Mickael szanto (14 risultati)

Hardcover. Condizione: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Softcover. Condizione: Good. Paperback, veel (paginagrote) illustraties in kleur, 4to.

Condizione: fine. l'article peut presenter de tres legers signes d'usure. vendeur professionnel; envoi soigne en 24/48h.

brossura. Condizione: in eccellenti condizioni. Paperback. Nederlands., Ill. bn: --, Ill. colori: Illustrated throughout in colour, Peso: 560 gr.

Condizione: Très bon. 371 pages : illustrations en noir et en couleurs, couverture illustrée en couleurs ; 20,7 x 26,6 x 3,0 cm || Texte français || Impression 2012 || Sans aucune inscription.

Condizione: Très bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Hardcover. Condizione: VG. Sage and color illus. glossy boards, 488 pp., many color illus. Text is in French. Issued in conjunction with a 2015 exhibition that explored the Christian dimensions of the art of French Baroque painter Nicolas Poussin (1594-1665). With a variety of thematic and illustrated essays on the topic of "Poussin and God." The annotated and illustrated catalogue addresses 98 specific pieces, with many full-page and full-color views. Includes a chronology and bibliography. A stunning new reference and consideration of this artist. Translated abstract as follows: Official catalogue and album of the exhibition "Poussin and God" at the Louvre Museum from April 2 to June 29, 2015. Poussin is the greatest French painter of the 17th century. A figure of the "painter poet" inspired by Ovid or Virgil, a model of the "painter philosopher" imbued with ancient virtues, he is the author of a work with multiple resonances whose Christian dimension has been too often neglected, even contested. Painter of the Sleeping Nymphs and of the great moments of ancient history, the French master was also and above all the painter of the Gospels. Rethinking Poussin's painting in the light of religion allows us to bring a new perspective on the imaginative power of an exceptional artist, capable of mixing the profane and the sacred to better meditate on the mysteries of religion. On the occasion of the 350th anniversary of the artist's death (1665), the exhibition at the Louvre aims to highlight the originality of Nicolas Poussin's sacred painting, a source of personal reflection on God. This catalogue, which reproduces many of his greatest masterpieces, aims to shed new light on his work according to three main orientations: the way in which the artist places himself in the context of the Catholic tradition resulting from the Counter-Reformation; the originality, even the audacity of his iconographic inventions, nourished by the source of the Scriptures and the exegesis of the Fathers of the Church, the artist going so far as to mix sacred and profane traditions; the centrality of the figure of Christ, often hidden behind subjects and characters from the Old Testament. The large religious formats are presented, which restore the monumental and spectacular dimension of Poussin's sacred work, but also the Holy Families, true icons of the Grand Siècle, which were one of the guiding threads of his art throughout his career. The importance of his Christian friendships is highlighted, through the portraits of his most fervent admirers, the Roman Cassiano dal Pozzo and the Frenchman Paul Fréart de Chantelou, both famous sponsors of the series of the seven sacraments. Painter of the Virgin and the sacraments of the Church, the artist was also able to develop in his painting, a section will be devoted to this theme, a meditation on the order of the world, the events of this world, the vicissitudes of human life, placed under the authority of divine providence. The last sections deal with the subjects of the life of Christ and Moses, omnipresent in Nicolas Poussin's late paintings. Finally, the meditative, even mystical dimension of his painting is evoked in the large landscapes executed at the end of his life. Co-published with the Louvre Museum editions.…

Softcover. Quarto. Softcover. Brown & color illus. wraps, 84 pp., many color & BW illus. Text is in Dutch, with a brief English summary at the rear. Issued in conjunction with a 2007 exhibition of artwork by Dutch painter and etcher Herman van Swanevelt. With six thematic essays, a catalogue of 52 items, a bibliography, and many fine examples of the artist's work. A nice introduction to someone you may not know. VG- (Top of outer spine has slight bend, otherwise good.).…

P.S. Items / Stadsmuseum Woerden. 2007. 29 x 24,5 cm. Paperback / Softcover. Met illustraties in kleur en z/w. 84 pag. NIEUW EXEMPLAAR [Art / Dutch artist [Nederlandse Kunstenaars] ].

Soft cover. Condizione: As New. Condizione sovraccoperta: As New. Language: Dutch. The landscapes of Herman van Swanevelt 1603-1655: Towards the south softcover, 29 x 24.5 cm, 84 pages, in very good condition [This description may have been translated by AI.] 0.

Condizione: Bon. Attention: Ancien support de bibliothèque, plastifié, étiquettes. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Couverture rigide. Condizione: Comme neuf. Edition originale. Paris 2012. 1 Volume/1. -- Comme Neuf -- Reliure éditeur cartonnée illustrée - Dos toilé. Format in-4°( 26,6 x 20,7 cm )( 1590 gr ). ------ 320 pages avec 231 illustrations couleurs. ********************** "" L'ouvrage est le reflet de l'exposition d'une sélection de 120 peintures, dessins et gravures, présentée au musée Carnavalet à l'automne 2012. Il suit un axe chronologique et stylistique autour duquel seront développées les grandes problématiques liées à l'art religieux : importance et diversité des commanditaires (famille royale, communautés religieuses, marguilliers, confréries), étapes de la création (dessins préparatoires, réduction, modelli), intégration des décors dans l'architecture, dévotions et représentations bibliques reflétant la spiritualité du XVIIe siècle. La Conservation des uvres d'art religieuses et civiles de la Ville de Paris (COARC) et le musée Carnavalet réunissent pour la première fois depuis 1956 un riche ensemble de quatre-vingt-neuf peintures, évoquant l'extraordinaire décor peint des églises de Paris au XVIIe siècle. La présentation de ces uvres d'art intimement liées à la vie des Parisiens prend un sens particulier au sein du musée consacré à l'histoire de la ville. Cette exposition a pour ambition de mettre en valeur ce riche patrimoine dispersé depuis la Révolution et de dresser un bilan des recherches menées durant ces dernières décennies. L'église occupe un rôle de premier plan dans la production artistique de l'Ancien Régime. Au XVIIe siècle, alors que la France se remet progressivement des guerres de religion et que les recommandations du concile de Trente donnent un nouvel élan à la spiritualité catholique, la peinture française va connaître l'une de ses périodes les plus riches et les plus brillantes. L'utilisation grandissante des images dans les lieux saints et la multiplication des chantiers entraînent une affluence de commandes dont l'apogée se situe sous le règne de Louis XIII. Lieux publics par excellence, les édifices de culte, qu'il s'agisse d'églises paroissiales ou conventuelles, font office de galeries d'art contemporain avant l'heure. On assiste alors à la création de véritables traditions picturales, comme celle des mays de Notre-Dame. Pour mieux resituer les uvres dans leur contexte, cette manifestation invite également à découvrir les églises parisiennes ayant conservé leurs décors du XVIIe siècle et les récentes restaurations que la Ville de Paris entreprend pour la conservation de ce patrimoine religieux, en particulier à Saint-Nicolas-des-Champs, Saint-Eustache et Saint-Joseph-des-Carmes. "" ************************* ref 525BS & réf 513.…

Couverture rigide. Condizione: Très bon. Paris, Musée du Louvre/Hazan, 2015 ; in-4° relié cartonnage éditeur, très nombreuses illustrations, 487 pp.

[16007].