Mike rossi (94 risultati)

Condizione: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Paperback. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: New.

Paperback. Condizione: New.

Condizione: As New. Unread copy in mint condition.

Condizione: New.

Condizione: New.

Condizione: New. Italian Recipes 2022: Delicious Meals for Eating Well Everyday for Beginners (Paperback or Softback).

Condizione: As New. Unread book in perfect condition.

Condizione: New.

paperback. Condizione: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Comic. Condizione: Very Good. First printing. Read once then bagged and boarded. Sent in a comic bag with backing board as well as our usual protective packaging. cover: Esao Andrews Art: Luca Rossi and Jose Marzan Jr / Mike Kaluta (illustratore).

Paperback. Condizione: Brand New. original edition. 325 pages. 9.00x6.00x0.50 inches. In Stock.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Notenblatt. Condizione: Neu. Neuware - Uncommon Etudes from Common Scales will better equip students and challenge improvisers of all levels with etudes that travel through all keys using common chord types. Also, expand your melodic and creative ability as an improviser and composer by applying Contrast to diatonic phrases! The etudes are suited for C, Bb and Eb treble clef instruments. The appendix features the changes for all etudes in the correct transposition to accompany Bb and Eb instruments. This volume of etudes by Mike Rossi is packed with appealing, swinging, modern, modal, model melodies. Like Dr. Rossi's previous volume, 'Contrast and Continuity,' this is a further contribution to learning contemporary jazz vocabulary, based on swing articulation and occasionally venturing into odd time signatures. Although intended for individual practise as preparation for soloing, selections from these etudes were performed by saxophone ensembles accompanied by rhythm section at recent jazz education conferences I attended and they sounded great. Like worthwhile etudes in every tradition, Uncommon Etudes focus on particular instructional outcomes while revealing the musical insights of a thoughtful and talented composer. Prof. Darius Brubeck, Honorary Research Associate, University of Kwazulu-Natal and IAJE Board: Africa/Middle East Representative. Following in the footsteps of his acclaimed 'Contrast and Continuity in Jazz Improvisation,' Michael Rossi has crafted a book of etudes that are, at once, as educationally stimulating as they are musically fulfilling. A scintillating approach and a valuable addition to every improvising musician's resource library! Chuck Owen, University of South Florida Distinguished University Professor Artistic Director, Center for Jazz Composition President, IAJE. Uncommon Etudes is the secret and cure for students and pros alike when practicing scales in all keys. These etudes are firstly MUSIC and also FUN to play. Combined with the etudes is Rossi s unique Contrast concept, which transforms already hip-sounding, scale-based phrases into a multi-coloured CREATIVE sound and language. The 'virtual' chord changes found in the appendix, allows concert instruments the opportunity to comp for transposing instruments, another excellent addition to an already great book. Ulrich Süsse Composer. Once again. As he did with his last book, 'Contrast and Continuity in Jazz Improvisation,' Mike has been studious in presenting material that is beyond the theoretical, but has practical and immediate use as a means of adding vocabulary to one s playing. David Liebman. 'Uncommon Etudes from Common Scales' by Professor Mike Rossi is a comprehensive addition to the field! This systematic method challenges, and intensifies, creative improvisational development utilizing melodic and rhythmic contrast. Exploring harmonic applications and related phrase development are strongly encouraged and integrated to internalize and expand the improviser s perspective, fluency . and musicality! Dennis Tini, Distinguished Professor of Music Co-Founder, Jazz Studies Program, Wayne State University-Detroit Past President; This book will challenge improvisers of all abilities with etudes that travel through all keys using common chord types. It will also expand your melodic and creative ability as an improviser and composer by applying contrast to diatonic phrases.…

Condizione: New.

Taschenbuch. Condizione: Neu. Neuware - It's been ten years since the ancestral lands of the Free Dwarf clans were conquered by the denizens of the Abyss. Forced to take refuge in King Golloch's great dwarven empire, the surviving free dwarves have scraped by as second class citizens among their imperial brethren. Reduced to refugees, the Free Dwarves chaff under Golloch's authoritarian rule, and are determined to one day reclaim their homes from the Abyssal Dwarves.It's been ten years since the ancestral lands of the Free Dwarf clans were conquered by the denizens of the Abyss. Forced to take refuge in King Golloch's great dwarven empire, the surviving free dwarves have scraped by as second class citizens among their imperial brethren. Reduced to refugees, the Free Dwarves chaff under Golloch's authoritarian rule, and are determined to one day reclaim their homes from the Abyssal Dwarves. Dinnidek, the young leader of the remnants of Clan Daamuz, fed up with the lies of Golloch's court, hatches a plan to bring his people out of exile and retake their clan hold. With the help of his sister Diessa (the clan Stone Priest), his brother Daerun, and the other clan thanes, Dinnidek will lead his people across the High Sea of Bari, back to a land filled with nightmares. The journey will test the clan's very existence, but honor demands that they risk it all for the clan's very survival.…

Notenblatt. Condizione: Neu. Neuware - In K.G. Cape Town wirbeln die Bläser über einem Pedalton, das Schlagzeug navigiert zwischen Solo und Begleitung. Das Stück ist Rossis Freund, dem Drummer Kevin Gibson gewidmet.Schwierigkeitsgrad: 3-4.

