last page of music listing Mascitti's opp. 1-5, "De Baussen Sculpsit" to lower right corner. Notated on two staves: solo violin and figured bass. First Edition, first issue. Lesure p. 422. Hirsch III, 391. RISM M1230 (two later issues from 1731 and 1740). Bound with: Sonate a Violino solo e Basso . Opera Sesta. Ce Sixiéme Livre renferme quinze Sonates. La derniere est à trois parties dont la seconde est faite pour estre joüée par la Basse-de-Viole ou par le Violoncello . Le Prix en blanc est de 10 tt. Avec Privilege du Roy. Cette Planche est gravée De Berey et la musique du Livre par Du Plessis. Parigi: Boivin, 1722. 1f. (recto title, verso blank), 69, [i] (Privilege du Roy dated April 24, 1714) pp. Notated on two staves: solo violin and figured bass, with the exception of the final sonata, Sonata XV, notated on three staves (violin, viol or cello, and figured bass). With "Gravé par F. du Plessy" printed to foot of final page of music. First Edition. Rare. Lesure p. 422. Hirsch III, 392. RISM M1233 (two copies only in North America). Provenance Alfred Cortot (1877-1962), noted pianist and collector, with his distinctive bookplate to front pastedown and verso of front free endpaper and annotations in his hand in pencil both above and below both bookplates, small monogrammatic handstamp to lower right corner of title and to lower outer corner of p. 25 of first work. Folio. Full contemporary ivory vellum with raised bands on spine in compartments, later dark red leather title label gilt to spine. Binding worn, soiled, stained, and warped; rebacked and recornered; endpapers worn and quite stained. Occasional foxing, soiling, browning, and staining, mainly to margins; dampstaining to some upper outer corners; several small tears with minor loss to final three leaves of outer edge of Op. 6. Mascitti, an Italian composer and violinist, "was taught by his uncle, Pietro Marchitelli, who was attached to the royal chapel of Naples and to the church of S Bartolomeo as a violinist. Marchitelli procured for his young nephew the post of a 'supernumerary violinist' in the royal chapel with the prospect of a permanency later, but Mascitti preferred to seek his fortune abroad. Having travelled through Italy, Germany and the Netherlands, he settled in Paris in 1704. He soon attracted the attention of the Duke of Orléans and through him gained the opportunity to play before the king, the dauphin and the whole court. Mascitti became a figurehead of Italian instrumental music in France and was regarded as the peer of Corelli and Albinoni. Possessing the advantage over his fellow-nationals of residence in Paris, where all nine of his published collections were first issued between 1704 and 1738, Mascitti enjoyed enormous popularity with the French public, to whom he was affectionately known by his first name Michele in various gallicized forms." Michael Talbot in Grove Music Online "The success of his sonatas in his own day is evidenced by their several reprints throughout the century . and the high praise for them to be found in the writings of Daquin, Le Blanc, and la Borde, among others." Newman: The Sonata in the Baroque Era, pp. 368-369. Mascitti brought Italian violinistic virtuosity to Paris and, like Couperin, pursued a harmonious melding of French and Italian styles in his music.…

Leather Bound. Condizione: New. Language: zxx. Language: zxx. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1731. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - zxx, Pages: - 66, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 66 66.…

LeatherBound. Condizione: NEW. LeatherBound edition. Condition: New. Reprinted from 1714 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 72.…

15. Parigi ( Paris ) , chez Foucaut, gravé par H. De Baussen , 1704 , oblong in-4°, 25,5 x 35,5 cm, engraved title + engraved dedication page + 59 pp with engraved music. Bound with ; .Opera seconda, Parigi, 1706, title + preface from the composer + 62 pp of engraved music + 1 engraved pp (privilege). Bound in contemporary mottled calf, raised gilt spine, binding slightly damaged but still a good copy, printed on strong paper. The first work contains sonatas I -VI for violin and basso continuo (pp. 1-31), scores for both instruments printed one underneath the other. Pages 32-59 contain sonatas VII - XII for 4 instruments. Printed are the scores for the first violin, the violincello and the basso continuo. The composer writes at the end that the score for the second violin will be added in a separate booklet. This booklet is missing. The second work contains XV sonatas for violin and basso continuo, score for both instruments printed one underneath the other, stave per stave. Rare convolute of 27 sonatas of Michele Maschetti , with only missing the score for the second violin of the sonatas 6-12. Michele Mascitti (1664-1760). First editions, dedicated to the Duke of Orleans.…

Leather Bound. Condizione: New. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1719. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Pages: - 66, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 66 66.…