Notenblatt. Condizione: Neu. Neuware - In August of 2010 I 'arrived' in the Abruzzo Region of Italy following an invitation to perform there with a wonderful pianist and grande amico Walter Gaeta who hails from Lanciano. While on tour, Walter kindly took me to the small village of Alanno where my grandfather (mother's father) Giacomo Sansonetti was born in 1899. The village today is surrounded by beautiful vineyards and olive groves, much as it was during my Nonno's early years before he emigrated to the USA. I can't thank Walter Gaeta enough for introducing me to the fantastic musical talents and beautiful souls of bassist Gabriele Pesaresi and drummer Roberto Desiderio, and in assisting me in finding my roots from the Sansonetti side of the family in this beautiful region of Italy! Grazie Mille Walter! This medium up-tempo piece harmonically is fun and easy to solo on, as each chord lasts for 8 bars while moving up in minor thirds before resolving down a perfect 5th (Eb dom., Gb dom., A dom., D min.). Pay special attention to changes in dynamics where they occur during the melody (bars 5,15, 17, 31) and on the solo backgrounds starting at bar 41. The rhythm section - keep your eyes open for when to fill, break and mirror the melody rhythmically. The Sample Solo or Tutti Section beginning at bar 66 was written to assist soloists with material to play or draw from during solos. It can also be played as a unison Tutti passage following solo choruses at bars 41-56.Arrivo in Abruzzo is dedicated to my mother Janet Sansonetti Rossi and the warm people of Abruzzo, Italy. Dedicato a mia madre, Janet Sansonetti Rossi, ed all'accogliente gente di Abruzzo, Italia.Instrumentation:3 melody instruments, rhythm section; Im August 2010 bin ich in den italienischen Abruzzen 'angekommen', nachdem ich eine Einladung erhalten hatte, dort mit einem wunderbaren Pianisten und Grande Amico Walter Gaeta aus Lanciano aufzutreten. Während der Tournee nahm Walter mich freundlicherweise mit in das kleine Dorf Alanno, wo mein Großvater (der Vater meiner Mutter) Giacomo Sansonetti 1899 geboren wurde. Das Dorf ist heute von wunderschönen Weinbergen und Olivenhainen umgeben, so wie es in den frühen Jahren meines Nonno war, bevor er in die USA auswanderte. Ich kann Walter Gaeta nicht genug dafür danken, dass er mich mit den fantastischen musikalischen Talenten und den wunderbaren Seelen des Bassisten Gabriele Pesaresi und des Schlagzeugers Roberto Desiderio bekannt gemacht hat, und dass er mir geholfen hat, meine Wurzeln auf der Sansonetti-Seite der Familie in dieser schönen Region Italiens zu finden! Grazie Mille Walter! Dieses mittelschwere Up-Tempo-Stück macht harmonisch Spaß und ist leicht als Solo zu spielen, da jeder Akkord 8 Takte lang dauert, während er sich in kleinen Terzen nach oben bewegt, bevor er in eine perfekte Quinte aufgelöst wird (Eb dom., Gb dom., A dom., D min.). Achten Sie besonders auf die Dynamikwechsel während der Melodie (Takte 5, 15, 17, 31) und auf die Solountermalung ab Takt 41. Die Rhythmusgruppe - achten Sie darauf, wann Sie die Melodie rhythmisch füllen, brechen und spiegeln. Das Beispielsolo oder die Tutti-Sektion ab Takt 66 wurde geschrieben, um Solisten mit Material zu unterstützen, das sie während des Solos spielen oder aus dem sie schöpfen können. Er kann auch als unisono gespielte Tutti-Passage nach den Solo-Refrains in den Takten 41-56 gespielt werden.Arrivo in Abruzzo ist meiner Mutter Janet Sansonetti Rossi und den herzlichen Menschen in den Abruzzen, Italien, gewidmet. Dedicato a mia madre, Janet Sansonetti Rossi, ed all'accogliente gente di Abruzzo, Italia. Schwierigkeitsgrad: 4.…

Buch. Condizione: Neu. Neuware - The Forty Club ist ein Blues in D-Moll im 12/8-Feel. Besonderheit: Die erste bzw. zweite Stimme sind auch für Violine, Oboe, Flöte oder Klarinette spielbar. Schwierigkeitsgrad: 3.

Buch. Condizione: Neu. Neuware - Die Inspiration zu Scungilli stammt von einem beliebten italo-amerikanischen Muschelgericht. So, wie dort Sprachen und (Ess-)Kulturen verschmolzen sind, verbinden sich bei Scungilli Jazz-Skalen und frische harmonische Schattierungen. Ein medium up-Tune mit reichlich Platz für Solos! Schwierigkeitsgrad: 3.…

Notenblatt. Condizione: Neu. Neuware - As an American jazz artist and educator based in South Africa since 1999, this is one in a set of pieces that reflect my musical and other experiences in this fascinating country. Kwazulu Zam was composed using a traditional South African song form called mbaquanga. Mbaquanga is a characteristic South African musical form that utilises a repeated (cyclical) 2 or 4-measure harmonic structure based on I - IV - V - I and I - IV - 1 6/4 - V - I. These progressions are the backbone of South African jazz much like the blues and its variants is to American jazz. The piece is performed in the kwela style which is based on a strong swing feel. The original meaning for kwela during less fortunate times was 'kwela-kwela; hurry, hurry, the police are on the way.' Much like early jazz and throughout the swing period, the use of riff based playing and soloing was common. Bennie Moten's and Count Basie's early bands come to mind, and are just two examples of great riff based ensembles with exciting riff based soloing. Performance Tips The melodies or riffs in Kwazulu Zam must swing. Play them with a loose, relaxed feel. Really dip or slide into the notes that are marked. Intervals of a fifth or larger marked with slides should really be scooped and vocal in nature. Please note that African music and particularly South African jazz, is vocal and organic in nature. This tune is written in the Kwela/Swing style. It can also be played on a more traditional Mbaqango style. To get to know Kwela you can listen to recordings by Hugh Masekela, Darius Brubeck and Afro Cool Concept; also Paul Simon's 'Graceland,' for a better understanding of Mbaqango. Notes on Soloing Pay attention to the rhythm of the themes; play off rhythms found in the piece as well as playing rhythmically. The solo improvisation section at letter C should pay particular attention to the use of, and drawing from the three themes of the piece. Backgrounds and interludes can be very flexible. For example, B and C can be cued by signaling the number 1 for the background at letter B. Signal 2 for the background at C or 3 for both B and C. A closed fist indicates the last time when repeated more than once. Letters B & C can be played between solos or as a background building to the next soloist or just optionally letter C between solos. The solo background at letter C also has the option of being repeated more than once if your soloist is cooking and your rhythm section is grooving! Experiment too with dynamic shapes during repeated backgrounds that will add excitement to the background and influence the soloist. Even experiment with interchanging letters B & C as solo backgrounds. It is important to note that playing contemporary jazz phrases or licks really doesn't work and is out of context or style of the piece. Play in the style, play rhythmically, use material from the three themes to develop and build your solo. Most importantly have fun!!! Mike RossiInstrumentation:3 melody instruments, piano, guitar, double bass, percussion; In Anlehnung an die traditionelle südafrikanische Liedform namens 'Mbaquanga', die eine wiederholte (zyklische) zwei- oder viertaktige harmonische Fortschreitung aufweist, wird dieses Stück im Kwela-Stil mit einem starken Swing-Feeling gespielt. Die darin vorkommenden Melodien und Riffs sollten in einem locker-lässigen Stil gespielt werden.Schwierigkeitsgrad: 4.…

Notenblatt. Condizione: Neu. Neuware - Uncommon Bebop from Common Bebop Practices & Concepts demonstrates how to develop a colourful language for improvisation from common bebop practices and devices. Learn how to alter melodic lines beyond their fixed state to create a wealth of material for improvisation while learning to hear and treat all twelve pitches equally. The numerous lines, etudes and compositions within Uncommon Bebop illustrate how to: 1. Create lines from various steps of common bebop scales.2. Contrast set lines and phrases - 3. Expand 8-note bebop scales - 4. Develop multi-coloured variants from common major, minor and dominant bebop scales - 5. Use the above techniques to create etudes and chromatic compositions that travel through all twelve keys.Instrumentation:melody instruments; Uncommon Bebop from Common Bebop Practices & Concepts demonstrates how to develop a colourful language for improvisation from common bebop practices and devices. Learn how to alter melodic lines beyond their fixed state to create a wealth of material for improvisation while learning to hear and treat all twelve pitches equally. The numerous lines, etudes and compositions within Uncommon Bebop illustrate how to: 1. Create lines from various steps of common bebop scales.2. Contrast set lines and phrases - 3. Expand 8-note bebop scales - 4. Develop multi-coloured variants from common major, minor and dominant bebop scales - 5. Use the above techniques to create etudes and chromatic compositions that travel through all twelve keys.…

Notenblatt. Condizione: Neu. Neuware - While nearly all great solos contain a delicate balance of contrast and continuity in the broader sense, (rhythm, range, harmonic interest & variation, dynamics, pacing, etc.) this concept illustrates the way towards creating a diatonic, multi-colored and contemporary language for jazz improvisation.; While nearly all great solos contain a delicate balance of contrast and continuity in the broader sense, (rhythm, range, harmonic interest & variation, dynamics, pacing, etc.) this concept illustrates the way towards creating a diatonic, multi-colored and contemporary language for jazz improvisation.…

Condizione: New.

Condizione: New. Applying melodic contrasts to diatonic phrasesThis book will challenge improvisers of all abilities with etudes that travel through all keys using common chord types. It will also expand your melodic and creative ability as an improviser and composer by.

Softcover. Condizione: New. Msome Ama Nne/Amashumi Ayisine. 3 BL (+ PERC) .

Softcover. Condizione: New. 3 BL (+ PERC) .

Softcover. Condizione: New. 3 BL (+ PERC) .